Marie Antoinette (2006) Director:Sofia Coppola
Starring: Kirsten Dunst, Jason Schwartzman, Rip Torn, Steve Coogan, Shirley Henderson, Marianne Faithful .USA, France, Japan. 2h 3m
A lot of cake was eaten in Sofia Coppola’s punktastic retelling of the life and downfall of Marie Antoninette. From her teen marriage to the King of France and their bizarre and lavish life together, offset to a brilliant pop punk soundtrack, there’s probably just enough to get help you through a GCSE but there’s very little accurate history involved but lots of analogies to just how much of a pop princess Marie was for the age.
Continue reading Marie Antoinette (2006)
Director: Simon Curtis
Starring: Domhnall Gleeson, Margot Robbie, Kelly Macdonald. UK. 1h 47m
For years people had been probing for Winnie the Pooh, the character holds a lot of sentimental charm for so many generations, the profitability of this really came to be noticed, not after the museum was set up but when Disney basically bought it. For a long while I just assumed this was going to be a mushy Hollywood rendition of the creation story pasted with a rose tint and lateyed in the good times Disney branded family fun, but it couldn’t be further from what was magically achieved in this heartbreaking, thought provoking biopic.
Christopher Robin is the boy who, we all seem to know and love and yet no one really knows at all, well I’m sure the die hard fans weren’t shocked about any ot the revelations within Curti’s period piece but I did have my eyes opened to a life that seemed so charming, and yet through the creation of a cult classic book, part of what should have been a charmed childhood was ruined and all for the success of a book that reminds us all to care and take our time with life.
Continue reading Goodbye Christopher Robin (2017)
Director: Penny Woolcock
Starring:Alec Newman, Sienna Guillory, Marc Warren, Julian Barratt, Lara Clifton. UK. 1h 48m
In a heated conversation between a couple of shabby fellows after a night of debauchery, a poignant line is shouted, the definition of the film title and ethos of what you have spend an hour watching… it goes something along the lines of “meeting someone fucking their brains out and when you get bored you move on”. This dry argument is a key to Penny Woolcock’s vibrantly disturbing drama surrounding the most powerful bouts of writer’s block that Paul might ever have in one lifetime.
Continue reading Princples of Lust (2003)
AKA HHhH AKA Killing Heydrich
Director: Cédric Jimenez
Starring: Jason Clarke, Rosamund Pike, Jack O’Connell, Jack Reynor, Stephen Graham .UK. 2h
World War II has a host of characters that will be eternally admired and despised, routinely Hollywood steps in to honour the brave hero’s with a rendition of their stories, just lately we’ve been finding more names of brave men who rose up to fight the evil tyrants of the SS. Hopefully these reminders will help remind future generations of the price of freedom!?
There seemed to be a race to release a homage to operation Anthropoid, this particular movie, with a working title of HHhH (Himmlers Hirn heißt Heydrich), was put on hold and renamed to make way for a film released in 2016 which took the converted and obvious title of “Anthropoid” , starring Cilian Murphy but is this really the poor relation to the saga? Poor, no but an alternative perspective.. just maybe. Both cover the basics of the 1942 plot by Czech resistance who sent two young recruits from London to Prague to assassinate Reinhard Heydrich, the ruthless psychopath who came up with an evil plan known as the Final Solution.
Continue reading The Man With the Iron Heart (2017)
Director : Zack Snyder
Starring : Gerard Butler, Lena Headey, David Wenham, Vincent Regan, Michael Fassbender, Andrew Plevan, Andrew Tiernan, Rodrigo Santoro . USA | Canada | Bulgaria | Australia. 1h 57m
Out of all of the graphic novels and comics I’ve read over the years, this was surprisingly one I never considered to be a good candidate for a film adaptation. While I stand divided on if it should have been created, I’m forever blown away by every aspect 300, even with all the campy parodies and piss takes, for me, at least it’s still a rocking stylised story of ultimate bravery and sacrifice, but with so many of the pages from the novel coming to life periodically throughout the action, it seems I was wrong and 300 was made for the big screen. Continue reading 300 (2006)
Director: Mark Gill.
Starring. Jack Lowden, Jessica Brown Findlay, Simone King. UK. 1h 34m.
I never really planned on watching this biopic as I have no interest in Morrissey and only casually listen to the Smiths from time to time, obviously like most people born in the 80s and 90s at least, I’m aware of “that song” but overall I spend more time watching Morrissey’s own fans cringe whenever he opens his mouth about topical issues, and if they are cringey about it I am sure I don’t really want to get involved. Eventually I did, through more curiosity about the film than the man, and I am forever pleasantly surprised as the film distances itself Morrissey the man and somehow manages to find a modest insight into any misunderstood awkward Manchurian. This modest approach to such a controversial figure is both clever and has resulted in a poetically beautiful film. Continue reading England is Mine (2017)
Director: Peter Newbrook.
Starring. Robert Powell, Robert Stephens, Jane Lapotaire, Alex Scott, Ralph Arliss. USA. 1h 39m.
A moralistic story written with a heavy gothic horror backdrop by Christina and Laurence Beers has been cleverly adapted by Peter Newbrook in a pseudo Hammer Horror-esque style. In a large opulent mansion a brilliant Victorian scientist becomes obsessed with the idea of becoming immortal. Continue reading The Asphyx (1972/3)
Director: John Boorman.
Starring.Nigel Terry (RIP) , Helen Mirren, Nicholas Clay, Cherie Lunghi, Paul Geoffrey, Nicol Williamson (RIP) , Liam Neeson, Patrick Stewart. Ireland/USA/UK. 2h 20m.
Based on:15th-century Arthurian romance Le Morte d’Arthur by Thomas Malory
There aren’t too many movies that I can mention from my childhood that have such an epic reaction of admiration as this definition of epic fantasy. Albeit a guilty pleasure, I generally hang around heavy alternative scenes where this has become a fashion guide as well as cult classic pieces of cinema, but there’s a wealth of shiny aesthetics and magical storytelling which has never really been mimicked again making this truly unique stand alone opulent piece. Continue reading Excalibur (1981)
Director: Robert D. Krzykowski .
Starring.Sam Elliott, Aidan Turner, Bigfoot, Larry Miller, Caitlin Fitzgerald. USA. 1h m.
So we have a film with the title but seems to pluck headlines from clickbait news titles and you’d be forgiven for believing that this was going to be some fanciful psychotropic romp, but instead in Robert D krzykowski slightly downtrodden epic we find a very down to earth and grounded adventure/drama, but without pop characters, huge explosions and superhero’s there’s a lot of cinema gold here and it seems to work purely because of Sam Elliott’s total coolness.
You’ll also be forgiven for believing that this film is set in an alternate reality, but the movie is set in our reality, but back in 1987, where we find the now aged Calvin Barr played by he panty dropping silver fox and his infamous mustache, which should get as much credit as whatever David Bowie was hiding in his pants in Labyrinth (1986). Continue reading The Man Who Killed Hitler and Bigfoot (2019)
Director: M J Bassett
Starring: Jamie Bell, Ruaidhri Conroy, Mike Downey, Laurence Fox, Kris Marshall, Hans Matheson, Matthew Rhys, Andy Serkis. UK. 1h 34m
The general trends with World War II movies is to punch your audience right in the gut with the violence and depression of the war. With all the progressions of cinema they all translate in more effect ways of demonstrating the darkest side of human nature and the brutal fight for freedom, but this isn’t the only way to portray the horrors of this dark chapter, since the was there have been numerous ghost stories written about lost soldiers, everlasting love and the occult nature of the “the enemies” of righteous civilisation. But is Deathwatch the new ghostly war story we need?
Bassett’s track record includes an array of action movies all tinged with the macabre, but Bassett is versatile in his approach with the lavish fantasy Solomon Kane filled with magic myth and monsters, and Wilderness, a group of wayward chavs verses a mystery slasher while stranded on a secluded island, he’s not a man who liked to be pinned down with a specialty apart from directing engaging movies. Continue reading Deathwatch (2002)