Director: Brian Smrz
Starring Ethan Hawke, Xu Qing, Paul Anderson, Rutger Hauer, Tyrone Keogh, Nathalie Boltt, Liam Cunningham, Jeremy Yong .USA. 1h 39m
The overall character is like a science fiction bourne movie, the strengths lie in the espionage action thriller but you can’t ignore the countdown timer in the leads arm. But the film has a huge anchor and this drags along in a sea of theology Travis is a man on a mission but it’s plagued with ghosts of the afterlife, as he stands looking into the abyss it’s looking back at him and he’s reminded that he needs to make amends.
Travis Conrad (Hawke) is introduced as a drunk, hanging out with his father-in-law they are fishing and drinking in preparation for spreading some ashes, afterwards the old man, played by the enigmatic Rutger Hauer passes out and Travis heads to the tittybar, grabs a hit and notices some men following him, in a shifty trick he immobilize them and sits down next to the man who sent them, his old friend who offers him a job worth $2 million. Accepting his new job of executing a unknown man he has to find him, and so he starts tracking the family of an operative who’s been hired to protect him. While learning the whereabouts he spares Lin (Qing) but she kills him after plugging him in the chest, but Travis awakens on a hospital bed where’s he’s quizzed about the location, after givin up the news he soon realizes his mistake and that he’s time is up (again) but he breaks free, the doctor explains that he’s got a timer which gives him 24 hours to live again he spares another woman and escapes to get back at his employer by protecting his previous target but to summarize the film in one phrase, Travis is having a particularly bad day. Continue reading 24 Hours to Live (2017)
Director: Scotty Baker
Starring: Doug Jones, Marina Sirtis, Morgan Lariah, Mindy Robinson, Armin Shimerman, David Lim.USA .1h 29m.
In the opening scenes a woman’s body is retrieved from a space vessel, while recuperating, her memories of the events that led up to her rescue are watched by Marina Sirtis, who’s an agent trying to find out what happened to the crew, in order to report to a committee she is charged with viewing the memory “playback”.
In a turbulent maladjusted future there are two distinct classes, Citizens and Non-Citizens, the later class are considered bottom feeders who have very little rights and are generally only entrusted with meanal jobs, looking after livestock etc. But one woman stands out among them, Eve (Lariah) a technical officer despite her exclusion from the higher class. Continue reading 5th Passenger (2018)
Director: Jeremy Saulnier
Based on: Hold the Dark by William Giraldi
Starring: Jeffrey Wright, Alexander Skarsgård, James Badge Dale, Riley Keough, Malcolm Blair, Tantoo Cardinal, Julian Black Antelope. USA. 2h 5m
With just two major titles under his belt, Saulnier’s next project, was so highly anticipated it derailed the hype train, but the resulting ambitious drama was so different from the taut thrillers, Blue Ruin (2013) and Green Room (2015) that no one could really appreciate it in the same way and it generally got panned by the fans.
This misfire isn’t a total disaster, no one can find fault with the beautiful crafting that went into the film, Saulnier is so masterful that even if you didn’t get the movie you can easily enjoy watching it, but for me it’s just a perfect shot for a different audience. I found it just as gritty and nearly as bloody as the others, but the pushing and pulling between two fundamental ideas within the movie that would either make it a thriller or fantasy doesn’t ever come to a neat conclusion, leaving a gaping open ending which is going to piss off a lot of people but for me it’s a highly alluring project which is perfect as it is. Continue reading Hold the Dark (2018)
Director: Umberto Lenzi
Starring: Tomas Milian, Henry Silva, Ray Lovelock and Anita Strindberg .Italy. 1h 40m
This movie could easily be called “Il criminale più stupido d’Italia” as it follows the misadventures of a total psychotic loser criminal who couldn’t con his way out of a paper bag successfully but his constant efforts do cause some sensational cinema.
Opening with a bunch of robbers/kidnappers, snatching a young boy, their (not so trusty) getaway driver is Giulio Sacchi (Milian) manages to kill an officer while waiting and soon the gang is being chased around the city, they manage to speed past a train which cuts them off from the cops in time for them to drop the child and ditch the cops, they find a secluded place to recoup and kick the crap out of Giulio for foiling their efforts, after threatening to castrate him he heads back into the city alone. The brute roughs up his girl for some money and kills another cop while robbing a cigarette machine, while other officers arrive to investigate he starts displaying disturbing behaviour by squaring up to Inspector Walter Grandi (Silva). Eventually the bad tempered loose cannon, devises a scheme of kidnapping the daughter a wealthy businessman, who his girlfriend works for, but with a crazed moral compass and no scruples his manages to mess up each step of the way, but just manages to stay one step ahead of Inspector Grandi but mostly by mistake. Continue reading Milano odia: la polizia non può sparare / Almost Human (1974)
Director : Carl Colpaert
Starring : Tony Markes, Rainbow Dolan, Filiz Tully. Japan/Australia. 1h 25m
There is always an element of Love and Hate with this Anime/Live Action mashup, the film will captured my affection many year ago and I still enjoy watching it, while blindingly unaware of it’s origins I just assumed two directors got together to produce this mix of post apocalyptic drama/ baroque mystery, many years later I realised how this project basically butt fucked a precious classic Anime movie and turned it into a Troma movie BUT I still adore it.
So the original Anime is Mamoru Oshii’s 1985 undefinable classic Angel’s Egg, which sees a young girl traverse an abandoned town while nursing a giant egg and entertaining a young soldier, the film dissolves into a biblical darkness that even the director himself can’t really explain. But Carl Colpaert decided to rehash the strong imagery in between new footage filmed in the hot Australian desert and brings new life and meaning to the bizarre original. Continue reading In the Aftermath (Angels Never Sleep) (1988)
Director: Shane Black.
Starring. Thomas Jane, Boyd Holbrook, Keegan Michael Key, Sterling K Brown, Trevante Rhodes, Alfie Allen, Jake Busey, Yvonne Strahovski, Olivia Munn USA. 1h 58m
For a while I had a lot of faith that after Shane Black’s death by the hands of the original Predator back in the 80’s cult classic jungle sci fi mayhem epic adventure, and his subsequent career as a director, that he could be trusted with this remake. But then I remembered he’s Shane Black and you cannot trust this man! To be fair Shane is totally okay and I still regained some faith but the writer, Fred Dekker was an odd choice. His previous classics are cult but for very different reasons, Night of the Creeps, Monster Squad (written with Shane Black) were high for their levels of comedy antics. Dekkers contributions for House (1986) gave the film a surreal and yet again comedic undercurrent, and his more recent work included Robocop 3 which ruined the trilogy by adding in some cute kids and morals… this is when I knew someone has fucked up. Continue reading The Predator (2018)
Director: Osamu Dezaki. Japan . 1h 31m
I’ve never really been swept off my feet by Bond movies, although I did get sweaty palms over some of the wonderful toys and gadgets. But the actual bond character changed with every incarnation and while everyone brought their own twist I couldn’t really find him all that believable. In contrast we have Rambo (stay with me here) Rambo is the toughest man alive (no question about it) a tough hombre who little kids wanted to be when they were all growed up, but then I discovered Riki-O (1991) a amazing invincible tough guy who makes Rambo look like a pussy. In the same vein Golgo 13 makes Bond looks equally pussified. He’s an assassin who is always one step ahead of the game, women falling over themselves willing to die just for one night with him, no shot if ever off and he’s like teflon in hand to hand combat. There really isn’t anyone better than Golgo 13.
With that mighty introduction, what else is left to say? You now have the opportunity to see the toughest man alive do bossanova things.. Get going.
Continue reading ゴルゴ13 / The Professional : Golgo 13 (1983)
Director: Panos Cosmatos
Starring: Nicholas Cage, Andrea Riseborough, Linus Roache, Ned Dennehy Olwen Fouere, Richard Brake, Bill Duke. USA. 2h 1m
Cosmastos seems obsessed with 1983, where his previous movie was also set, is there a parallel here? Same year with possible answers to Professor Arboria’s mystic drug… but nothing is laid out in a straightforward way, he keeps the viewer guessing about what is real and what might just be fantasy, eventually your not sure what you believe in anymore, questions are raised especially about the drugs involved and at times this film really pushes the envelope. Continue reading Mandy (2018)
Director: Jon Turteltaub.
Based on: Steve Alten
Starring. Jason Statham, a giant fish, some other people. USA. 1h 52m.
Opening mid disaster was probably a good idea for this film cos that’s what it turned into. I was so psyched for a new Jaws (1975), and it’s impossible for me to see this as anything else. Don’t get me wrong I wasn’t expecting it to be similar in anyway but I was hoping for a new quality shark horror movie that wasn’t just another Sharknado (2013). But this lackluster adventure, is only just above par for a Sharknado movie for me and i was greatly disappointed on so many levels, but it did have some charm, what’s not to like about a cheesy thriller with a jumbo sized shark, suitable for 12 year olds with a theme tune of Hey Mickey in Filipino!? Continue reading The Meg (2018)
Director: Franco Prosperi.
Starring: Lorraine De Selle, Ugo Bologna, John Stacy, John Aldrich Stefania,Pinna Italy/Germany. 1h 32m.
A short while ago the Amazon delivery guy brought two films to my door, on a chilly winter morning, Wild Beasts and ROAR! I had hope for a double bill of amazing creature features and I got it.. I started the duo with this gem from the 80’s which like Roar (1981) involved the use of many large wild animals, undergoing a wild night in the city.
Half horror and half “let’s think about what we’re doing to the environment” movie, it’s scattered with gruesome animal attacks as well as highlighting ecological issues. But it’s just a normal day at the zoo when a beautiful photographer Laura Schwarz (De Selle) arrives to take some photos at the local zoo, she’s introduced to the various lives of a range of animals and procedures in the zoo, while the animals seem to be going about their normal day to day lives there are some concerns that they are “off their food”. Wrapping things up the photographer gets the cold shoulder from her young daughter who she rarely see’s day to day and is experiences abandonment issues. While the brilliant zoologist Ruper Berner ( Aldrich) retreats to his home for a shower.. Continue reading Belve Feroci (Savage Beasts) / The Wild Beasts (1984)