Director: Brian Smrz
Starring Ethan Hawke, Xu Qing, Paul Anderson, Rutger Hauer, Tyrone Keogh, Nathalie Boltt, Liam Cunningham, Jeremy Yong .USA. 1h 39m
The overall character is like a science fiction bourne movie, the strengths lie in the espionage action thriller but you can’t ignore the countdown timer in the leads arm. But the film has a huge anchor and this drags along in a sea of theology Travis is a man on a mission but it’s plagued with ghosts of the afterlife, as he stands looking into the abyss it’s looking back at him and he’s reminded that he needs to make amends.
Travis Conrad (Hawke) is introduced as a drunk, hanging out with his father-in-law they are fishing and drinking in preparation for spreading some ashes, afterwards the old man, played by the enigmatic Rutger Hauer passes out and Travis heads to the tittybar, grabs a hit and notices some men following him, in a shifty trick he immobilize them and sits down next to the man who sent them, his old friend who offers him a job worth $2 million. Accepting his new job of executing a unknown man he has to find him, and so he starts tracking the family of an operative who’s been hired to protect him. While learning the whereabouts he spares Lin (Qing) but she kills him after plugging him in the chest, but Travis awakens on a hospital bed where’s he’s quizzed about the location, after givin up the news he soon realizes his mistake and that he’s time is up (again) but he breaks free, the doctor explains that he’s got a timer which gives him 24 hours to live again he spares another woman and escapes to get back at his employer by protecting his previous target but to summarize the film in one phrase, Travis is having a particularly bad day. Continue reading 24 Hours to Live (2017)
Director: Jeremy Saulnier
Based on: Hold the Dark by William Giraldi
Starring: Jeffrey Wright, Alexander Skarsgård, James Badge Dale, Riley Keough, Malcolm Blair, Tantoo Cardinal, Julian Black Antelope. USA. 2h 5m
With just two major titles under his belt, Saulnier’s next project, was so highly anticipated it derailed the hype train, but the resulting ambitious drama was so different from the taut thrillers, Blue Ruin (2013) and Green Room (2015) that no one could really appreciate it in the same way and it generally got panned by the fans.
This misfire isn’t a total disaster, no one can find fault with the beautiful crafting that went into the film, Saulnier is so masterful that even if you didn’t get the movie you can easily enjoy watching it, but for me it’s just a perfect shot for a different audience. I found it just as gritty and nearly as bloody as the others, but the pushing and pulling between two fundamental ideas within the movie that would either make it a thriller or fantasy doesn’t ever come to a neat conclusion, leaving a gaping open ending which is going to piss off a lot of people but for me it’s a highly alluring project which is perfect as it is. Continue reading Hold the Dark (2018)
Director: David Michod.
Starring: Jacki Weaver, Ben Mendelsohn, Joel Edgerton, Guy Pearce, Sullivan Stapleton, James Frecheville, Luke Ford, Laura Wheelwright. Australia. 1h 53m
There is something extraordinarily authentic about Animal Kingdom, this sinister tale of a twisted criminal family is something can nervously be regarded as far fetched, but after an ounce of research into the criminal underworld of the Land Down Under, after watching this movie there’s a lingering fear that “based on a true story” might appear in the closing credits.
With characters like the notorious Chopper (2000) and the gut churning Snowtown (2011) just two pieces of projects based on real events and people, this just feels like the next step in a progression of a young country with a criminal culture that’s making up for lost time. Continue reading Animal Kingdom
Director: Alfredo Giannetti
Starring: Franco Nero, Dalila Di Lazzaro, Carlos de Carvalho. Italy. 1h 36m
A somewhat whimsical crime thriller, Blue Eyed Bandit stars the iconic Franco Nero as Renzo Dominici, mild mannered crippled and aged clerk who works for a bank, but little do his employers know what by night he transforms into a young, dynamic blue eyed criminal mastermind.
By day he shuffles around in a clever disguise, working long hours, visiting his mother in her nursing home and all the while secretly scoping out the office and waiting for the big pay day but as he ultimate heist get closer, Stella (Lazzaro); a loose member of the cafeteria staff starts to work out that there is much more to the old quiet clerk and she attempts to slide into the deal. Continue reading Il bandito dagli occhi azzurri / Blue Eyed Bandit (1980)
Director: James Mangold.
Writer: Agatha Christie – And Then There Were None
Starring. John Cusack, Jack Busey, Ray Liotta, Amanda Peet, Pruitt Taylor Vince. USA. 1h 30m.
The sophistication of the movie sets it apart from other thrillers of the era, at first I couldn’t quite pinpoint it but after researching the film and discovering that it’s loosely based on an Agatha Christie novel, then it all fell into place. While I’ve never been really into Christies work I am often spellbound by the dynamic and grizzly narratives. This is a perfect testament to the fact that her writing strengths are unbound and with the right adaptation will probably live on. Continue reading Identity (2003)
Director: Michael Pearce
Starring: Jessie Buckley, Johnny Flynn,Geraldine James .UK. 1h 46m
Director Michael Pearce has constructed a commanding movie with a complex layered story, this deeply psychological drama/thriller is a smouldering beauty with lots of eerie undertones.The films flaming lead Jessie Buckley gives an excellent lead performance who’s beauty gives the film a touch of piercing clarity, as Pearce builds mystery with intense fascination, often revealing big scenes with fine balance as he grips the viewers attention with climatic stages.
Set in Jersey while a serial killer has murdered several young girls, the village tries to solder o while there’s a giant elephant in the room. In among the normies is Moll (Buckley) a 27 year old who’s a deeply unhappy woman and put upon daughter by an extremely domineering mother (James) she lives out her days under the total control of her mother and carrying out a soulless job as a tour guide. There is a reason for the watchful eye of Moll, she has a dark secret that manifested in her past school girl days, and in turn she’s still basically treated as a child while her siblings are on their own pedestals. Her sister manages to upstage her at her own birthday party while announcing her pregnancy, Moll, having enough of the family antics storms out abandoning her family and Cliff, a stuffy young police officer who wanted to make Moll his new girlfriend. Into the night she runs and joins another party, meeting the mysterious and alluring Pascal (Flynn). Continue reading Beast (2017)
Director: Michael R Roskam
Starring: Matthias Schoenaerts, Jeroen Perceval, Barbara Sarafian. Belgium. 2h 8m.
There is something majestically beautiful about Roskam’s savage mafia drama. That sees a man fight against his own nature using the same tools that he applies to nature for his own gains. Usually Belgium is seen as a boring country where nothing really exciting happens, but even with the crime connections in this film, they aren’t peddling class a drugs or trafficking humans, nothing that dangerous or “glamorous” instead this mafioso gang are pedding steroid laden beef, typical farmer stuff but filled with meaty treats. Continue reading Rundskop / Bullhead (2011)
Director: Skip Kite
Starring: Walt Kissack, Gary Sharkey, Ada, Lewis. UK. 1h 24m
Peter Sutcliffe has had a terrible reputation for a long time, and despite his feelings of remorse in this latter years public opinion hasn’t changed much. This drama is supposed to take you into the mind of one of the UK’s most notorious serial killers, using real archive footage it pieces together the biggest manhunt as well as dramatising Peters inner thoughts while he attempts to reflect internally. Continue reading Pe+et / Peter (2011)
Starring. ? Nigeria. 6h 30m.
This is one of those famous epic Nollywood productions that’s probably better to watch as a series but I couldn’t help myself it starts out with so much intrigue I had to watch it all the way through.
A sick and dying woman is sitting in her yard with a friend, she’s unwell, poor but is praying for her son to get lucky and for his good health, her daughter returns from work and calls him for help, if not financial then maybe he can at least come and visit his family, they just want to know that he’s well. Meanwhile he’s partying with stacks of money and girls but tells his sister that he’s been poorly and has no money to give to his family. Meanwhile he’s lavishing gifts on his 4 girlfriends and their friends and their mothers. Eventually he visits his mother, and while he’s disgusted to see the state she’s living in he leaves her a mere 1000 Naira (about £3) What a cuck.. Continue reading Blood is Money (2018)
Director: Kevin Connolly
Starring: John Travolta, Kelly Preston, Pruitt Taylor Vince, Spencer Lofranco, William DeMeo .USA. 1h 50m
The gangsters paradise seems to have had its heyday with bold releases such as Goodfellas (1990) and Casino (1995), the amazing rag to riches backstories, garnished with riches and savage beatings really enthralled audiences, I was one of many who assumed that this release might just make the holy trinity of awesomeness, but who was I kidding, John Travolta as the Teflon Don!? I want to say that this abysmal movie is The Room (2003) of mobster movies but the room is so bad it’s good, it has some charm and is incredibly memorable where as this crumpled lackluster effort is easily forgettable and it pains me to have to write a review. Continue reading Gotti (2018)