All posts by Kisha

Quirky goth chick

Frequencies / OXV: The Manual (2013)

Director: Darren Paul Fisher
Starring: Daniel Fraser, Eleanor Wyld. UK. 1h 45m.

Synopsis : Are human conditions, actions, relationships determined by fate, free will, or a combination of both? At any rate, if it we cannot control it – should we care?

Initially the slow drama of Frequencies starts out at school, where not only is the young and emotive Zak (Fraser) an outcast due to his low frequency he’s also deeply in love with the top girl Marie (Wyld) who is a victim of her high frequency, which totally rids her of any emotions or feelings. In this unconventional universe when they meet, their unusually high and low frequencies creates tremendous havoc. In their 60 seconds or less meetings they form a strained friendship, Zak being the lab rat while Marie tests the effects of their encounters. Later on in life, Zak’s persistent attempts to raise his frequency with the help of his best friend leads him to a discovery that not only uncovers our past but unlocks many secrets and has the potential to change all of our futures. Continue reading Frequencies / OXV: The Manual (2013)

Short Movie Roundup 17 November 2019

Short Movie Roundup 17 November 2019

Don’t Fall Asleep Motherfucker

If you enjoyed Attack of the Werewolves, then I think you might enjoy some of the similar black humor in this short movie. A young man is having terrible nights with his new girlfriend who turns into a conduit for demons in her sleep. Afraid of falling asleep with her in the room the two spend a night alone in a remote cabin but after all the great advice from his best friend he just simply has to remember not to fall asleep (motherfucker) they devise a plan and the happy couple are off for their night away from the rents!!

It’s not outstanding but it’s so brilliant, the little moments where things are paranormally shifted are enhanced with a slight comedy sounds but the adventure remains really creepy, the dynamics between the odd couple are wonderful and when things kick off, The setting of the remote cabin on a rainy night are perfect for any haunted story, there really is so much to love about this comedy short from Vance Mclean Ball, with it’s hints of Evil Dead and Paranormal Activity. Continue reading Short Movie Roundup 17 November 2019

Hoax (2019)

Director: Matt Allen
Starring: Brian Thompson, Ben Browder, Shoshana Bush, Cheryl Texiera, Adrienna Barbeau. USA. 1h 32m

Matt Allen follows up his Aces and Eights short movie with a debut feature HOAX! which turns out to be a quirky faux mockumentary thriller about an investigation into the existence of Bigfoot, after a spate of teen disappearances in the Colorado mountains.

It’s easy to call it just another Bigfoot movie: but there has been a recent run of lowish-budget features that have broadened the creature featutes horizons by taking things to a new place, especially the fan favourite Bigfoot: The Lost Coast Tapes (2012). Somehow, without many clues or prompts or evidence, it does keep the question open in order to keep the viewers guessing until the very end, but does bigfoot exist or is there an alternative reason why teens are being slaughtered in the hills? And either way why would you want to go out with limited resources to find out? Continue reading Hoax (2019)

La Mala Ordina / Italian Connection (1972)

AKA Hired to Kill, Manhunt in the City, Manhunt in Milan, Manhunt

Director: Fernando Di Leo.
Starring. Mario Adorf, Henry Silva, Woody Strode, Adolfo Celi. Italy. 1h 40m.

After a shipment of drugs vanishes a rather charming Corso (Cyril Cusack) settles down two confidants and describes the mood for them, Dave Catania (Silva) and Frank Webster (Strode) listen patiently while they are given clear instructions to travel to Italy, where they are to act as American as possible in order to gain the attention of their target, both men speak the language fluently and are more than capable of finding the man suspected of being responsible for the missing drugs and making him suffer. A beautiful local assistant will be waiting on them hand and foot and aiding their mission but the blundering idiot they are sent after might not be quite a useless as everyone suspects.

Small time pimp and crazy headbutting tough guy Luca Canali (Adorfi), seems pretty low key, not the shifty character you’d expect to accidentally lose such a precious cargo. The film partially opens with him spending a pleasant day with his “girlfriend/bottom bitch”in the park then beating up two douchebags using Tekken 2 tactics.But the magic of this film is that Luca is a family man, his stunning ex and beautiful daughter get all his love and attention, and pretty soon the movie shifts from the two tough guys high tailing and it turns into the “Luca show” while he tries to keep ahead of all the mobsters who are now suddenly hot on his tail and all in his slightly comedic style. Continue reading La Mala Ordina / Italian Connection (1972)

The Despicable (2019)

Director:
Starring: .Nigeria. 2h 40m

Like a lot of Nollywood movies, there is a central theme of step parents abusing the children they are supposed to be protecting. A lusty adult will move in, swipe up a new lover but all they care about is the material wealth, and sadly the children are the ones to pay as they are often seen as being expendable. Continue reading The Despicable (2019)

Short Movie Roundup 10 November 2019

Stop

Two black men and one white woman is pulled over by the cops, a simple task which makes the news on a daily basis as one of the most talked about racially tense moments in any black Americans life.

It’s quite a slow and deadly quiet drama but there’s so much power in each word, the passenger in the back of the car is so very controlling. And his part in this is questionable, there’s a tit for tat between the officer and each person in the car, until he’s satisfied that everything is okay and about to leave then a few words are uttered and…

Steven DeGennaro and co-writer Scott Weinberg unravels this tale in essentially real-time as it tracks the rising tensions during a traffic stop which does end on a pretty nasty cliffhanger. Continue reading Short Movie Roundup 10 November 2019

Kuso (2017)

Director: Flying Lotus.
Starring. David Firth, George Clinton, USA. 1h 45m.

I have to be totally honest when I say that I really don’t know how to describe or classify this movie, which makes it way more interesting for me I’ve watched it twice know and while I’m morbidly obsessed with it, there’s so much I can’t deal with while watching it.

If I had known that the movie was made by Flying Lotus with David Firth as back up I could have been properly prepared, but I chanced upon this by total accident. The film has a loose wrap around plot to which 5 stories are attached, split up into small segments and clouded with experts only suitable for a deranged subculture on the edge. Continue reading Kuso (2017)

5 Selected – Dee Wallace

Dee Wallace is one of my favourite ladies of horror, while a shrinking violet of a character she’s often overlooked for her contributions to horror. Often starring with her husband Christopher Stone (RIP), she has thrilled audiences with her great acting and made several cameos usually playing a sweet wife or mother. Personally I’d have preferred to see her as the mother in Lost Boys (1987) as she plays the perfect horror mother so well.

01.Howling (1981)

One of the best Werewolf movies from the 1980’s. Combining (in equal amounts) a great story with groundbreaking special effects the result is this cult classic.Dee plays alongside her then,  real husband Christopher Stone as a timid big city girl news reporter,  the most she see’s of nature is in the zoo. Then Eddie (Robert Picardo) a creepy stalker starts to contact her trying to introduce her to the wild, after a strange altercation in a dodgy video shop she is invited to go to the “retreat” a city girl out in nature for the first discovers the most extreme call of the wild. Dee is a wonderful and beautiful lead in the creative scary film. A proper contrast of the evil Marsha (Elisabeth Brooks) RIP.  8/10 Continue reading 5 Selected – Dee Wallace

This must be the place (2011)

Director: Paolo Sorrentino
Starring: Sean Penn, Frances McDormand, Judd Hirsch .UK/Ireland/USA. 1h 58m

Italian director Paolo Sorrentino emerges with some triumph as one of the masters of modern cinema with this English Language film This Must be the Place, starring Sean Penn as a Robert Smith inspired aged rock star Cheyenne. Retirement doesn’t bring as much action as the rocker passes his time living a non existent life in Dublin spending his days alone in his mansion or with his best friend Mary (Hewson) while his American wife (McDormand) is content with her job as a firefighter.

The approach is superbly elegant and has a mix of looming camera movements and bursts of dynamic action mixed with Penns dry humor that sinks into a hallucinatory landscape, which at points is so massive swallows up the characters. Continue reading This must be the place (2011)

Amer (2009)

Director: Helene Cattet, Bruno Forzani.
Starring: Charlotte Eugene-Guibbaud, Cassandra Foret, Marie Bos, Bianca, Maria D’Amato, Harry Cleven, Delphine Crual Belgium/France. 1h 30m.

There has been a lot of talk about this being the beginning of a new wave of Giallo, for a lover of the macabre like myself this was immensely exciting news. I have been into Giallo for a long time now, and while I find new oddities from time to time, it’s getting rarer so to experience new films from the eccentric genre, I eagerly sought out these new wave films.

I was pleasantly surprised not only does the movie has heavy Giallo imagery the story is somewhat diverse, more experimental and a feast of the senses but not entirely Giallie, but something more avant garde that i found myself submerged in. The story is all about Ana and her development from a curious youngster who blossoms into a stunning temptress with dark secrets.

The film is cleverly divided between three distinct sections, the first shows Ana as a plucky little tyke, played by Cassandra Forêt, she crept around the dark mansion, a shadowy figure, possibly her grandmother skulks around with a heavy mantilla layered with black lace, awaiting the death of her husband who’s resting in one of the many bedrooms. the chapter is presented in extremely dark primary colours, flashing light to dark and contrasted to the highest levels, eyes are key here, they are staring from every corner, constantly watching the girl.. Ana is after his pocket watch and fully aware that the shadowy figure is keeping a close eye on her, rooms are locked with heavy keys and eyes are often staring through keyholes, but she managed to get her hands on his watch by using a gold cross to break his post mortem, arthritic hands and is then attacked by the dark covered hands of her grandmother, while running away she bursts in on her parents having some pretty rough sex, and is obviously affected for life.

During the brighter second chapter Ana is now older, a teenager who is beginning to realise that she’s desired.. while accompanying her mother to the hair salon in the local village, the sun shines on them, and through the active camera and vivid sounds again the senses are alive with motion, sounds so crisp and loud that the force all of the senses into action Ana is painfully aware of her mother’s aging, she slips while walking in her heels, isn’t her hair a little greyer? Ana, now played by Charlotte Eugène Guibeaud notices people lurking in the shadows, watching her, when asked to wait outside with the other children she stumbles on a group of bikers and begins to parade herself in front of them when she’s slapped into reality by her mother and they return home, but it’s clear to see that she likes the bad boy influence.

In the final chapter, the now adult Ana has morphed into Marie Bos and is taking the arduous trip back to her now dilapidated family home, the taxi driver dons his black leather gloves and switches on a tiny fan, the seat burns her legs and she opens the window while noticing that the driver is eye banging her. While making herself at home she notices that the taxi driver has returned and another dark figure with black gloves and a razorblade. This final throw of the movie is the closest to the Giallo flavour which the film is famed for having the night scenes look as if they have fallen straight out of the heights of Gialloism. If you give the movie a chance and feel it as much as watching it, there’s a chance you’ll get a taste for it’s deep psycho sexual flavours and deep terrifying puzzles. Amer is a prolonged tease, certainly something to get fully immersed into and not to be taken lightly.

It’s strange and disturbing, a total tantalizing for all the sense, an experience more than a movie, clearly crafted in highly unique chapters by Hélène Cattet and Bruno Forzani, a pair of directors who cut no corners and went full throttle into this deep mystery. But this was only their first step into the strange unknown, they later went onto create something a step closer away from a narrative in The Strange Color of Your Body’s Tears in 2013 and then Let the Corpses Tan in 2017.

To pin down the film will only do it injustice as conjure a rare fantasy world and phantoms which cannot be described but picked out from between the fabric of the movie itself.

The film is simply another wild ride of the new wave of Giallo which will hopefully start to pick up pace or at least be propped up by many more titles from this fearless duo.

Rating 8/10

RThe strange colours of your body’s tears (2013), Tulpa (2012), Let the Corpses Tan (2017)
L – New Wave of Giallo

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