Director: Alan White
Starring: Hugh Jackman, Andrew Wholley, Joel Edgerton, Leah Vandenberg, Aaron Blabey, Marty Denniss. Australia. 1h 30m
When Barky (Denniss) returns home for his fathers funeral he thinks is safe from the pain and attempts to reunite with his brothers and find some closure however the mood isn’t quite what he expected, his presence sets off a keg of love, hate, resentment and frustrations. After two years of living away, the young 20-something has no regrets about leaving the grip of his fathers violent rages which are painfully detailed in flashbacks.
Director: Ben Young Starring: Emma Booth, Ashleigh Cummings, Strephen Curry, Susie Porter. Australia. 1h 48m
This brutal film hits like a punch in the gut, it’s a slow drama but it gains power each step of the way. Youngs has a mixed bag of movies behind him and went onto to the sci fi thriller Extinction which was a side step in an odd direction, he needs to get back to the hard hitting drama as it’s something i’d does best.
In a heated conversation between a couple of shabby fellows after a night of debauchery, a poignant line is shouted, the definition of the film title and ethos of what you have spend an hour watching… it goes something along the lines of “meeting someone fucking their brains out and when you get bored you move on”. This dry argument is a key to Penny Woolcock’s vibrantly disturbing drama surrounding the most powerful bouts of writer’s block that Paul might ever have in one lifetime.
Director: Richard Laxton Starring: Helena Bonham Carter, Dominic West .UK. 1h 30m
This glamorized TV movie is the love child of director Richard Laxton, who cleverly used a poignant part of life and relationship between Liz Taylor and Richard Burton to highlight their turbulent relationship and striking personalities.
Set in 1983, the film revolves around Burton and Taylor as they attempt to join forces to star in Noel Coward’s stage play “Private Lives”. After years of marriage, their own addictive personalities and the pressures from the press, they begin to lose their stubborn protective barriers and find some kind of path to recovery together.
Director: M Night Starring: Gael Garcia Bernal, Vicky Krieps, Rufus Sewell, Alex Wolff, Ken Leung, Aaron Pierre, Emun Elliott, USA. 1h 48m
At first glance this was always going to be an awkward film for any director to make , after the great success of Sandcastles, the amazing graphic novel detailing the dark and immersive story of a group of strangers trapped on a beach, am night was the only person who probably is just crazy enough to take this on and to convert it for the Hollywood screen .
I had read the comic several years before when it first came out I have to buy a new copy as I had lost my original lent to it a dear friend who maybe one day will give it back to me, so now I have a fancy new version with extra insights from the author and cool little sticker that says it is being made into a movie. but for the life of me I couldn’t quite work out how he was going to translate this into a story for the big audience , but strangely he has come up with her intelligent and intriguing storyline which dips from the curious into conspiracy.
Director: Mike Cahill Starring: Brit Marling, William Mapother. USA. 1h 32m
A ponderous piece of philosophical science fiction that features an emotive pair of damaged characters and a golden opportunity leads to a Pandora’s box of horrorful delights that remain just beyond human touch..
In a shock opening, a horrendous car crash starts the slow decline of both lead characters but their personal sorrows become eclipsed when a second planet earth comes into sight in the night sky where everyone’s doubles live. Under the shadow of this outstanding astronomical breakthrough there remains a tough pill to swallow.
Director: James McTeigue Starring: John Cusack, Alice Eve, Luke Evans, Brendan Gleeson,Oliver Jackson-Cohen, Sam Hazeldine, Dave Legeno. USA. 1h 51m
Journalism and celebrity are the subjects of this Victorian clad detective story. Fictionalising the final days of Edgar Allen Poe, giving him some majesty while being down and out in Baltimore 1849. No one wants to publish his iconic flavour of the macabre anymore and his life is in tatters.
Director: Hlynur Pálmason Starring: Ingvar Sigurdsson, Ida Mekkin Hlynsdottir, Sara Dogg Asgeirsdottir. Iceland. 1h 49m
It doesn’t take long to get a good grasp of the top talent in Iceland, not only does a majority of the movies released there really hit a nerve and the industry continues to release one banger after the next, but with such a tiny population you’re going to see a lot of repeat offenders and not surprisingly a lot of the more popular faces have buckets of incredible talent and some of those come together in this study of grief.
Director: David Cronenberg Starring: Ralph Fiennes, Miranda Richardson, Gabriel Byrne .UK/Canada. 1h m
In the early 2000’s David Conenbergpacked away the New Flesh and made an intensely beautiful and fascinating account of Patrick’s McGraths novel. Even without the body horror and gore, psychotropic vibes and the paranoid surreal, Conenbergstill manages to disturb.
Starring Ralph Fiennes, as a deeply disturbed middle aged man, simply known as Spider. He’s just been released from a long term mental institution into a drab boarding house in London’s King Cross area. The tatty rooms and pealing wallpaper permeate a 1950’s atmosphere and isn’t the idea surroundings for recovery, however it’s here that Spider travels back to his childhood, spiraling back into the trauma as he remembers his obsessive belief that his father (Bryne) did away with his mother (Richardson) to start up a new life with a prostitute.
Director: Henry Alex Rubin Starring:Jai Courtney, Nat Wolff, Finn Wittrock, Arturo Castro, Beau Knapp .USA. 1h 39m
It’s hard not to feel a little bit conflicted with the ending of Brothers In Arms AKA Semper Fi. The film successfully builds up a golden camaraderie between a pair of brothers Callahan (Courtney) and Oyster (Wolff) who, along with their Marine Corp Reserve Brothers, they manages to pull off the impossible and with the best intentions but in the big scheme of righter and wronger, was it really justified?