Director: Ant Timpson.
Starring: Elijiah Wood, Michael Smiley, Martin Donovan, Stephen McHattie .USA. 1h 33m
There comes a time in anyone’s life when they get a pang of nostalgia and have to find their roots, discover what kind of stock they have come from. Sometimes it’s just to determine medical symptoms and at other times it’s to find out where we are down the big line of success or fuck ups. Ant Timpson’s Come to Daddy is such a journey but one that no one could have predicted. Continue reading Come to Daddy (2019)
Starring. Jean Reno, Ryoko Hirosue, Michel Muller, Yoshi Oida. Writer: Luc Besson.France/USA/Japan. 1h 34m.
This film is so cute and annoying! There’s so much I really adore about it but in equal parts it really grates on my nerves. I get the bigger picture of it being a charming heartwarming comedy action film but some of the characters and sets up are just too gross and I find myself not being able to cope with the overload.
Continue reading Wasabi (2001)
Director: Todd Phillips
Starring: Joaquin Phoenix, Robert De Niro, Zazie Beetz, Frances Conroy . USA. 2h 2m
Unlike a lot of action films that are based on comic characters. Phillips takes a totally different stance on recreating his solemn and realistic Joker in a studious drama focused on a downtrodden clown on the verge of his magnum opus. Last year we had a solemn Suspiria (2018) and now we have a courtly Super Villain, not just because everyone really loved Suicide Squad (2016) but a handful of grown ups wanted something more tangible and .. grown up!?
Generally the origin of the Joker is common knowledge, it’s been revisited many time in various graphic novels and comic series of the the years, but this is the first of a new series of DC comic remakes based in a more plausible world, and this chilling story for Arthur Fleck is outstanding, not only for the new birth of the worlds most favourite bad guy but it stands as a benchmark of Joaquin Phoenix as a truly versatile actor whose masterful adoption of characters that purposely don’t gel with audiences, only make them more lovable. It’s pretty easy to see this as the DC version of You Were Never Really Here (2017) but maybe in reverse but it’s just a tad darker and outlandish with crazier people involved. But in all honesty I wouldn’t want to blend the two films as they stand alone in their own glorious and unforgettable rights. Continue reading Joker (2019)
Director: Matt Allen
Starring: Brian Thompson, Ben Browder, Shoshana Bush, Cheryl Texiera, Adrienna Barbeau. USA. 1h 32m
Matt Allen follows up his Aces and Eights short movie with a debut feature HOAX! which turns out to be a quirky faux mockumentary thriller about an investigation into the existence of Bigfoot, after a spate of teen disappearances in the Colorado mountains.
It’s easy to call it just another Bigfoot movie: but there has been a recent run of lowish-budget features that have broadened the creature featutes horizons by taking things to a new place, especially the fan favourite Bigfoot: The Lost Coast Tapes (2012). Somehow, without many clues or prompts or evidence, it does keep the question open in order to keep the viewers guessing until the very end, but does bigfoot exist or is there an alternative reason why teens are being slaughtered in the hills? And either way why would you want to go out with limited resources to find out? Continue reading Hoax (2019)
Director: Flying Lotus.
Starring. David Firth, George Clinton, USA. 1h 45m.
I have to be totally honest when I say that I really don’t know how to describe or classify this movie, which makes it way more interesting for me I’ve watched it twice know and while I’m morbidly obsessed with it, there’s so much I can’t deal with while watching it.
If I had known that the movie was made by Flying Lotus with David Firth as back up I could have been properly prepared, but I chanced upon this by total accident. The film has a loose wrap around plot to which 5 stories are attached, split up into small segments and clouded with experts only suitable for a deranged subculture on the edge. Continue reading Kuso (2017)
Director: Paolo Sorrentino
Starring: Sean Penn, Frances McDormand, Judd Hirsch .UK/Ireland/USA. 1h 58m
Italian director Paolo Sorrentino emerges with some triumph as one of the masters of modern cinema with this English Language film This Must be the Place, starring Sean Penn as a Robert Smith inspired aged rock star Cheyenne. Retirement doesn’t bring as much action as the rocker passes his time living a non existent life in Dublin spending his days alone in his mansion or with his best friend Mary (Hewson) while his American wife (McDormand) is content with her job as a firefighter.
The approach is superbly elegant and has a mix of looming camera movements and bursts of dynamic action mixed with Penns dry humor that sinks into a hallucinatory landscape, which at points is so massive swallows up the characters. Continue reading This must be the place (2011)
Starring. A lotta people WORLDWIDE. 1h 25m.
There aren’t many movies series that I fangirl over but the ABCs of Death and VHS are certainly anthologies that I got my teeth firmly into. I had lost hope for a 3rd part to turn the duo into a trilogy, and in my haste I didn’t realise this strange collection has been compiled. It definitely seems to be a marmite movie, but if you enjoyed the previous then you’ll probably see a lot of charm in this selection of movies which seem to be just as creative and diverse as the rest.
During the original submissions, there was an outstanding amount of M’s submitted, and this ABC, is really an MMM as it complies the 26 favourites from the M list, which begs me to ask why the hell isn’t there a box set of 26 movies for each letter in an epic box set, but alas we have the MMM’s of death to enjoy for now. Continue reading ABC’s of Death 2.5 (2016)
Director: Mary Harron
Starring: Christian Bale, Willem Dafoe, Jared Leto, Josh Lucas, Samantha Mathis, Matt Ross, Bill Sage, Chloë Sevigny,Cara Seymour, Justin Theroux, Guinevere Turner, Reese Witherspoon .USA. 1h 41m
After the success of a brilliant deeply disturbing and somewhat witty and stylish novella of the same name by Bret Easton Ellis, Mary Harron transformed the saucy satirical bits into this cult movie starring the charismatic Chriistian Bale at the front of star studded cast. Bale was set to steal the show and this really boosted his career and ego to the outer limits, but I can’t argue that he gives a smart and sensuous performance.
I read the book and was happy to leave it as that, something the original author agrees with, but it became impossible to totally avoid the movie as it’s used to popular culture so much through doll’s phrases, and gifs it’s unavoidable. Continue reading American Psycho (2000)
Director: Stephen Herek
Starring: Dee Wallace, Scott Grimes, Billy Zane, Terrance Mann, Don Keith Opper, M. Emmet Walsh, Lin Shaye .USA. 1h 28m
Critters are basically an intergalactic cross between Gremlins and Hedgehogs. I feel bad saying this as the director, Stephen Herek, got so much stick for copying Gremlins even though Critters was written and in production before Gremlins but small little creatures with a mischievous nature are all alike to me.
80’s American horror was often family based, possibly a ploy to get it into every home, but this average family find themselves having a night from hell when a group of Crites escape from their asteroid prison hijack a spaceship and speed down to Kansas where they start hunting for food. Luckily for the people of earth there are two highly skilled bounty hunters hot on their tails but on entering earth, one takes on the guise of a famous rock star but his sidekick has a bit of trouble with his green glowing face and ends up resembling random towns people he runs into, which is something that really confuses the already confuzzled local police force. Continue reading Critters (1986)
AKA – The Monster Outside – Hüte dich vor der Dunkelheit
Director: Stephen Folker
Starring: Glenn Harston, Dave Juehring, Trena Penson, Tristan Coppola, Jim Nieciecki. USA. 1h 30m
The cover for this indie horror is mightily impressive but I think that’s where the budget stopped, still it got my attention and luckily I’m a sucker for indie movies and despite it’s poor attempt at being a convincing horror, it actually a loveable movie.
I do have a soft spot for bigfoot movies and films that include one legged black guys who make root beer in old bathtubs out back, but maybe because of my magnetism to bigfoot, or maybe I just like bad movies, it’s hard to justify why I can see all the bad points in Field Freak but still have some warmth for the film. Sometimes you’ll discover a b movie with no love or care, they either try too hard to create outside of their budget or like this family horror, they just admit that they don’t have a huge budget and just set out to make something enjoyable with a lot of heart, it won’t win over a majority but it is what it is. Continue reading Field Freak (2016)