Director: David Cronenberg
Based on – Naked Lunch by William S Burroughs
Starring: Peter Welller, Judy Davis, Ian Holm, Julian Sands, Roy Scheider. Canada, Japan, UK. 1h 55m
This bold, Kafkaesque putrid remake of the legendary novel by William S Burroughs, is possibly as vivid and imaginative as the original book, but if you’ve read the book you’ll realise that no film could ever really be a true adaptation, so the screenplay is a metatextual adaption. Detailing characters and scenes from a complex novel and other works from Burroughs, both fictional and from his journal and the events which lead to the 1951 death of Joan Vollmer, Burroughs’s common law wife. So while it’s not entirely Naked Lunch, it should at least FEEL like Naked lunch and at times it feels a lot like Burroughs but slightly more coherent.
As a surreal autobiographic piece the film follows the life of William Lee, who is basically Burroughs, a bug exterminator who discovers his wife is stealing his insecticide and using it to get high. Lee is arrested and starts hallucinating because of his exposure to the powder. Believing that he’s a secret agent he beings a strange relationship with two handlers, one is a insect typewriter and an alien “Mugwump“. The typewriter assigns him a mission of killing Joan, she’s allegedly an agent of an organization called “Interzone”, Lee dismisses this notion but on returning home he finds Joan having sex with a friend and kills her, inadvertently carrying out the mission, he flees to interzone, a city in North Africa where he spends his time writing reports to his handlers, this slowly becomes the Naked Lunch book and after taking more mind altering drugs and getting a new typewriter, a Clark Nova, this insect stresses that he needs to find Dr Benway by seducing Joan Frost who’s a doppelganger of his dead wife and then things get really weird, and with the addition of a drug that is made from a centipede. Continue reading Naked Lunch (1991)
Director: Brian Yuzna
Starring: Mark Frost, Isabel Brook, Jeffrey Combs, Andrew Divoff, Monica Vam Campen . Spain . 1h 38m
Based on Tim Vigil and David Quinn (graphic novel) Wolfgang Von Goethe (play)
There’s a magical era of horror which isn’t to be taken too seriously but it is to be thoroughly enjoyed. I haven’t really been able to put a name to it, if one exists then please hit me up on twitter @admitonefilmadd or comment here. But it involves great special effects, a bit cheesy for modern audiences but so very treasured for the community.
It’s not too hard to work out the basis of this gory horror, it’s a modern rendition of a play by Wolfgang Von Goethe known originally as Urfaust dated between 1772-1775, so the story is well known, but there are additional twists so keep new eyes riveted on the action. Continue reading Faust : Love of the Damned (2000)
Director: Hope Perello
Starring: Michelle Matteson, Bruce Payne, Carol Lynley, Deep Roy, Brendan Hughes, Antonio Fargas . USA . 1h 42m
(Loosely) based on The Howling Series of novels by Gary Brandner especially Howling III Echoes.
Have you ever woken up from a hazy dream and tried to piece it back together to make a story..that’s kinda how this installment of Howling plays out. Loosely based on the third Howling book, it’s set around the life of a unusual drifter who stumbles on the wrong town. Despite his natural ability to look like Charlie Chaplin he actually has a much more dangerous and darker secret, being part of the Howling series it’s no surprise really but there’s more, just follow him down the rabbit hole… Continue reading Howling VI : The Freaks (1991)
Director: Eric Freiser
Starring: Bruce Payne, Ashley Laurence, Boti Bliss, Angel Boris, Paul Francis, Rick Hearst, Jan Schweiterman . USA . 1h 34m
I only discovered there was a third installment of Warlock about 10 years after it had been released, maybe because it was a direct to DVD release or possibly because no one was talking about it, cos it just wasn’t up to par with the first two films.
You can tell when a film has no budget as the sets and locations shrink down to a minimum, and this one house film is incredibly dull and quite boring.
Seemingly inspired by the now cult classic Warlock theme, an enchanted and highly determined Warlock who travels through time to be reborn and usher in the new beginning by raising Satan, originally the films see the Warlock travelling the world getting into all kinds of hijinx, tricking and slaughtering as he goes, but it’s down theatrics now… Continue reading Warlock III : End of Innocence (1999)
AKA Alien Terror AKA Strangers
Director: Ciro Ippolito
Starring: Ciro Ippolito, Belinda Mayne, Mark Bodin, Michele Soavi,Judy Perrin. Italy. 1h 32m
Before the Alien (1979) film could be fully licenced and trade marked, it obviously had a profound effect on Italian director Ciro Ippolito decided to take it upon himself to craft a unauthorised sequel, and while this film has a low budget, the scope is there for a much bigger and impressive project, but the Alien lifeform is more affiliated with The Thing (1982)– In a Cave.. and has little to do with Ridley Scott’s cult classic.
While the earth eagerly await the return of a group of astronauts, meanwhile in an unrelated television studio, Thelma Joyce (Mayne) appears to talk about Spelunking and caves but she had a terrible psychic episode and violent visions forces an abrupt ending to her interview. The spaceship arrives but the crew are missing, in theory I believe this is supposed to be the derelict Nostromo. Meanwhile a young girl playing on the beach finds a pulsating blue rock, when her mother finds her, she’s missing her face. Continue reading Alien 2 – Sulla Terra / Alien 2 – On Earth (1980)
Director : Takashi Anno, Tomomi Mochizuki
Writer: Daijiro Morohoshi
Starring : Nozomu Sasaki, Alan Marriott, Mizuho Suzuki. Japan. 1h 40m
When I first started getting in Anime Akira (1988) probably kicked things off for me, and I dug deep in powerful fast pace cyber and horror films. But one film really stood out on a few trailers. Its pale colours, still images and traditional soundtrack make it stand apart from the rest of the 90’s Manga collection.
Having a deep love of folklore and being totally mystified by the demonic creatures in the advert I was sure to get a copy ASAP and i fell in love with animated films all over again, but for very different reasons than before. Continue reading Ankoku Shinwa / Dark Myth (1990)
Director: Panos Cosmatos
Starring: Nicholas Cage, Andrea Riseborough, Linus Roache, Ned Dennehy Olwen Fouere, Richard Brake, Bill Duke. USA. 2h 1m
Cosmastos seems obsessed with 1983, where his previous movie was also set, is there a parallel here? Same year with possible answers to Professor Arboria’s mystic drug… but nothing is laid out in a straightforward way, he keeps the viewer guessing about what is real and what might just be fantasy, eventually your not sure what you believe in anymore, questions are raised especially about the drugs involved and at times this film really pushes the envelope. Continue reading Mandy (2018)
Director: Rainer Sarnet
Based on Rehepapp ehk by Andrus Kivirähk
Starring: Rea Lest, Jörgen Liik, Arvo Kukumägi, Katariina Unt, Taavi Eelmaa, Dieter Laser, Jette Loona Hermanis. Estonia. 1h 55m
I’d like to think that I don’t award too many 10/10’s although I am always searching for perfect films and I believe I have just found another one, possibly the one. There’s so much to fall in love with in Sarnet’s November, based on a deeply chrasamisc novel Rehepapp by Andrus Kivirähk who’s possibly one of the most influential folk writers since Estonia’s classical epic Kalevipoeg and is just as extraordinary.
The film starts out curiously, a cow skull mounted on farming tools is captured rolling and creaking across the landscape using a chain it steals a cow, by grabbing the beast and flying into the air like a folklore chopper, the mechanism lands with the cow, on a farm miles away across the forest, the owner coming out to retrieve the animal and kicks the machine away, but it talks to him, asking for more work so he gives it an impossible task and it explodes. This “thing” is a Kratt and you’ll see a lot of these throughout the movie, and you can see the Kratts screen test here (https://vimeo.com/66493993)
The villagers find it hard to survive throughout the dark Estonian winters and often end up stealing from each other and the German nobility who are taking over their lands. In order to make a Kratt the villagers first have to go into the forest and make a pact with the devil written in blood in His book. Continue reading November (2017)
Director: Ben Wheatley Writer:Amy Jump
Starring: Julian Barratt, Michael Smiley, Reece Shearsmith, Ryan Pope and Richard Glover. UK. 1h 30m
A Field In England came out at a time when I was only just discovering how amazing Ben Wheatley is, after Sightseers (2012), Down Terrace (2009) and Kill List (2011) it was easy to see that he was quite a phenomenal director in his own write, and I especially admired his edition of the Dark Arts in kill List which seem to appear in a lot of his titles, and for quaint little twists that bound each kill victim together, maybe one day if he was related to another Wheatley who had mystified his audiences with the dark hearts back in the 70s??!!
But now he’s taking an historical turn with this unique black and white drama, Instead of speaking about the black hearts he’s going back to the original source, a group of men wandering around the English countryside during the civil war, after walking away from a battle; an act that they could easily have been hung for, they managed to hook up with a devout and cruel necromancer and fall under his dark spells, O’Neill (Smiley) terrorises the rest of the men and provokes them into helping him find a stash of treasure, while under the influence of hallucinogenic mushrooms. Continue reading A Field in England (2013)
Director: Alex Garland.
Based on: Southern Reach Trilogy by Jeff VanderMeer
Starring. Natalie Portman, Jennifer Jason Leigh, Oscar Isaac. USA. 1h 57m.
This newest visionary delight from Alex Garland, doesn’t fit into the typical science fiction category, with other Netflix releases like Bright (2017) and Cloverfield Paradox (2018), where the effects and story are both weak in the later and jarring this side step into the cerebral is exactly what a lot of dedicated science fiction fans have been craving for so very long now. Taking on a model similar to the legendary Tarkovsky’s Stalker (1979) or Solaris (1971), Annihilation plunges it’s audience into a lavish and dangerous new world to explore along with a scattering of emotive flashbacks added purely for good measure. Continue reading Annihilation (2018)