Director: Guy Nattiv. Starring. Jamie Bell, Danielle Macdonald, USA. 2h.
Redemption is the painful process etched out in Guy Nattiv’s gortty violent drama that sees a neo nazi break away from his mythical white only family in order to be a better person with the help of someone who he would normally happily attack for no reason other than the colour of his skin. Continue reading Skin (2018)→
There isn’t much to this short Nollywood production, although for some unknown reason one distinct story seems to gets swallowed by another part way through, maybe everything went to hell during the production, or the director has a change of heart, it becomes confusing but results in more hectic drama and heartbreak but sadly doesn’t make a better movie.
The film comes together over the cruel and mindless layabout trying to make some money, constantly scrounging from his friends, the lazy douchebag spends his days laying on a sofa watching TV and promising to pay everyone back when he gets his next big role, because this actor is apparently going places, it’s the markets fault for being so darn dry. When this excuse starts to wear thin he hatches a new devious plan. Using facebook he entices a young woman into the home promising her an acting role but first she has to submit a fee and act out a special sex scene for him, not realising that she’s being prostituted the girl goes ahead, free sex for friend and he gets to watch. Continue reading Vile blackmail (2018)→
Director: Nick Lyon. Starring. Chris Schellenger, Katy Reece, Austin Scott, Laurie Kynaston, USA. 1h 27m.
For a movie made with a “low” budget and special effects from about 20 years ago, it’s not terrible but it’s lacking a bit of energy in places but for a TV horror it’s quite different from the normal gumpf that you get served on a regular basis, but this seems to be by pure accident more than intent. Lyon’s falls into many of the typical horror traps, but it seems to be his style as he’s the father of a huge range of ‘tastrophy movies that all swim in the same stream, but somewhere in there is a fairly interesting story but delivered by a bunch of wailing idiots…
They thought they opened the portal to somewhere cool…
Some bright hopeful students successfully create a portal but unfortunately for them they open a doorway into hell, for some reason the film doesn’t show them coming together for this project, which is that touch of background that really introduces the characters but we’re landed into a situation where giant craters that lead into hell are being reported on the TV and the students are in the thick of it. Continue reading They Found Hell (2015)→
A young girl leaves school, takes a phone call and drops down crying, later she’s tending to her mother, a radio broadcast clues the audience in that a woman who was clinically dead has miraculously come back to life but things are quite a simple as that it seems mommy dearest has come back with a demonic entity. Somehow in this short of only a few minutes there’s more horror and tension than a full length drawn out movie of the same subject Cameron Gallagher has done an amazing job at building a credible and tense horror, beautifully short and cleverly arranged it really does conjure up some fiercely scary moments with its Carrie like style and atmosphere meeting the Exorcist along the way, truly terrifying. Continue reading Short Movie Roundup 24 November 2019→
Director: Philip Escott, Craig Newman Starring: Richard Pawulski , Danny Miller, Reece Douglas, Natalie Martins, Gary Knowles, Grace Dixon. UK. 1h 20m
Philip Escott and Craig Newmans movie is an intensely controlled, beautifully raw and a bittersweetly acted account of the systematic hunt and brutal murder of an innocent autistic teen. Richard Pawulski plays a peaceful young man, Danny, who heads into the countryside for some camping, ethical fishing and to enjoy the solitude for this Duke of Edinburgh award, but unknown to him, an enamored Julia (Martins) has lied to a violent and jealous Nicholas (Miller) about Danny having sexual relations with his (now) ex, this lie starts to spread and grows into Danny being a pedophile to encourage another friend to help them track him down and teach him a lesson. Continue reading Cruel Summer (2016)→
This strange and dutifully tragic movie owes a lot to Cronenberg and H.P Lovecraft despite opening with a quote from Joseph Conrad’s Heart of Darkness, that ends with “it echoed loudly within him because he was hollow at the core”. It’s hard to recognise the significance at this early stage of the movie but recalling back to the character it’s now easy to see how the main characters overall weakness as a human being made him so vulnerable for the nightmare that is about to unfold before his eyes.
Director: Darren Paul Fisher Starring: Daniel Fraser, Eleanor Wyld. UK. 1h 45m.
Synopsis : Are human conditions, actions, relationships determined by fate, free will, or a combination of both? At any rate, if it we cannot control it – should we care?
Initially the slow drama of Frequencies starts out at school, where not only is the young and emotive Zak (Fraser) an outcast due to his low frequency he’s also deeply in love with the top girl Marie (Wyld) who is a victim of her high frequency, which totally rids her of any emotions or feelings. In this unconventional universe when they meet, their unusually high and low frequencies creates tremendous havoc. In their 60 seconds or less meetings they form a strained friendship, Zak being the lab rat while Marie tests the effects of their encounters. Later on in life, Zak’s persistent attempts to raise his frequency with the help of his best friend leads him to a discovery that not only uncovers our past but unlocks many secrets and has the potential to change all of our futures. Continue reading Frequencies / OXV: The Manual (2013)→
If you enjoyed Attack of the Werewolves, then I think you might enjoy some of the similar black humor in this short movie. A young man is having terrible nights with his new girlfriend who turns into a conduit for demons in her sleep. Afraid of falling asleep with her in the room the two spend a night alone in a remote cabin but after all the great advice from his best friend he just simply has to remember not to fall asleep (motherfucker) they devise a plan and the happy couple are off for their night away from the rents!!
It’s not outstanding but it’s so brilliant, the little moments where things are paranormally shifted are enhanced with a slight comedy sounds but the adventure remains really creepy, the dynamics between the odd couple are wonderful and when things kick off, The setting of the remote cabin on a rainy night are perfect for any haunted story, there really is so much to love about this comedy short from Vance Mclean Ball, with it’s hints of Evil Dead and Paranormal Activity. Continue reading Short Movie Roundup 17 November 2019→
Director: Matt Allen Starring: Brian Thompson, Ben Browder, Shoshana Bush, Cheryl Texiera, Adrienna Barbeau. USA. 1h 32m
Matt Allen follows up his Aces and Eights short movie with a debut feature HOAX! which turns out to be a quirky faux mockumentary thriller about an investigation into the existence of Bigfoot, after a spate of teen disappearances in the Colorado mountains.
It’s easy to call it just another Bigfoot movie: but there has been a recent run of lowish-budget features that have broadened the creature featutes horizons by taking things to a new place, especially the fan favourite Bigfoot: The Lost Coast Tapes (2012). Somehow, without many clues or prompts or evidence, it does keep the question open in order to keep the viewers guessing until the very end, but does bigfoot exist or is there an alternative reason why teens are being slaughtered in the hills? And either way why would you want to go out with limited resources to find out? Continue reading Hoax (2019)→
Like a lot of Nollywood movies, there is a central theme of step parents abusing the children they are supposed to be protecting. A lusty adult will move in, swipe up a new lover but all they care about is the material wealth, and sadly the children are the ones to pay as they are often seen as being expendable. Continue reading The Despicable (2019)→