Director: Benedict Andrews Starring: Ruby Stokes, Rooney Mara, Ben Mendelsohn, Tobias Menzies .UK. 1h 34m David Harrower (based on his play “Blackbird”)
From its moody opening juxtaposed with PJ Harverys iconic Down By the Water there’s a clear insight into how dark and difficult Benedict Andrews drama is going to be. There’s a long and complicated tale that has to be adapted from stage to screen, one that describes a relationship that too many of us couldn’t fathom and even after watching the sterling performances, it’s still a tainted pill to swallow.
Director: Jacob Gentry Starring: Harry Shum Jr, Kelley Mack, Chris Sullivan, Anthony E Cabral .USA. 1h 44m
Jacobs Gentry’s uncanny valley neon lit thriller is a great diversion for horror fans, but unlike other broadcast horrors it fails to give a satisfactory conclusion to its own question but will raise eyebrows though it’s stunning display of solid drama and a deep dive investigation.
While logging tapes of retro TV Broadcasts, a video archivist, James (Shum Jr.) discovers a disturbing clip that he believes is a sign of early hacking, out of his armchair investigation, James is innocently trying to track down the source but it turns into a deadly cat and mouse chair that night lead to solving a slew of murders.
Director: Ben Young Starring: Emma Booth, Ashleigh Cummings, Strephen Curry, Susie Porter. Australia. 1h 48m
This brutal film hits like a punch in the gut, it’s a slow drama but it gains power each step of the way. Youngs has a mixed bag of movies behind him and went onto to the sci fi thriller Extinction which was a side step in an odd direction, he needs to get back to the hard hitting drama as it’s something i’d does best.
Director: M Night Starring: Gael Garcia Bernal, Vicky Krieps, Rufus Sewell, Alex Wolff, Ken Leung, Aaron Pierre, Emun Elliott, USA. 1h 48m
At first glance this was always going to be an awkward film for any director to make , after the great success of Sandcastles, the amazing graphic novel detailing the dark and immersive story of a group of strangers trapped on a beach, am night was the only person who probably is just crazy enough to take this on and to convert it for the Hollywood screen .
I had read the comic several years before when it first came out I have to buy a new copy as I had lost my original lent to it a dear friend who maybe one day will give it back to me, so now I have a fancy new version with extra insights from the author and cool little sticker that says it is being made into a movie. but for the life of me I couldn’t quite work out how he was going to translate this into a story for the big audience , but strangely he has come up with her intelligent and intriguing storyline which dips from the curious into conspiracy.
Director: James McTeigue Starring: John Cusack, Alice Eve, Luke Evans, Brendan Gleeson,Oliver Jackson-Cohen, Sam Hazeldine, Dave Legeno. USA. 1h 51m
Journalism and celebrity are the subjects of this Victorian clad detective story. Fictionalising the final days of Edgar Allen Poe, giving him some majesty while being down and out in Baltimore 1849. No one wants to publish his iconic flavour of the macabre anymore and his life is in tatters.
Director: David Cronenberg Starring: Ralph Fiennes, Miranda Richardson, Gabriel Byrne .UK/Canada. 1h m
In the early 2000’s David Conenbergpacked away the New Flesh and made an intensely beautiful and fascinating account of Patrick’s McGraths novel. Even without the body horror and gore, psychotropic vibes and the paranoid surreal, Conenbergstill manages to disturb.
Starring Ralph Fiennes, as a deeply disturbed middle aged man, simply known as Spider. He’s just been released from a long term mental institution into a drab boarding house in London’s King Cross area. The tatty rooms and pealing wallpaper permeate a 1950’s atmosphere and isn’t the idea surroundings for recovery, however it’s here that Spider travels back to his childhood, spiraling back into the trauma as he remembers his obsessive belief that his father (Bryne) did away with his mother (Richardson) to start up a new life with a prostitute.
Like a rare and obscure borja wine, the history of Yoshihiko Matsui’s film making is sporadic but filled with really unusual gems, with themes of suicide, the understanding of love blended with cannibalism and genuine strange behavior you’ll always know who you”re watching and often question why you’re still watching. For me this unreal expression is one of the blessings of cinema, seeing something genuinely new that is al altered, heightened sense of the world around you. At times you’ll almost be able to feel Matsui’s message through the combination of imagery, a feeling of an idea that doesn’t need language for expression, or you might be left scratching your head wondering what the hell is going on.
Somewhere in the bleak landscape built up by Roman Gavras in his disturbing and cringeworthy drama, two maladjusted men find a kidship and go on a spree of violent destruction around France. But what could link them so strongly on their crime spree, their red hair, it’s a plot which is just crazy enough to work but with Vincent Cassell not only starring but in place as a producer the film may not have achieved its full potential but it’s something so unusual and powerful, it sticks in the mind with it’s utter bizarre narrative and sly look at the social construct that would allow this to happen. Continue reading Notre jour viendra Our Day Will Come (2010)→
Every now and again a movie creeps along as it reminds us what horror is really about, touching on sensitive subjects and delivering shocks, scares and a creeping dread which lingers long after the movie. One of these precious gems hasn’t arrived for a few years but somehow, coming straight from leftfield, a rom com director has re written the step by step guide on how to fuck with an audience and it’s done with a cool calm style in this occult horror nightmare. Continue reading Anything For Jackson (2020)→
Director: Brannon Braga Starring: Britt Robertson, Freda Foh Shen, Nicholas Campbell, Anna Friel, Rafi Gavron, Yul Vazquez, Andy McQueen .USA. 1h 47m
It’s been a while since we had a “proper” Clive Barker story ripped from it’s pages and cast on the silver screen. The first handful of movies really blew audiences away, as Clive’s ever watchful eye was able to help redefine his torturous visions from paper to, over the years his involvement dropped off as he was almost excluded from helping future directors and the interest in his adaptations dropped (who would have guessed?) as the unique Barkeresque touch was lost and the films began in blend in with everything else.
I’ve never understood how having the author’s input would ever be cast aside, but Clive is back and writing new material resulting in an extremely better adaptation of the Books of Blood that put the earlier 2009 version to great shame.