Director: Jason Figgis Starring: Matthew Toman, Emma Dunlop, Alan Rogers. Ireland. 1h 20m
Please correct me but this noisy thriller is Dead Man’s Shoes but in a depraved reversal where the gang, all twisted and desperate, are the saviours of a vulnerable lad…let me lead you down this bloody rabbit hole.
Director: Russell Mulcahy Starring: Christopher Lambert, Robert Joy, David Cronenberg, Leland Orser .USA. 1h 48m
With a recognisable cast and no budget, there’s a clear distinction between Resurrection and the movies it’s imitating, but despite its imilations it’s still a fun watch, but one which could have been extraordinarily gruesome and chilling if put in the right hands.
Christopher Lambert and Leland Orser team up as a bmovie Mills and Somerset as they hunt a deranged killer who’s emabring on a pet project to construct the body of christ, much like John Doe in Se7en this twisted mastermind is incredibly intelligent and masterfully deviant. There’s a huge strive to match the dark oppressing cityscape that Se7en is based in, but having the main officer, John Prudhomme (Lambert) painted as a superstitious cajun there’s a lot of hoops to jump through for a mainstream audience.
Director: James Glickenhaus Starring: Robert Ginty, Christopher George, Samantha Eggar, Steve James. USA. 1h 39m
Sometimes a bit of vigilante justice is glorious to watch and you don’t need to be Charlie B or Van Michael to wake a city up. In Glickenhaus’s blood action thriller, a once kind and quiet man turns full on Rambo when his friend is attacked and crippled by a bunch of goons, but getting revenge on them just isn’t enough; he’s not going to give up until all the streets are clean.
John Eastman (Ginty) doesn’t look like the human terminator that he turns out to be, the retro Russell Crow is all about the good things in life, years after being exposed to the horrors of Nam he’s just the average Joe, until provoked and he brings Nam to NYC.
The film isn’t a commentary of mindless violence, but when it gets gritty it really does swing an ugly and dangerous bat, there’s people being fed into meat grinders, and the trademark flamethrower crispy death scenes. It’s something that could have gotten real video nasty in the right hands. But exterminator it way more than just another exploitation film, and being one of the early voices to the damaging effects of the war without the moniker of PTSD being uttered, it spread a message which is still relevant today.
If you’re lying, I’ll be back.
– John Eastman
We have to assume that once the blood has been shed and the tables levelled that our hero bad guy killer is just going to go back to a peaceful life, but there’s a sequel and in my honest opinion there should have been a lot more.
Related: Exterminator 2 (1984), Stone (1991), The Soldier (1982), Shakedown (1988), Defiance (1980), Deathwish (1974), Punisher (1989)
The only way to confirm that you were watching a horror movie in the 1980’s was the moment a pair of boobs were flashed across the screen, the exposure of flesh was the indicator that you were in for some slaherific blood and gore, monsters and creeps and this 1988 film is a perfect victim of its age! The intro plays out like a dated underwear advert (something the director was king of having filmed over 600 of them), but this panty advert lasts what feels like 20 minutes, but luckily the models are soon hacked to pieces so don’t get too attached..
Director: Ridley Scott
Starring: Michael Douglas, Andy Garcia, Ken Kakakura, Yusake Matsuda, Kate Capshaw, Tomisaburo Wakayama. USA. 2h 5m
Michael Douglas travels to Japan with a deadly crazy Yakuza criminal, accidently releases him to his gang but then proceeds to school the Japanese Police department!? Only in the 80’s would this have worked and only Ridley Scott would have been able to make it work so well.
It can’t be ignored that the film feels half homage to at least 3 of the greatest names in Japanese Cinema, as the two cultures class, , Ken Kakakura, Yusake Matsuda, and the badass Tomisaburo Wakayama, who play both good and evil characters throughout the film. Ken is the attentive Asst. Insp. Matsumoto, who spends his time chasing around a fiesty Douglas and Garcia, partly babysitting them and taking a lot of flak from them. There is one beautiful drunken scene in a karaoke bar when the three men finally let their guards down and realise they are on the same side but cultural differences and career prospects are all that are keeping them on slightly different paths throughout this cat and mouse chase. The legend who was the Lone Wolf and Zatiochi respectively is just a highly respected gangster but his inclusion in this stylistic movie can’t go unnoticed, and most heartbreakingly this would be the final film of cult classic actor Yusake Matsuda, who knowingly went into the project with a serious cancer diagnosis, and in order to be ferocious for his role, refused to take any medication, shortening his chances of recovering even more.
Director: John Schlesinger Starring: Dustin Hoffman, Laurence Olivier, Roy Scheider. USA. 2h 5m
John Schlesinger’s classic thriller, Marathon Man is the type of genre movie that makes a few faux pa’s but through many bizarre plot choices, for the sake of keeping an audience on their toes, the movie generates a lot of massive plot holes but whether you mind them or not, you’ll still be blown away by the sterling acting and gripping story that plunges lead Thomas, better known as Babe (Hoffman), a simple inner city student, into unpredictable situations that make your teeth ache.. if you know you know..
Director: DJ Caruso Starring: Val Kilmer, Vincent D’Onofrio, Adam Goldberg, Lusi Guzman, Doug Hutchison, Peter Sarsfaard, DB Wong, R Lee Ermey, Meat Loaf, Danny Trejo. USA. 1h 43m
Coming from the early 2000’s there’s still a 1990s fever dream running through DJ Caruso drug fueled action thriller, starring Val Kilmer as a lone wolf Danny Parker (AKA Tom Van Allen) who spends his days infiltrating a group of colourful druggies while trying to hatch an elaborate revenge plan against those who wronged him.
There has been a breakthrough in modern horror anthologies, from V/H/S (2012)to Southbound (2015), Dark Tapes (2016) to ABC’s of Death (2012), there’s been a highly dedicated sense of the bizarre and foreboding squeezed in alongside a curative surreal and darkly comic backdrop of horror. With Argentina becoming the forefront of genuine wholesome and brilliantly crafted cinema lately from superb freaky titles like Terrified(2017) and Cold Sweat (2010), there’s no wonder that this combination of short dark thrillers sets a new bar in the horror genre.
A strangely beautiful and violent thriller from cult classic director Miike, who, in recent years has slowed down and mellowed a little but swinging back with this sophisticated drama with slick fighting scenes and the odd touches of animation and quirkness really elevates an already brilliant story that’s acted out to perfection.
Miikes track record of outlandish movies really made a huge impact, and after a short stint of re rebooting iconic Japanese cinematic pieces such as Seven Samurai and Hara Kiri, his approach to bigger and bolder cinema has been fine tuned. This charming little piece follows Leo, an emerging boxer who is facing the darkest chapter of his life after he passes out in the ring and his doctor warns him that he might have a brain tumor. On his way home he rescues a screaming woman who’s being chased by an unknown man and the two catch feelings.
Director: Alan White
Starring: Hugh Jackman, Andrew Wholley, Joel Edgerton, Leah Vandenberg, Aaron Blabey, Marty Denniss. Australia. 1h 30m
When Barky (Denniss) returns home for his fathers funeral he thinks is safe from the pain and attempts to reunite with his brothers and find some closure however the mood isn’t quite what he expected, his presence sets off a keg of love, hate, resentment and frustrations. After two years of living away, the young 20-something has no regrets about leaving the grip of his fathers violent rages which are painfully detailed in flashbacks.