Director: Jack McHenry
Starring: Tom Bailey, Maureen Bennett, Alfred Bradle, Robert Llewellyn, Timothy Renouf, Charlie Robb, Jessica Webber. UK. 1h 20m
Genre bending comedy horror doesn’t get much better than this frightful mini epic. Here Comes Hell, sees a small group of gorgeous 1930’s socialites hooking up to see one of their friends’ new purchases, which just happens to be a charming haunted mansion located deep in the British wilderness. The party includes a seance as getting a psychic grandma in on your party is thought to be terribly fun.
Continue reading Here Comes Hell (2019)
Director: Wes Ball
Starring: Dylan O’Brien, Will Poulter, Ki Hong Lee, Kaya Scodelario, Barry Pepper, Aidan Gillen, Giancarlo Esposito, Thomas Brodie-Sangster. UK. 2h 22m
I’m a big sucker for well planned trilogies, but if I don’t feel there’s much going for them, like the Matrix, I’ll only watch the first and last. Generally the 2nd movie is just fluffy filler, something to make the fans ever eager for the penultimate showdown. I like to see the set up and close down and I feel that I’ve not missed anything by skipping straight to the final chapter here. At last we all get some closure to a franchise that has a curious beginning, the ending won’t be much of a payoff.
Continue reading Maze Runner – The Death Cure (2018)
Director: Raffaele Picchio
Starring: Aaron Stielstra, Alice Zanini, Francesca Pellegrini .Germany. 1h 27m
Based on : the short stories “El monte de las ànimas” and “La cruz del diablo” by Gustavo Adolfo
I have to say I’m one of those horror fans who was wowed by what is now considered retro or vintage horror and I still see 70-90 as a golden age. I do however look forwards, possibly with rose tinted glasses, to find modern horrors which are able to offer something which I find wholesome and non flashy, often I am let down by green screens effects, weak characters and narratives that really don’t go anywhere but there’s always an ounce of hope that when someone attempts to go back to a cult classic and renew an old franchise they might do it with some respect and not shit on a movies history.. alas after watching this abysmal movie I am still waiting… Continue reading Curse of the Blind Dead (2020)
Director: Konstantin Lopushansky
Starring: Viktor Mikhaylov, Vera Mayorova,Vadim Lobanov, Irina Rakshina, Aleksandr Rasinsky, Iosif Ryklin, Yu. Sobolev, Vladimir Firsov. Russia/Soviet Union/West Germany/Switzerland. 2h 16m
The jaw dropping, mind bending and highly disjointed follow on to Dead Man’s Letters (1986), shows that Lopushansky has lost none of this amazing vision of the world after an apocalyptic disaster. Usually history is written by the victors but who really comes out on top when the entire planet sinks into a nuclear winter?
From it’s dark crimson opening, it’s clear that the world is a very different place in this complicated post-apocalyptic future, that carries on from living memories of Chernobyl. The world attempts to keep things moving as a tourist attempts to traverse the barren landscape to visit a museum buried deep below the ocean. Clothed in a long black coat and carrying a single suitcase he stumbles through massive piles of waste, fights through clouds of dangerous dust and catches the saddest looking train I’ve ever seen limp down a track. Eventually he makes it to his “hotel” a house run by rich elites that looks out onto a vibrant shore that leads to a hidden fabled Museum. Continue reading Posetitel Muzeya / A Visitor to a Museum (1989)
Starring: Lee Ross, Sheila Reid, Louise Brealey, Pippa Nixon. UK. 1h 30m
This plucky little drama horror is set in an average London tower block with average London people forced to go through an extraordinary ordeal for reasons unknown.
The lead Mark (Ross) wakes up late for work, rushing to get ready, swallowing some coffee he attempts to call his estranged wife but soon discovers that his front door isn’t just locked but epoxied shut, thinking that someone is playing a trick on him, his attention is soon brought to a loudspeaker telling him and the other residents not to panic, emergency services and hazmat suited staff are setting up a base outside the apartment and a few faces can be seen in neighbouring apartments staring back in as much dismay as him. Continue reading Containment (2015)
Director: Imran Naqvi
Starring: Danny Dyer, Tamer Hassan, Simon Phillips, Ronan Vibert. UK. 1h m
This violent post apocalyptic thriller is set in modern London and tells the confusing and frustrating story of seven people who unknowingly seem to be the only people left after a cataclysmic event has wiped out the rest of humanity. While they struggle with their partial amnesia each assumes his role in banding together which becomes more urgent as they are stalked by a strange hooded figure an angel of death who is stalking and killing them. Continue reading The Last Seven (2010)
Director : Carl Colpaert
Starring : Tony Markes, Rainbow Dolan, Filiz Tully. Japan/Australia. 1h 25m
There is always an element of Love and Hate with this Anime/Live Action mashup, the film will captured my affection many year ago and I still enjoy watching it, while blindingly unaware of it’s origins I just assumed two directors got together to produce this mix of post apocalyptic drama/ baroque mystery, many years later I realised how this project basically butt fucked a precious classic Anime movie and turned it into a Troma movie BUT I still adore it.
So the original Anime is Mamoru Oshii’s 1985 undefinable classic Angel’s Egg, which sees a young girl traverse an abandoned town while nursing a giant egg and entertaining a young soldier, the film dissolves into a biblical darkness that even the director himself can’t really explain. But Carl Colpaert decided to rehash the strong imagery in between new footage filmed in the hot Australian desert and brings new life and meaning to the bizarre original. Continue reading In the Aftermath (Angels Never Sleep) (1988)
Director: Mamoru Oshii
Starring: Jinpachi Nezu,Mako Hyōdō . Japan . 1h 15m
This avant grade collaboration between Yoshitaka Amano and director Mamoru Oshii is like a waking dream, the film has very little dialogue and what is said is as fragmented as the action within the film. The sparse plot, while linear, doesn’t really suggest a solid straight forward narrative but, but instead has a hazy, “make of it as you will” atmosphere. It’s very easy to sum this up as “Animated Art House” rather than a film with direct meaning and purpose, but it continues to inspire with its unfamiliar themes and dark visuals.
There are two main characters, a young girl who lives in an abandoned building near an abandoned town, a man appears on the shore watching a temple like orb raise from the ocean, and he descends silently into the town. Meanwhile the girl collects her giant egg, an object she protects each day by stuffing it under her dress, and heads into the eerie neo gothic town to scavenge for food and bottles to collect water in. She wanders around looking through windows and only gets startled when the man arrives on a biotechnical tank their silent glare results in the girl running away and the man slowly following after her. Continue reading Tenshi no Tamago / Angel’s Egg (1985)
Director: Alex Garland.
Based on: Southern Reach Trilogy by Jeff VanderMeer
Starring. Natalie Portman, Jennifer Jason Leigh, Oscar Isaac. USA. 1h 57m.
This newest visionary delight from Alex Garland, doesn’t fit into the typical science fiction category, with other Netflix releases like Bright (2017) and Cloverfield Paradox (2018), where the effects and story are both weak in the later and jarring this side step into the cerebral is exactly what a lot of dedicated science fiction fans have been craving for so very long now. Taking on a model similar to the legendary Tarkovsky’s Stalker (1979) or Solaris (1971), Annihilation plunges it’s audience into a lavish and dangerous new world to explore along with a scattering of emotive flashbacks added purely for good measure. Continue reading Annihilation (2018)
Director: Daniel Espinosa
Starring: Jake Gyllenhaal, Rebecca Ferguson, Ryan Reynolds, Hiroyuki Sanada, Ariyon Bakare, Olga Dihovichnaya. USA. 1h 50m
The lack of originality in this horror sci fi is quite disturbing, not only the story pretty basic, but it could have lead to some riveting situations, but the set up is like a b movie horror, if there was a trail of blood leading to a room of screams the cast would trip over each other running into sudden death. But there is a blinding moment at the “oh fuck” ending which really hit a personal nerve with me otherwise the film would be a total disaster.
An unnamed interstellar mission uncovers a basic life form in some soil samples from Mars. The probe is recovered by the International Space Station and their 6 member crew manage to revive a cell sample, which quickly evolves into a multi celled organism which American school children name Calvin. I can only imagine it started out as a piece of space Slime Mold (Check out the docu film Creeping Garden for a ton of info) An accident in the lab causes Calvin to become dormant, so Hugh Derry (Bakare) tries to shock Calvin back to life, this obviously pisses off Calvin who crushes his hands an in his hostile frame of alien mind then roughs up the doctor and starts smashing up the lab. At one point he breaks into a small cage and eat one of the lab rats, and starts to grow larger. Despite initiating safety protocol, which means isolating the doctor and Calvin, the team still decide to enter the room in order to save the doctor, (DOH!), Calvin then see this is a free lunch. This is probably one of their more imaginative attacks, as he enters the scientist body and eats him from the inside out, but upon reappearing he is larger, which is a pretty big indication to the fact that Calvin just consumes and grows. So after eating Ryan Reynolds our boy Calvin then decides to go on a murderous rampage in and around the ship. Continue reading Life (2017)