Director: Mark Tonderai Starring: Omari Hardwick, Loretta Devine .USA. 1h 31m
18 years on from Ian Softleys powerful hoodoo thriller Skeleton Key (2005), the time and tested horror had graduated into Spell, which is a strange name for a rootworking movie but nonetheless no one will be surprised when the incantations, grimoire and ritual work is let loose. However this darkened story has closer ties with Misery (1990) and the Hills Have Eyes (1977/2005).
Director: Patrick Picard
Starring: Joe Adler; Lian Aiken .USA. 1h 12m
A great alternative title for this movie would be “A nice guy deals with an entitled cunt”, but there’s a little more to Patrick Picard’s sleek thriller, loosely based on Edgar Allen Poe’s The Fall of the House of Usher.
The film is a steady paced psychological breakdown of “the nice guy” Francis (Aiken) by his supposed school friend, Jen Paul Luret (Adler), a privileged, rude and cruel young man who’s bordering on crazy. Living in a high tech and lavish home in the remote wilderness with his sister, who’s rarely seen throughout the movie, almost as frequently as the Bloodhound itself, which seems to be a strange masked man that hides around the home and is honestly the freakiest aspect of the entire movie, i found a clip here to wet your whistle.
Director: Scott Derrickson Starring: Ethan Hawk, Miguel Cazarez, Mason Thames, Madeleine McGraw, Jeremy Davies USA. 1h m
Black phone does all it can to NOT be the typical horror movie, and what it achieves is something not only beautifully crafted but it will keep fans puzzling over the finer details for decades.
Initially kicking off with the troubled life of 13 year old Finney Blake (Thames) , he’s shy and spends his days avoiding bullies and amusing his adorable little sister Gwen (McGraw), their father is constantly at his wits end and often beats the kids more from anger than from being a tough parent but the family get along in their own troubled way, Finney’s best friend is the toughest kid in school, Robin a kid who’s got a mean right hand but needs Finney’s help with his math homework so they look after each other.
Director: Michael Pataki Starring: Richard Basehart, Gloria Grahame, Trish Stewart, Lance Henriksen, Al Ferrara, Jojo D’Amore .USA. 1h 29m
Pataki was a much loved, versatile actor but during his fullfilling career he also directed 3 movies including a risque Cinderella involved a black gay “fairy” godmother who helps Cindereally meet prince charming at a blindfolded orgy, and this crazy gory mad scientst thriller.
For the most part the film rolls out as a reverse Eyes Without a Face, instead of having to replace a face, this crazed doctor is attempting to replace a girl’s eyes. Burdened with guilt the renowned LA Ophthalmologist Dr Leonard Chaney (Basehart) becomes obsessed with restoring the sight of his only daughter, who had barely survived a near fatal crash. Unable to find the willing donors or the raw materials, the Doctor’s dark basement is a gresome reminder of his now blind human experiments.
Director: Billy Senese Starring: Shane Carruth, Poorna Jagannathan, Jeremy Childs, Bill Feehely, J Thomas Bailey. USA. 1h 33m
For the most part Dead Center seems to be built on the idea of keeping its audience in a perpetual state of WTF tinged with the feeling that something is creepily wrong. Shane Carruth, stars as Dr Forrester, the eggfree shrink who genuinely cares for people and is often pulled up by his superiors for trying to help everyone, his concerns are not budget related but actually trying to make people better. The really interesting aspect of the films that slowly creeps out from between the slowly driven office politics.
In Fabric (2018)
Director: Peter Strickland
Starring: Marianne Jean-Baptiste, Fatma Mohamed, Hayley Squires, Leo Bill, Julian Barratt, Steve Oram, Ricahrd Bremmer .UK. 1h 58m
As much as totally fangirl for Strickland and was so eager to watch this movie dedicated to the tales of a haunted or cursed dress, I knew it wasn’t going to be the typical hollywood horror, I knew it was going to be bizarre and strange and hauntingly beautiful but I wasn’t quite expecting it to be just so chilling and yet wrapped up in the mundane… and yet it remains terrifying and mesmerizing.
I have a deep belief that the goal for this movie was to make it as generic as possible, maybe as some kind of experiment, maybe if a film is so no specific the audience might believe that it’s a masterpiece in disguise. Either way the blessing is that it’s only 43 minutes so it’s not an endurance test either.
AKA Demoni 3 Director: Umberto Lenzi Starring:Keith Van Hoven, Joe Balogh, Sonia Curtis, Philip Murray, Juliana Teixeira, Maria Alves, Clea Simones .Italy/Brazil. 1h 28m
With a host of amazing titles under his belt already, from Giallo, Poliziotteschi, horror and gore, Lenzi struggled to make such an equal impact as Cannibal Ferox, Almost Human and Nightmare City in his 90’s Voodoo romp Black Demons. Originally titled as Demoni 3, with the anticipation of being a third in the Lamberto Bava’s series the movie has very little to do with the cult series.
What starts out not a million miles away from any other Voodoo based zombie story, an accidental uttering of a n ancient curse in a foreign tongue results in the undead coming back to life to prey on the living. But is this the first undead race war? Usually zombies don’t see color, even though this sketch does suggest something to the contrary.
Director:Brian Jagger Starring: Todd Haberkorn, Don Shanks, Paris Warner, Ester Lay, Corynn Treadwell, Brain Telestai. USA. 1h 10m
It’s a popular belief that a prison or asylum is going to be a hotspot for paranormal activity, it just makes logical sense that at some point along the lines, the areas with the more degrees and sadistic characters, those who are already showing demonic possession and are around electrocution and electrotherapy night channel in darker forces which none can fathom.
Marie Antoinette (2006) Director:Sofia Coppola Starring: Kirsten Dunst, Jason Schwartzman, Rip Torn, Steve Coogan, Shirley Henderson, Marianne Faithful .USA, France, Japan. 2h 3m
A lot of cake was eaten in Sofia Coppola’s punktastic retelling of the life and downfall of Marie Antoninette. From her teen marriage to the King of France and their bizarre and lavish life together, offset to a brilliant pop punk soundtrack, there’s probably just enough to get help you through a GCSE but there’s very little accurate history involved but lots of analogies to just how much of a pop princess Marie was for the age.
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