Director: Robert Green Hall.
Starring. Nick Principle, Mimi Michaels, Danielle Harris, Owain Yeoman, Thomas Dekker, Brian Suatin Green. USA. 1h 33m.
After the pretty dismal and tiresome start to Laid to Rest (2009), the film eventually grew on me, slowly creeping up like a Carolina Reaper, to deliver some pretty amazing b movie results. As an introduction to Chromeskull, a lone slasher type figure who kills and tortures for his own amusement, it stands as a very good set up for a series of movies. Unfortunately all the good was rapidly undone but an abysmal sequel.
Chromeskull does a great job of picking up right where the first movie finished, the survivors ride off into the distance but the game changer is that Chromeskull isn’t a deranged lone ranger like we were led to believe, he has a clean up crew, a highly strung apprentice and a personal assistant back in his “base of operations” it seems as if the attempt to explain the clean up process for the chilling Chromeskull actually makes the movie less plausible and for me ruined the mystery. Continue reading Chromeskull : Laid to Rest 2 (2011)
Director: Richard C. Sarafian.
Starring. Barry Newman, Cleavon Little, Dean Jagger USA. 1h 38m.
I have some vague recollections of watching this film as a kid, which prompted me to revisit many years ago and I totally fell in love with Kowalski his amphetamine fueled ride through the desert, in one of my all time favourite cars, a gorgeous Dodge Challenger RT 440 Magnum; taking grindhouse to the brink with some strong biblical and mythical undertones, accompanied over the radio by a blind messiah and awesome rock music, for me it’s the perfect combination. Most movie lovers will cite Steve McQueens Bullit (1968) as being one of the best car chase movies, and while I can’t disagree I think this film is brilliant contender for the top spot.
Everything about the film is under the surface, but on the face of things, it’s just a guy who’s hired to get a car from point a to point b in the quickest possible time, after visiting his dealer, he fills up on Benzedrine pills and makes a bet to be there a day sooner, hops in a Dodge and heads out on a daring adventure filled with pretty unusual characters. Continue reading Vanishing Point (1971)
Director: Sarik Andreasyan
Starring: Sebastien Sisak, Sanzhar Madiyev, Anton Pampushnyy, Alina Lanina, Valeriya Shkirando, Stanislav Shirin, Vyacheslav Razbegaev .Russia. 1h 29m
This is Russia’s slightly underpowered answer to movies like The Avengers (2012) and came out the same year as Guardians of the Galaxy vol.2 (2017), initially the movie was hyped but instantly bombed in the Russian Charts and started to receive numerous negative reviews mostly in Russia, but it’s slowly gained a trickle of fans worldwide despite its flaws it’s an ok movie, for me it’s way more enjoyable than other blockbusters that try to take themselves too seriously so if you’re into B-Movies or anything psychotropic then it might just be the super flick you’ve been looking for.
Kicking off in the Cold War, a secret organization called “Patriot” gathered some heroes together from former states in order to defend the homeland, altering their DNA these different nationalities of the Soviet Union all have their own individual special powers, a quick run down, and I’m only using their codenames, Ursus (Serbia) (Pampushnyy) who’s generally a strong man but is also a cuddle Werebear, Khan (Kazakhstan) (Madi) who looks a lot like Casshern but he’s super fast and uses curved swords and flashes around like Nightcrawler, Ler (Armenia)(Sisak) can control the earth and rocks, a bit like Bluto and Ben from Fantastic 4, and finally Xenia (Moscow) (Lanina) who can turn invisible and transform into water and all sorts of lady shit..yadda yadda… Continue reading The Guardians / Zaschitniki / Защитники (2017)
Director: Julius Avery
Starring: Jovan Adepo, Wyatt Russell, Mathilde Ollivier, Pilou Asbæk USA. 1h 50m
I didn’t know anything about this movie before I started seeing it’s backlash, but I personally believe that it’s a mistake to look at Overlord as a Horror movie, it’s just a Blackened Action War movie. The mechanism is generally simple, good guy Americana vs pure evil monster nazi,in between there’s a overnight coming of age, us and them dynamics and any excuse to shoehorn in some swearing and mild violence. Overall I find that the film sits neatly between a homage to lurid EC Comics series like Tales from the Crypt and the Wolfenstein video games, without taking it too seriously or trying to fit it neatly into historical facts I really enjoyed the black lead cast in their sometimes gory adventure, it’s not a great film, there’s nothing truly outstanding but for me it’s incredibly enjoyable. Continue reading Overlord (2018)
Director/Writer: Michael Crichton
Starring: Tom Selleck, Cynthia Rhodes, Gene Simmons, Kirstie Alley, Stan Shaw .USA. 1h 39m
When I first saw this movie it literally blew my socks off, I was at the tender age of about 6 or 7 and it didn’t take a lot to impress me, but the idea of a future littered with robots and advanced technology was always something that really sparked something in me. Growing up saw a few inventions, phones beame fun again and not just the colourful see through ones, but more and more technology slowly creeped into my life, and luckily without any of Skynett’s T100, but looking back at Runaway is something I have the urge to do periodically as I still really enjoy the movie despite the dated clunky robots and suspect acting, it still holds some Vaporwave charm, and is still lighting a new generation alive with the hopes of electric dreams.
IT IS THE FUTURE. Machines are being programmed to turn against us. Someone must stop the madman who started it all. Continue reading Runaway (1984)
Director: Jeremy Saulnier~
Starring: Anton Yelchin, Imogen Poots, Patrick Stewart, Alia Shawkat, Joe Cole, Macon Blair . USA . 1h 35m
Here’s another gorgeous piece of gore from the invigorating direction Jeremy Saulnier, the director who likes to use colours in his film titles. After the success of the brutal revenge movie Blue Ruin (2013) he returns with a punks vs nazi horror flick that hold back no punches.
In the UK there was a similar but tamer film that ran into a mini series called This is England which showed the peaceful Skins get tainted by psychotic politics and there was a divide as the Nazi’s tried to take the scene over. This pales in comparison to the night of hell this alternative band is about to experience in the Green Room but it’s equally important to make a note of the difference of opinions between punks and nazi’s..
Seemed to be the next on the list of taboo scenarios that attracts the attention of Saulnier, Punks vs nazi’s has been an age old battle. But what’s really interesting is Saulnier’s choice of cast, it seems the unlikely bunch, Patrick Stewart, especially after his years with American Dad just doesn’t “sound” like a neo nazi leader but being such a brilliant actor he performed so well, as does the small role by the main star of Blue Ruin (2013), Macon Blair who’s the cutest and most polite fascist ever. But let’s start at the beginning… Continue reading Green Room (2015)
Director: J.A. Bayona
Starring : Chris Pratt, Bryce Dallas Howard, Rafe Spall, Daniella Pineda, James Cromwell, Toby Jones, Justice Smith. USA. 2h 9m.
So once again we learn how dangerous dinosaurs are, and that includes mutant dinosaurs.. Because the old school variety just aren’t as scary as we thought… Jurassic World introduced a slightly different take on the “let’s make a theme park with dinosaurs”, Chris Pratt became a new lead with a group of modified raptors including his darling Blue. But the sentiment is quickly launched out the window for a fast paced non heel breaking action flick. All that pent up emotionalism returns in this even quicker paced often silly sequel.
Opening with a group of mercenaries trying to collect dinosaur bones to build more beasts, as their island is destroyed by a volcano, they are soon despatched by a few lose dinosaurs. A montage follows the world is divided, let the dinosaurs die or do they have a right to life and should we save them? Claire Dearing (Dallas Howard) is determined to save as many as she can, after hooking up with Owen they are summoned to the mansion of Benjamin Lockwood (Cromwell), who was there when the first dino’s were extracted and with the help of his associate Eli Mills (Spall) they have set up a sanctuary. All Claire and Owen have to do it fly to the island, gather as many dinosaurs as possible and get them back to the sanctuary. Claire and Owen do their “thing” without their feelings get in the way too much. Continue reading Jurassic World: Fallen Kingdom (2018)
Director: Brian Smrz
Starring Ethan Hawke, Xu Qing, Paul Anderson, Rutger Hauer, Tyrone Keogh, Nathalie Boltt, Liam Cunningham, Jeremy Yong .USA. 1h 39m
The overall character is like a science fiction bourne movie, the strengths lie in the espionage action thriller but you can’t ignore the countdown timer in the leads arm. But the film has a huge anchor and this drags along in a sea of theology Travis is a man on a mission but it’s plagued with ghosts of the afterlife, as he stands looking into the abyss it’s looking back at him and he’s reminded that he needs to make amends.
Travis Conrad (Hawke) is introduced as a drunk, hanging out with his father-in-law they are fishing and drinking in preparation for spreading some ashes, afterwards the old man, played by the enigmatic Rutger Hauer passes out and Travis heads to the tittybar, grabs a hit and notices some men following him, in a shifty trick he immobilize them and sits down next to the man who sent them, his old friend who offers him a job worth $2 million. Accepting his new job of executing a unknown man he has to find him, and so he starts tracking the family of an operative who’s been hired to protect him. While learning the whereabouts he spares Lin (Qing) but she kills him after plugging him in the chest, but Travis awakens on a hospital bed where’s he’s quizzed about the location, after givin up the news he soon realizes his mistake and that he’s time is up (again) but he breaks free, the doctor explains that he’s got a timer which gives him 24 hours to live again he spares another woman and escapes to get back at his employer by protecting his previous target but to summarize the film in one phrase, Travis is having a particularly bad day. Continue reading 24 Hours to Live (2017)
Director: Scotty Baker
Starring: Doug Jones, Marina Sirtis, Morgan Lariah, Mindy Robinson, Armin Shimerman, David Lim.USA .1h 29m.
In the opening scenes a woman’s body is retrieved from a space vessel, while recuperating, her memories of the events that led up to her rescue are watched by Marina Sirtis, who’s an agent trying to find out what happened to the crew, in order to report to a committee she is charged with viewing the memory “playback”.
In a turbulent maladjusted future there are two distinct classes, Citizens and Non-Citizens, the later class are considered bottom feeders who have very little rights and are generally only entrusted with meanal jobs, looking after livestock etc. But one woman stands out among them, Eve (Lariah) a technical officer despite her exclusion from the higher class. Continue reading 5th Passenger (2018)
Director: Jeremy Saulnier
Based on: Hold the Dark by William Giraldi
Starring: Jeffrey Wright, Alexander Skarsgård, James Badge Dale, Riley Keough, Malcolm Blair, Tantoo Cardinal, Julian Black Antelope. USA. 2h 5m
With just two major titles under his belt, Saulnier’s next project, was so highly anticipated it derailed the hype train, but the resulting ambitious drama was so different from the taut thrillers, Blue Ruin (2013) and Green Room (2015) that no one could really appreciate it in the same way and it generally got panned by the fans.
This misfire isn’t a total disaster, no one can find fault with the beautiful crafting that went into the film, Saulnier is so masterful that even if you didn’t get the movie you can easily enjoy watching it, but for me it’s just a perfect shot for a different audience. I found it just as gritty and nearly as bloody as the others, but the pushing and pulling between two fundamental ideas within the movie that would either make it a thriller or fantasy doesn’t ever come to a neat conclusion, leaving a gaping open ending which is going to piss off a lot of people but for me it’s a highly alluring project which is perfect as it is. Continue reading Hold the Dark (2018)