Director: Imran Naqvi
Starring: Danny Dyer, Tamer Hassan, Simon Phillips, Ronan Vibert. UK. 1h m
This violent post apocalyptic thriller is set in modern London and tells the confusing and frustrating story of seven people who unknowingly seem to be the only people left after a cataclysmic event has wiped out the rest of humanity. While they struggle with their partial amnesia each assumes his role in banding together which becomes more urgent as they are stalked by a strange hooded figure an angel of death who is stalking and killing them. Continue reading The Last Steven (2010)
Director : Carl Colpaert
Starring : Tony Markes, Rainbow Dolan, Filiz Tully. Japan/Australia. 1h 25m
There is always an element of Love and Hate with this Anime/Live Action mashup, the film will captured my affection many year ago and I still enjoy watching it, while blindingly unaware of it’s origins I just assumed two directors got together to produce this mix of post apocalyptic drama/ baroque mystery, many years later I realised how this project basically butt fucked a precious classic Anime movie and turned it into a Troma movie BUT I still adore it.
So the original Anime is Mamoru Oshii’s 1985 undefinable classic Angel’s Egg, which sees a young girl traverse an abandoned town while nursing a giant egg and entertaining a young soldier, the film dissolves into a biblical darkness that even the director himself can’t really explain. But Carl Colpaert decided to rehash the strong imagery in between new footage filmed in the hot Australian desert and brings new life and meaning to the bizarre original. Continue reading In the Aftermath (Angels Never Sleep) (1988)
Director: Mamoru Oshii
Starring: Jinpachi Nezu,Mako Hyōdō . Japan . 1h 15m
This avant grade collaboration between Yoshitaka Amano and director Mamoru Oshii is like a waking dream, the film has very little dialogue and what is said is as fragmented as the action within the film. The sparse plot, while linear, doesn’t really suggest a solid straight forward narrative but, but instead has a hazy, “make of it as you will” atmosphere. It’s very easy to sum this up as “Animated Art House” rather than a film with direct meaning and purpose, but it continues to inspire with its unfamiliar themes and dark visuals.
There are two main characters, a young girl who lives in an abandoned building near an abandoned town, a man appears on the shore watching a temple like orb raise from the ocean, and he descends silently into the town. Meanwhile the girl collects her giant egg, an object she protects each day by stuffing it under her dress, and heads into the eerie neo gothic town to scavenge for food and bottles to collect water in. She wanders around looking through windows and only gets startled when the man arrives on a biotechnical tank their silent glare results in the girl running away and the man slowly following after her. Continue reading Tenshi no Tamago / Angel’s Egg (1985)
Director: Alex Garland.
Based on: Southern Reach Trilogy by Jeff VanderMeer
Starring. Natalie Portman, Jennifer Jason Leigh, Oscar Isaac. USA. 1h 57m.
This newest visionary delight from Alex Garland, doesn’t fit into the typical science fiction category, with other Netflix releases like Bright (2017) and Cloverfield Paradox (2018), where the effects and story are both weak in the later and jarring this side step into the cerebral is exactly what a lot of dedicated science fiction fans have been craving for so very long now. Taking on a model similar to the legendary Tarkovsky’s Stalker (1979) or Solaris (1971), Annihilation plunges it’s audience into a lavish and dangerous new world to explore along with a scattering of emotive flashbacks added purely for good measure. Continue reading Annihilation (2018)
Director: Daniel Espinosa
Starring: Jake Gyllenhaal, Rebecca Ferguson, Ryan Reynolds, Hiroyuki Sanada, Ariyon Bakare, Olga Dihovichnaya. USA. 1h 50m
The lack of originality in this horror sci fi is quite disturbing, not only the story pretty basic, but it could have lead to some riveting situations, but the set up is like a b movie horror, if there was a trail of blood leading to a room of screams the cast would trip over each other running into sudden death. But there is a blinding moment at the “oh fuck” ending which really hit a personal nerve with me otherwise the film would be a total disaster.
An unnamed interstellar mission uncovers a basic life form in some soil samples from Mars. The probe is recovered by the International Space Station and their 6 member crew manage to revive a cell sample, which quickly evolves into a multi celled organism which American school children name Calvin. I can only imagine it started out as a piece of space Slime Mold (Check out the docu film Creeping Garden for a ton of info) An accident in the lab causes Calvin to become dormant, so Hugh Derry (Bakare) tries to shock Calvin back to life, this obviously pisses off Calvin who crushes his hands an in his hostile frame of alien mind then roughs up the doctor and starts smashing up the lab. At one point he breaks into a small cage and eat one of the lab rats, and starts to grow larger. Despite initiating safety protocol, which means isolating the doctor and Calvin, the team still decide to enter the room in order to save the doctor, (DOH!), Calvin then see this is a free lunch. This is probably one of their more imaginative attacks, as he enters the scientist body and eats him from the inside out, but upon reappearing he is larger, which is a pretty big indication to the fact that Calvin just consumes and grows. So after eating Ryan Reynolds our boy Calvin then decides to go on a murderous rampage in and around the ship. Continue reading Life (2017)
Director: George Miller
Starring: Mel Gibson, Hugh Keays-Bryn, Joanne Samuel, Steve Bisley, Tim Burns, Roger Ward, Geoff Parry. Australia. 1h 35m
Let me just start this off with a short introduction to explain that I absolutely live for this film and can’t even come close to express my obsession with it with mere words, I’m going to try and remain as calm as possible while writing this short review as I feel I need to put something on my blog but there will be a Post Discussion where I’ll get into much more details and pour my heart out even more..
This bleak dystopian thriller stars Mel Gibson as “Mad” Max Rockastansky, a seasoned police officer who prefers to work alone but begins to fear that he’s becoming as crazy as the people he hunts down in high speed chases across the Australian desert roads. Continue reading Mad Max (1979)
Starring: Isabelle Huppert, Daniel Duval, Béatrice Dalle, Patrice Chéreau France/Austria. 1h 53m
Every Michael Haneke film brings something new and settling to the cinematic world. For this round he embarks on a contemporary rendition of the quiet before Ragnarok, where the film get it title from the epic Norse poem Völuspá.
Set in France, in an undisclosed post apocalyptic era, a family are on the run from Paris inner city and decide to trek out to their summer house in the country to try and scratch out an existence, the end of the world is never really disclosed but it’s evident that finding uncontaminated water. Continue reading Le Temps Du Loup / Time of the Wolf (2003)
Director: Nick Gillespie. Writer : Nick Gillespie.
Starring. Gordon Kennedy, Michael Smiley, Rupert Evans, UK. 1h 28m.
I saw a preview for this by accident trying to find details for the less than imaginative sci fi flick The Tank (2017), I am unsure how my mother knew about it and that I was totally oblivious, but these things do happen and thankfully she had the film on DVD and after seeing that Ben Wheatley had his fingers in this sticky pie so I got stuck in. Continue reading Tank 432 (2015)
Day 7 – It Comes At Night
Director:Trey Edward Shults .
Starring. Joel Edgerton, Riley Keough, Christopher Abbott, Carmen Ejogo, Kelvin Harrison Jr. USA. 1h 37m.
In the aftermath of a apocalyptic virus that has wiped out most of our modern civilisation a family tries to carve out an existence in the backwoods of the USA, after bringing in some outsiders their laus trophic tale brings the two families together before everything gets ripped apart.
Trey Edwards Shults (a name that’s hard to forget but easy to misspell) worked as a crew member on Terrence Malick movies and it seems that the experience has left a big impression on him, after his low budget debut SXSW, about an eccentric woman show up to a family reunion, he now digs his heels into horror that’s not quite horror… *gulp* post horror? This impressive movie whose title seems to have little to do with the content of the film. Continue reading It Comes at Night (2017)
Day 3 – The Void
Director: Steven Kostanski and Jeremy Gillespie .
Starring. Aaron Poole, USA. 1h 30m.
It’s not often a film grips my attention quite like this one. The first trailer I chanced upon was quiet mysterious and the poster had tentacles, that’s pretty much me sold on any movie. So the Void didn’t promise much, it kept 90% of the fun a secret and that added to the fun and intensity of the gory film. Starting with a curious scene a man escapes from some crazy occultist and flees into the woods, bleeding and disorientated. A lone cop sees him the road and takes him to the nearest hospital to get him patched up. The hospital is in the process of being relocated, so there is minimal staff and they are caring for one pregnant girl and packing, quite reminiscent of Assault on Precinct 13 (1976) and before you know it, they are soon surrounded by shrouded occultist and have to barricade themselves but unlike the 70’s siege film they are fighting unknown metaphysical forces that are beyond comprehension, yet very familiar to those lured tales from HP Lovecraft. Continue reading The Void (2016)