Category Archives: Disturbing

In Fabric (2018)

In Fabric (2018) Director: Peter Strickland Starring: Marianne Jean-Baptiste, Fatma Mohamed, Hayley Squires, Leo Bill, Julian Barratt, Steve Oram, Ricahrd Bremmer .UK. 1h 58m

As much as totally fangirl for Strickland and was so eager to watch this movie dedicated to the tales of a haunted or cursed dress, I knew it wasn’t going to be the typical hollywood horror, I knew it was going to be bizarre and strange and hauntingly beautiful but I wasn’t quite expecting it to be just so chilling and yet wrapped up in the mundane… and yet it remains terrifying and mesmerizing.

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V/H/S 94 (2021)

Director: Various Starring: Various Worldwide. 1h m

Despite setting records on the Shudder platform, there’s a lot lacking from this instalment of the VHS series, however maybe there was a gap in the market, as this came out during the height of yet another lockdown! leaving it with reviews swaying from weak to the best of the series? Being a total marmite chapter lets me dive deep into it. The wrap-around for this anthology-found footage compilation follows a SWAT team stumbling on a sinister VHS cult and the underground compound, for all of the other wraps it’s one of the strangest as we don’t really see the team settling into the movies like the rest.

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Basement (2011)

Director: Thomas Grieser Starring: Thomas Grieser, Ursula Grieser, Wolfgang Grieser, Timo Homburg Germany. 1h 09m

There’s something about Griesers career as a movie director that has hints of Don Dohler, not necessarily, subject and quality but determination and drive, it’s a similar energy. For those who aren’t aware, Dohler had a run of trashy sci fi movies in early 80’s including Fiend, Galaxy Invader, The Alien Factor and Nightbeast which have recently started gaining a small cult following.

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Don’t you recognise me? (2016)

Director: Jason Figgis
Starring: Matthew Toman, Emma Dunlop, Alan Rogers. Ireland. 1h 20m

Please correct me but this noisy thriller is Dead Man’s Shoes but in a depraved reversal where the gang, all twisted and desperate, are the saviours of a vulnerable lad…let me lead you down this bloody rabbit hole.

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Una (2017)

Director: Benedict Andrews
Starring: Ruby Stokes, Rooney Mara, Ben Mendelsohn, Tobias Menzies .UK. 1h 34m
David Harrower (based on his play “Blackbird”)

From its moody opening juxtaposed with PJ Harverys iconic Down By the Water there’s a clear insight into how dark and difficult Benedict Andrews drama is going to be. There’s a long and complicated tale that has to be adapted from stage to screen, one that describes a relationship that too many of us couldn’t fathom and even after watching the sterling performances, it’s still a tainted pill to swallow.

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Broadcast Signal Intrusion (2021)

Director: Jacob Gentry
Starring: Harry Shum Jr, Kelley Mack, Chris Sullivan, Anthony E Cabral .USA. 1h 44m

Jacobs Gentry’s uncanny valley neon lit thriller is a great diversion for horror fans, but unlike other broadcast horrors it fails to give a satisfactory conclusion to its own question but will raise eyebrows though it’s stunning display of solid drama and a deep dive investigation.

While logging tapes of retro TV Broadcasts, a video archivist, James (Shum Jr.) discovers a disturbing clip that he believes is a sign of early hacking, out of his armchair investigation, James is innocently trying to track down the source but it turns into a deadly cat and mouse chair that night lead to solving a slew of murders.

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Hounds of Love (2016)

Director: Ben Young Starring: Emma Booth, Ashleigh Cummings, Strephen Curry, Susie Porter. Australia. 1h 48m

This brutal film hits like a punch in the gut, it’s a slow drama but it gains power each step of the way. Youngs has a mixed bag of movies behind him and went onto to the sci fi thriller Extinction which was a side step in an odd direction, he needs to get back to the hard hitting drama as it’s something i’d does best.

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Old (2021)

Director: M Night
Starring: Gael Garcia Bernal, Vicky Krieps, Rufus Sewell, Alex Wolff, Ken Leung, Aaron Pierre, Emun Elliott, USA. 1h 48m

At first glance this was always going to be an awkward film for any director to make , after the great success of Sandcastles, the amazing graphic novel detailing the dark and immersive story of a group of strangers trapped on a beach, am night was the only person who probably is just crazy enough to take this on and to convert it for the Hollywood screen .

I had read the comic several years before when it first came out I have to buy a new copy as I had lost my original lent to it a dear friend who maybe one day will give it back to me, so now I have a fancy new version with extra insights from the author and cool little sticker that says it is being made into a movie. but for the life of me I couldn’t quite work out how he was going to translate this into a story for the big audience , but strangely he has come up with her intelligent and intriguing storyline which dips from the curious into conspiracy.

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The Raven (2012)

Director: James McTeigue
Starring: John Cusack, Alice Eve, Luke Evans, Brendan Gleeson,Oliver Jackson-Cohen, Sam Hazeldine, Dave Legeno. USA. 1h 51m

Journalism and celebrity are the subjects of this Victorian clad detective story. Fictionalising the final days of Edgar Allen Poe, giving him some majesty while being down and out in Baltimore 1849. No one wants to publish his iconic flavour of the macabre anymore and his life is in tatters.

The only one who can stop a serial killer is the man who inspired him

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Spider (2002)

Director: David Cronenberg
Starring: Ralph Fiennes, Miranda Richardson, Gabriel Byrne .UK/Canada. 1h m

In the early 2000’s David Conenberg packed away the New Flesh and made an intensely beautiful and fascinating account of Patrick’s McGraths novel. Even without the body horror and gore, psychotropic vibes and the paranoid surreal, Conenberg still manages to disturb.

Starring Ralph Fiennes, as a deeply disturbed middle aged man, simply known as Spider. He’s just been released from a long term mental institution into a drab boarding house in London’s King Cross area. The tatty rooms and pealing wallpaper permeate a 1950’s atmosphere and isn’t the idea surroundings for recovery, however it’s here that Spider travels back to his childhood, spiraling back into the trauma as he remembers his obsessive belief that his father (Bryne) did away with his mother (Richardson) to start up a new life with a prostitute.

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