Director: Brett Ratner
Starring: Anthony Hopkins, Edward Norton, Ralph Fiennes . USA. 2h 4m
There comes a time when every movie is going to be remade, no matter how cult or classic the original is. But did we really need this remake of the near perfect Michael Mann gusty thriller Manhunter (1986), Originally Brian Cox played the flesh eating doctor, but while his take on the now iconic doctor; is different from Hopkins laid back soft talker, Cox’s interpretation is very apt for the direction of Mann’s psychological dog fighting style. Is the Hopkins trademark on the character so powerful that he gets to shoulder his way through to complete his trilogy. Well, Dino De Laurentiis, producer of both Manhunter and Red Dragon and effectively the Lecter copyright holder, has decreed it. So Anthony Hopkins returns, for the final time, because after this he vowed never to play the role again and it’s not surprising as the task was given to Brett Ratner to facilitate, a director who can handle a fast paced popcorn action flick but really struggled with this type of deep psychological and powerfully cerebral thriller. If only this was an equally horrific sentimental comedy, like The Family Man, where Ratner would feel more at home. Continue reading Red Dragon (2002)
Director: Robin Hardy
Based on: The Ritual by David Pinner
Starring: Edward Woodward, Christopher Lee, Britt Ekland, Ingrid Pitt, Diane Cilento .UK. 1h 27m
In the past decade Horror Folklore as a genre has raised its curious demonic fiery head. This new dawning, pioneered by new cult directors such as Ben Wheatley, Ari Aster, Gavin Liam and Roger Eggers to name a few haven’t been able to make a movie without it being likened to the pioneering game changer, Robin Hardy’s slow-burning chiller The Wicker Man.
Looking back at it’s small budget and menial takings at the cinema, numerous cuts and actors paying for critics seats, it’s rise to cult status wasn’t a simple one but what it achieved was truly unique, not even it’s remake was able to mimic it’s true sense of dread and horror. Continue reading The Wicker Man (1973)
Director: Eric Steel.
Starring.Various. USA. 1h m.
Worlds literally end in Eric Steel’s slightly tastefully feature length documentary which focuses solely on the Golden Gate Bridge in San Francisco. For one year the iconic bridge was filmed including every suicide that took place on The Bridge that year with candid interviews of the people left behind.
The film opens like a tourist promo, with beautiful scenes of the bridge, the crew setting up hidden cameras, vibrant wildlife is in abundance, the quiant businesses nearby are lit in golden sunshine, then suddenly a body drops, and we are initiated into the Bridge, a bold unwavering look into the jolly suicide spot.
Be afraid of what lies beneath…
Continue reading The Bridge (2006)
Director: Noel Marshall.
Starring.Tippi Hedren, Noel Marshall, Melanie Grifith, Zakes Mokae, Will Hitchins, Jerry Marshall. USA. 1h 42m.
I have so many issues with this “movie” and I can’t say it’s something I settle down with and watch with glee, I fully understand the allure in making something like this, anyone who lives with big cats will appreciate the love and danger of any situation, Tippi Hedren herself did live with many large cats in her home and for her this was a “natural” environment, but even she admitted in interviews after the movie that what started out as a great idea eventually became the worst decision of her life after watching the end result.
The most dangerous movie ever made.
Continue reading Roar (1981)
Director: Babak Anvari .
Starring. Armie Hammer, Dakota Johnson, Zazie Beetz. USA. 1h 34m.
This strange and dutifully tragic movie owes a lot to Cronenberg and H.P Lovecraft despite opening with a quote from Joseph Conrad’s Heart of Darkness, that ends with “it echoed loudly within him because he was hollow at the core”. It’s hard to recognise the significance at this early stage of the movie but recalling back to the character it’s now easy to see how the main characters overall weakness as a human being made him so vulnerable for the nightmare that is about to unfold before his eyes. Continue reading Wounds (2019)
Director: Flying Lotus.
Starring. David Firth, George Clinton, USA. 1h 45m.
I have to be totally honest when I say that I really don’t know how to describe or classify this movie, which makes it way more interesting for me I’ve watched it twice know and while I’m morbidly obsessed with it, there’s so much I can’t deal with while watching it.
If I had known that the movie was made by Flying Lotus with David Firth as back up I could have been properly prepared, but I chanced upon this by total accident. The film has a loose wrap around plot to which 5 stories are attached, split up into small segments and clouded with experts only suitable for a deranged subculture on the edge. Continue reading Kuso (2017)
Director: Peter Jackson.
Starring.Mark Hadlow, Peter Vere Jones, Donna Akerten, Stuart Dasent. New Zealand. 1h 37m.
This is one of the few titles I use to gauge someone’s personality, sense of humour and to find out if they can be left alone with small children and animals, it can also be used in a test to see if they can keep food down in a crisis. The video was originally passed around at school as a dare, a test of a teens measure, can you get through this without being sick!? I was up for it and passed the test with flying colours!
Meet the Feebles is a sort of psychotropic; meth fueled GG Allin styled Muppets show, that often sinks below the gutter, and it’s attempts to be funny and overly sick for sick’s sake has divided movie fans for years. It’s never going to active much acclaim for its efforts but I feel it helped to kick start a lot of subversive comedy which deserves it’s own platform even if only a handful of people like it. Continue reading Meet the Feebles (1989)
Director: Tod Browning.
Starring. Wallace Ford, Harry Earles, Olga Baclanova, Leila Hyams, Roscoe Ates, USA. 1h 04m.
This has long been one of my favourite movies since I was a young child, I think my parents realised that I was going to be watching what I liked but my mother was always a spokeswoman for learning history and basics, so I read and watched the classics, which included The Freaks! I had a hand me down horror book which I still hold dear to my heart, I obsessed over the grainy black and white photos and was really drawn to the sideshow misfits of Tod Browning’s The Freaks which I still have to admit are a huge thing for me, not just the movie but the history and scientific research and study, encouraging me to travel the world visiting museums like Mutter and seeking out Cabinet of Curiosities worldwide.
Being one of the first and (possibly) only movie with a predominant cast of genuine “circus freaks” this tale is quite European in it’s make up, with a range of fair maidens, lost love and bitter revenge it’s something quite magical, but don’t get lulled into a false sense of security this fairy tale is grotesque and dark as fuck. Continue reading The Freaks (1932)
Director: Mary Harron
Starring: Christian Bale, Willem Dafoe, Jared Leto, Josh Lucas, Samantha Mathis, Matt Ross, Bill Sage, Chloë Sevigny,Cara Seymour, Justin Theroux, Guinevere Turner, Reese Witherspoon .USA. 1h 41m
After the success of a brilliant deeply disturbing and somewhat witty and stylish novella of the same name by Bret Easton Ellis, Mary Harron transformed the saucy satirical bits into this cult movie starring the charismatic Chriistian Bale at the front of star studded cast. Bale was set to steal the show and this really boosted his career and ego to the outer limits, but I can’t argue that he gives a smart and sensuous performance.
I read the book and was happy to leave it as that, something the original author agrees with, but it became impossible to totally avoid the movie as it’s used to popular culture so much through doll’s phrases, and gifs it’s unavoidable. Continue reading American Psycho (2000)
Director: Fatih Akin
Starring: Jonas Dassler, Margarete Tiesel, Katja Studt .Germany. 1h 50m
Based upon the novel of the same title, written by the author Heinz Strunk and published in 2016.
Unlike a ton of American productions about Serial Killers which feels the need to pick at the upbringing and give a reason for the erratic behaviour, there’s a ton of grotty mess throughout this pretty accurate retelling of the crimes of a notoriously bad character who eventually killed 4 part time prostitutes in a region of Hamburg in the late 70’s. Fritz Honka has a troubled life from a youngster but the film opens with the discarding of his first corpse, one that would alter the police but not much else would come from his nightly escapade of desperate sex and murder.
Honka is played by a pretty attractive and young German actor, Jonas Dassler who works his ass off to play this misaligned and deformed character with the use of some marvelous method acting and special effects he really does a lot to mimic the grimy nutcase. The film plays out the four year span where Honka did most of his killing, there’s some elaborations and artistic licence with story, with the inclusion of a young teen couple who are trying to be adults in and around the red light district, they story dips in and out giving Honka some wank material and moves the plot along when it begins to flounder. Continue reading Der Goldene Handschuh / The Golden Glove (2019)