Director: Tom Shankland
Starring: Stellan Skarsgard, Melissa George, Selma Blair, Tom Hardy. USA. 1h
With the rise in popularity of the Saw Franchise, there were bound to be some copy cats, but this one stood out from the rest, not only did it have an impossible name but it’s based on a real equation, one that is found carved into the bodies of the victims. The serial killer at work here is obsessed with mathematical equations and revenge.
The two cops on the killers tail are the craggy Eddie Argo (Skarsgard) and his new rookie partner Helen Westcott (George) who’s quite fragile and not really up to the job but is determined to make it work.
The two are pretty clueless as to what they are up against at first but they soon start to unravel the equation (wΔz = Cov (w,z) = βwzVz) with some help from a drug addicted Denis Penis, who helps explain that it translates to “kill your loved one or be killed”, and ever so slowly they also piece together the dark secret that sparked the killings via confident of Eddie, a young informer that he pays special attention to. Continue reading WΔZ / Double u delta zee / The Killing Game (2007)
Director: Philip Gelatt.
Starring. William Jackson Harper, Rebecca Henderson USA. 1h 42m.
Based on: They Remain by Laird Barron.
Exploration is the focus of this psychological sci fi thriller, but the execution is as conflicting as the main characters grasp on reality and eventually the slow burning just fizzles out after several meandering mistakes which were supposed to build tension. They Remain explores a relationship of two scientists , Keith (Harper) and Jessica (Henderson) who are employed to investigate an area which was once a camp for a mysterious cult. It’s not very clear what they are doing for a long stretch of the movie, the two seem to have bizarre conversations while looking at camera feeds and “researching”, apparently sent by a mysterious corporation identifies by it’s geometric corporate logo and no more.
Continue reading They Remain (2017)
Director: Jeff Lieberman
Starring: Alexander Brickel, Kateryn Winnick, Stephen Graham, Amanda Plummer, Wass Stevens, Joshua Annex. USA. 1h 40m.
I found this lesser known gem in the bargain bucket, it came as one of those double sided discs with an equally bizarre b movie, Killer X (1999), it stayed on my shelf for years until I had a particularly shitty break up and I decided to settle down with a tub of ice cream and sob into it with a terrible movie to remind myself just how shit my life was at the time but this stunning movie really uplifted my evening.
Directed by Jeff Lieberman, a meistro who lives to live life on the edge with psychedelic and wayward classics such as Blue Sunshine (1977), Just Before Dawn (1981) and Squirm (1976) under his belt, but with this modern approach to horror, he seemed to not take any aspect of this movie all that serious but it still manages to be a creepy comedy horror with some very dark undertones, totally different from this retro classics but so brilliant in it’s own quirky rights. Continue reading Satan’s Little Helper (2004)
Director: Christopher Smith
Starring: Melissa George, Michael Dorman, Rachael Carpani, Henry Nixon, Emma Lung,Liam Hemsworth. UK. 1h 39m
At first glance it would seem that the title seems to refer to the Bermuda Triangle, where puzzling things seem to happen at sea, but really if this film deserved an apt title it would be Loop but that would sound stupid.. so triangle it is.
The film is quite smart and even with rounds of repetition it’s still interestingly constructed, sly and a fairly deep piece from British Director Christopher Smith who gave us deeply disturbing projects such as Creep (2004).
Set in the US, with a totally Aussie/New Zealand crew, there are a few accent faux pas but they are totally acceptable in the time loop chiller, that seems to be a cross between Ghost Ship (2002) and Donnie Darko (2001), that sees a group of youngsters take a jaunt on a fancy yacht and run into curious difficulties. Continue reading Triangle (2009)
Director: José Padilha
Starring: Joel Kinnaman, Samuel L Jackson, Michael Keaton, Gary Oldman, Michael Kenneth Williams, Abbie Cornish . USA. 1h 57m
It’s taken me a long time to watch this as I have such a deep connection with the original film, for me Robocop is a saint and I was almost insulted that anyone would dare to remake the movie, but this is a very loose remake that pretty much relies on you having seen the original too get make sense of some of the benial content. But don’t take my low rating as a sign that I am a total fangirl of the Verhoeven classic, I have taken a lot of energy to think outside of my little box.
In this rendition of the tragic life of Alex Murphy (Kinnaman), he’s a brilliant righteous cop who is on a questionable case that keeps giving him and his partner Lewis (Williams) the slip. Continue reading Robocop (2014)
Director: Lance Daly.
Starring. Hugo Weaving, James Frecheville, Stephen Rea, Freddie Fox, Barry Keogham, Sarah Greene. USA. 1h 40m.
This brilliantly dark poetic revenge flick from the bleakest part of Irish history is rough but so intense. Based on the Irish Language short called An Ranger by PJ Dillon and Pierce Ryan, this lengthy retelling is focused on an Irish Ranger returning home from war and finding his homeland is very different to how he left it.
Starting on another tangent, the film opens with Hanna (Weaving) losing his temper with a prisoner, a member of the Young Irelander movement, while losing his temper he strangles the man he sips from his canteen while another guard realises Hannah has killed the prisoner.
Meanwhile Martin Feeney (Frechville) a former Connaught Ranger arrives in Connemara, west Ireland in 1847, the worst part of the Great Famine, he finds family home hollowed out and filled with pigs, he learns that his mother died from starvation and his brother was hanged after stabbing a bailiff during the family’s evection. Feeney stays with his brothers widow (Greene) who are squatting in one of the few remaining houses. Soon the landlord arrives to evict the family, killing Feeney’s nephew and destroying the home. Feeney is arrested but managed to kill his captors and destroy the barracks and re returns to find his sister in law and her daughter dead from exposure. This sparks something dark inside of Feeney and he begins to seek a tortuous bloody revenge on the men who have wronged him. Continue reading Black 47 (2018)
Director: David Lynch
Starring: John Nance, Charlotte Stewart, Judith Anna Roberts. USA . 1h 49m
A cult classic surreal black and white masterpiece… to some.. But not for me! I’m not going to bullshit, I’ve never been really into Eraserhead, I adore black and white movies and I really love surreal art (something I paint myself) and films. I’ve never been heavily into Lynch and for me this film is creepy, unusual but nothing all that special. I feel that there are two types of surreal movies, the first is a movie which is all out surreal, no easy to follow story line and completely wacky, for argument sake Dali’s Un Chien Andalou (1929), and there are other films which have a pretty liner storyline but just go about it in random ways.. Much like this one. Continue reading Eraserhead (1977)
Director: David Cronenberg
Based on – Naked Lunch by William S Burroughs
Starring: Peter Welller, Judy Davis, Ian Holm, Julian Sands, Roy Scheider. Canada, Japan, UK. 1h 55m
This bold, Kafkaesque putrid remake of the legendary novel by William S Burroughs, is possibly as vivid and imaginative as the original book, but if you’ve read the book you’ll realise that no film could ever really be a true adaptation, so the screenplay is a metatextual adaption. Detailing characters and scenes from a complex novel and other works from Burroughs, both fictional and from his journal and the events which lead to the 1951 death of Joan Vollmer, Burroughs’s common law wife. So while it’s not entirely Naked Lunch, it should at least FEEL like Naked lunch and at times it feels a lot like Burroughs but slightly more coherent.
As a surreal autobiographic piece the film follows the life of William Lee, who is basically Burroughs, a bug exterminator who discovers his wife is stealing his insecticide and using it to get high. Lee is arrested and starts hallucinating because of his exposure to the powder. Believing that he’s a secret agent he beings a strange relationship with two handlers, one is a insect typewriter and an alien “Mugwump“. The typewriter assigns him a mission of killing Joan, she’s allegedly an agent of an organization called “Interzone”, Lee dismisses this notion but on returning home he finds Joan having sex with a friend and kills her, inadvertently carrying out the mission, he flees to interzone, a city in North Africa where he spends his time writing reports to his handlers, this slowly becomes the Naked Lunch book and after taking more mind altering drugs and getting a new typewriter, a Clark Nova, this insect stresses that he needs to find Dr Benway by seducing Joan Frost who’s a doppelganger of his dead wife and then things get really weird, and with the addition of a drug that is made from a centipede. Continue reading Naked Lunch (1991)
Director: Brian Yuzna
Starring: Mark Frost, Isabel Brook, Jeffrey Combs, Andrew Divoff, Monica Vam Campen . Spain . 1h 38m
Based on Tim Vigil and David Quinn (graphic novel) Wolfgang Von Goethe (play)
There’s a magical era of horror which isn’t to be taken too seriously but it is to be thoroughly enjoyed. I haven’t really been able to put a name to it, if one exists then please hit me up on twitter @admitonefilmadd or comment here. But it involves great special effects, a bit cheesy for modern audiences but so very treasured for the community.
It’s not too hard to work out the basis of this gory horror, it’s a modern rendition of a play by Wolfgang Von Goethe known originally as Urfaust dated between 1772-1775, so the story is well known, but there are additional twists so keep new eyes riveted on the action. Continue reading Faust : Love of the Damned (2000)
Director: john Krokidas
Starring: Daniel Radcliffe, Dane DeHaan, Michael C. Hall, Elizabeth Olsen, Ben Foster, Jennifer Jason Leigh . USA . 1h 35m
A sort of coming of age of the Beat Poets, Kill Your Darlings presents a “as they were” to the major literary movement. Krokidas uses a small time 1940’s murder as a feature to lead into how these soon to be famous writers first met. He romanticize everything, including all the negative aspects of the characters, their argumentative nature and self destructive tendencies are all keys of inspiration but the film wallows in a faux nostalgia and sensationalism rather than digging deeper to provide a better insight. Continue reading Kill Your Darlings (2013)