Day 17 of 31
Synopsis : A landlady suspects her new lodger is the madman killing women in london.
A new style of suspense film that kicked off a long line of amazing thrillers from a sinister director. Loosely based around the horrific crimes of the notorious jack the ripper, the villain at large in this fog shrouded London is after a particular female instead, one close to the heart of the equally notorious director.
Taking all of the mystery surrounding Jack the Ripper and balling it together with a whole new list of objectives, this film doesn’t attempt to answer any questions but instead gives an insight into the paranoia that was potentially suffered by Londoners, who can you trust, especially when you’re a landlady who rents rooms to strangers and have a daughter that fits the bill of the typical victim.
When a landlady (Marie Ault) and her husband (Arthur Chesney) take in a new lodger (Ivor Novello), they’re overjoyed: He’s quiet, humble and pays a month’s rent in advance. But his mysterious and suspicious behaviour soon has them wondering if he’s the killer terrorizing local blond girls. Their daughter, Daisy (June Tripp), a cocky model, is far less concerned, her attraction obvious. Her police-detective boyfriend (Malcolm Keen), in a pique of jealousy, seeks to uncover the lodger’s true identity. Continue reading The Lodger (1927)