Director: Roman Polanski
Starring: Catherine Deneuve, Ian Hendry, John Fraser and Yvonne Furneaux. UK. 1h 45m
In Polanski’s highly thrilling black and white drama that kick started his tenant trilogy (which consists of two other classic films The Tenant (1976) starring Polanski himself, and the Cult classic Rosemary’s Baby (1968) , and this dark thriller, a young beautician drops deep in a claustrophobic insanity possibly spurred on by a suppressed family trauma as her feline sexuality sparks great interest from many suitors.
Repulsion is strangely enjoyable, and is a deep internal nightmare that transpires through any age, and is easily relatable to. Adapted by Gérard Brach it is fantastically brought to life by Polanski and on a meager budget of £65,000, this debut English film the budding director lost his footing at first, but as the dialogue vanishes he turns up the atmospherics and the results are quite dark and bold.
A beautiful timid girl Carole (Deneuve) is left alone in an apartment shared by her sister and her sisters husband, they are off to Europe for their holiday, leaving her some outstanding rent money for an angry landlord they skip town. Instantly the first cracks start to show in the relationship with her boyfriend and soon she starts making mistakes at work. Very slowly we see the layers of Carole’s psyche peel away leaving a vulnerable kitten and murderous vixen.
It’s quite easy to write off Carole in the early throes of the films, you hardly notice the little mouse in contrast of her sisters sultry boldness overwhelms her and she spends a lot of the time hiding behind her bleached blonde 60’s bouffant hair, but as her character changes, she starts to give up the goods and her performance is tremendous, her charisma teamed with the reclusive scenes of the apartment and shocking effects persuades the
viewer to miss the realities of what’s going on. Blending themes from Dementia 13 (1963) and Persona (1966).
The ingenuity of the effects are really beautiful not only do you literally see the cracks appearing in Carole life but her fears are coming out of the walls and dark shadows of her apartment. Polanski plays the art house card now and again, there are silent shots of rotten vegetables and dirty plates that co exist with the knife wielding madwoman episodes, but
these are short and frantic, but cause as many ripples as any Hitchcock Psycho scene and emphasis her meltdown and the effects it’s having on the real world.
It’s hauntingly stark at times but a real tour de force once it gains momentum, the horrific faces of the returning couple finding their apartment in disarray reflects the faces of any avid viewer. It’s very unusual for this style of horror/ thriller to have a knife welding psychotic serial killer but with several hints at previous sexual abuse and possible incest it’s no real shocker that this girl is this fucked up.. Her next step would be Haute Tension (2003)
L: Black and White Thrillers, Femme Fatals
5s : Roman Polanski