via Beard Facts
Director: Phillip Guzman
Starring: Jocelin Donahue, Jesse Bradford, Lori Petty, Billy Blair,Jesse Borrego. USA. 1h 39m
The biggest selling point of this film is that it come from the makers of the FINAL DESTINATION franchise, and that’s pretty much the most impressive feature.
After the death of her identical twin sister Beth, Kate Bowman (Donahue) starts to investigate the supernatural world of Old Hag Syndrome or Sleep Paralysis, from which her sister suffered. She’s shocked to find a large number of sufferers have died in similar ways to her sister and that there is more sinister to this mystifying condition. Other professionals claim it’s heresay and irrational nonsense especially her sisters doctor, Skyes (Petti) but Kate tracks down one individual Dr. Hassan Davies (Borrego) who not only believes but who has been trying to track down the Hag and destroy her, they team up with the late Beth’s boyfriend, Evan and carry on the chase. Continue reading Dead Awake (2016)
Director: Steven R Monroe.
Starring. Sarah Butler, Jeff Branson, Rodney Eastman. USA. 1h 48m.
It’s not often I waltz into a remake but I thought I had better make an tiny effort for this one.. the film manages to stay true to the original but in all the wrong ways, heavily inspired by the cult classic banned movie from 1978 This remake of I spit on your grave managed to recreate a harrowing rape and revenge experience. Highlight rape culture and male dominance in society the film is a stark warning to the extent of the darker recesses of human culture. Continue reading I spit on your grave (2010) (R)
Director:Zak Hilditch .
Starring. Thomas Jane, Molly Parker, Neal McDonough. USA. 1h 48m.
This hot and melting messy murder film is quite an interesting brooding moralistic thriller. At first the rocky love affair between Wilfred Jane) and his feisty wife Arlette (Parker) is something on parallel to a Tennessee Williams play, but it’s no secret that he’s planning to kill his wife for her land and cash, but it doesn’t seem plausible until he slowly bullies his son, Henry into helping him hold her down and slit her throat in a torrid gurgling bloody mess. He disposes of her corpse down the well soon after then the rats appear, crawling in and out of her corpse, the scene shocks him but he has some cleaning up to do and a lot of police dodging, until the Henry discovers that his teenage true love is pregnant and he has to escape the town and the two go on the run leaving Wilfred alone on the farm with the ever present rats for company.
Director: Kellie Madison
Writers: Nicky Hawthorne, Kellie Madison
Starring: Marguerite Moreau, Jack Davenport, Brad William Henke, Christopher McDonald
This film seems to be a poor relation to the inventive 400 Days (2015) which is a gripping science fiction movie, in this tepid thriller, a group are left in a bunker to simulate what it’s like to travel to Mars, sadly around the time they are to be released from the confines of their bunker, they lose communication and the crew start to break down mentally but that’s the least of their worries, as the paranoia seeps in the power cuts, have they really been left underground or have they really gone to Mars? Continue reading The Tank (2017)
Director: Richard Gabai
Starring. Jackson Rathbone, Stephen Lang, Nathan Parsons, John Lewis USA. 1h 32m.
Westerns often have lawless towns that are soon put on the straight and narrow once a righteous man is found to run the bad guys out of town, these bad guys, usually idiots are under the control of a bad guy with some political ties.. but the righteous man usually still kicks their asses.. there you go I summed up this film. It’s not often that a film pile drives itself into the biggest clichés of a genre, the only thing missing from this was some injuns and a spittoon.
Starting off in the quiet sacred space of a church, Rev. Thomas McCord (Rathbone) busies himself with reverend stuff when a hooker strolls in looking for salvation, getting rather close the mayor walks in seeing their embrace starts hollering and the burns the church down with McCord in it. later on a tougher older brother James McCord (Parsons) waltz into down, freeing slaves and is generally an all-round American hero without a spandex suit. He finds that his brother has died in a tragic accident but isn’t biting on that schit and begins his own investigation while staying with an ex prostitute and some of the kinder people in town he goes head to head against Mayor Pierce (Lang) and his slow witted henchmen led by Reb (Lewis). The is a struggle as the Mayor and Freedom fighter tussle about who’s the alpha male until a bloody showdown, in the meantime the born again prostitute finds a higher level of repentance.
There’s little atmosphere in this film, and nothing builds as the movie progresses, the actors just move through their steps and lines as if automated. Lang strangely bothered to appear but didn’t really deliver a performance, nothing in par with anything he’s done before, but with so little hope that this was going to sell why waste your talent, to be fair, if you’re going to do a job, do it right! He does bring in a whole smooth callous mayor, but most of the animosity is between James and Reb, they spend much more screen time at each other’s throats.
A few scenes just didn’t make any sense and the plot holes are frequent, in one scene there is a public discussion on breaking James out of jail, with half of the people saying they didn’t want a part of it, and wandering off, I guess to remain silent!? Leaving the rest to open discuss how they are going to perform an unlawful act, as you do.. in the middle of town?
Somehow the acting is on par with Dr Quinn Medicine Woman, and feels soulless and bleak while the films gets sentimental around the point of the big showdown that has been on the cards since the first 10 minutes, this finale is lacklustre and manages to bring the film down to a point of no return.
Overall this is just dull and boring..
R – Black Killer (1971), Appaloosa (2008), Bone Tomahawk (2015)
L – A-Z of Westerns Vol 1
5s – Stephen Lang
Director: Nick Gillespie. Writer : Nick Gillespie.
Starring. Gordon Kennedy, Michael Smiley, Rupert Evans, UK. 1h 28m.
I saw a preview for this by accident trying to find details for the less than imaginative sci fi flick The Tank (2017), I am unsure how my mother knew about it and that I was totally oblivious, but these things do happen and thankfully she had the film on DVD and after seeing that Ben Wheatley had his fingers in this sticky pie so I got stuck in. Continue reading Tank 432 (2015)
I try not to exclude any genres but I really can’t stick popular comedy films, I guess I just don’t have a funny bone… no, wait that’s not true at all, follow me on Twitter and find out!! I get a lot of humour from the films I watch I just never feel the need to just sit down and laugh, I prefer to be unsettled. It takes all sorts I suppose, the exception to the rule is Hot Rod (2007) this is something I can sit down and watch with glee about once a year.
just shoot me now! I kinda enjoyed the Tim Burton film, I was about 9 and it was exciting to see all the flashy shit but when I bothered to look back on the film only a few years after its release it was so terrible.. and everything that has come after it has been total crap. I adore the comics, and the animated show was quite fun, but I just can’t visualise a physical batman. I have tried to watch a number of them but I’ve not rated any of them higher than a 3.
03.We need more REAL effects
CGI has it’s place but it’s so typical and boring and can really date a film, it’s guaranteed that within a year or two the film is going to look sloppy. I really admire the craftsmanship and imagination the goes into making real effects, the wonders from Tom Savini and Rick Baker really made an important feature in cinema, it does seem that this era is over but every not and again someone does revive this timeless method over the use of their pooter and it’s brilliant.
I get riled up when people rely on the budget of a film for its watchability. There are so many films which cost millions which were total chump and vice versa, it’s one of the dumbest reasons to not like a film. I really admire films like Primer (2004) and Bellflower (2011) strangely both lofi scifi but they cost less than the catering for a bigger budget film and are deeply moving and amazing tales.
05.Blu Rays are pointless
I don’t even want to go into my hatred for gay rays. I own one and for some reason it came with the DVD, why the hell I would want both I dunno but I have both.. (the film is Salo, defiantly not something to need to see with any more clarity). I feel the jump from DVD to digital with overstep Gayray, it’s just another use to spend more money like 3D movies and how minidisc was supposed to be the next new format and well we went digital.. I won’t be replacing any of my 3000 films with gay ray.. heck I’m buying more VHS!
06.Cinema experience is overrated
I do love going to the movies but I prefer to watch them at home, in comfortable clothes, with cheap food, all the booze I can handle, company I approve of and no one telling me to shush or getting offended by my classy farts…
07.2001 a Space Odyssey is sooooo boring..
I didn’t want this to get down to films but there are a range of movies and directors that you are expected to worship otherwise you can’t be taken seriously. But 2001, for me.. was so boring.. I really enjoyed the sentinel story it’s loosely based on but this was crap… wait it’s not crap it’s just not thrilling.. not for me..
08.I don’t get hung up about watching movies on YouTube
I don’t upload them but I do watch them from time to time, I have a vhs copy of Turkey shoot but there is a HD version on YouTube!! Now and again instead of searching through 3000+dvd’s I do log on and watch it, I don’t feel like a criminal, although technically I am. I’ve watched a few things on there, especially some hard to find films from the Soviet Union. And schit that isn’t on DVD yet, ultimately it’s evil and somehow it’s funding terrorism (that’s so LOL) but I really don’t see it destroying the film industry completely I still buy a LOT of movies and spend a fortune at the cinema. I’m not a total scumbag but I don’t lose sleep over this.
I really don’t discriminate when it comes to movies, (ignore point 01), I like to encompass all of cinema and that includes *old* movies and black and white films, now when I say old I’m talking 1920s and when I mean black and white I mean black and white.. you get me. It’s something often overlooked by younger audiences who can barely cope with a movie without CGI, but I’ve see some impressive new films with CGI that are 90% black at white at least.. and the older films can be equally as thrilling.. turn the colour off and usually lose seats at the cinema,
10.The Oscars can bite my ass
I don’t care.. I really don’t..
Director: Susanne Bier.
Starring. Mads Mikkelsen, Sidse Babett Knudsen, Denmark/India/Sweden. 2h 2m.
There’s a strange sense of duty and a unique stiff upper lip with Scandinavian culture, often associated with bravery and wisdom, sometimes things get a little sharp and precise with the Northern European restraint, and it unfolds with a glorious and bitter results.
The film opens with Jacob (Mikkelsen) a good Samaritan who has cast off all the luxuries of Denmark and is running an orphanage in India which is in dire need of funding. A mysterious man Jorgen (Lasagard) insists on giving the a large sum of money to the cause but only if he gets to meet with face to face, at first he’s hesitant but then soon realises the fate of the children rests on his shoulders. Continue reading Efter Brylluppet / After the Wedding (2006)
Director: Uwe Boll
Starring. Brendan Fletcher, Lochlyn Munro, Mike Dopud, Michaela Mann Canada/Germany/USA. 1h 33m.
Straight after his first rampage in Oregon, Bill Williamson (Fletcher), vanishes off the grid but the actions and message is received loud and clear and his fan base is growing online. He uses the money from his previous heist to fund a new one venture to really get his message home, a second chapter, another rampage and this time he’s coming back for the media. After purchasing weapons and building bombs he shaves his head, sets his house on fire and drives to Washington where he unpacks, burns his car, breaks into a new station, killing security staff and a few employees, he gathers up their number one (asshole) anchorman (Munro) and gathers his hostages in the basement. Continue reading Rampage – Capital Punishment /Rampage You End Now(2014)