Director: Erdal Ceylan.
Starring. Alyson Walker, Tony Giroux, Meelah Adams. USA. 1h 15m.
Selfie from Hell, started out as a 2 minutes horror movie that for millions of views on YouTube years ago, but now we have this full length feature that’s supposed to up the ante and the short answer is that.. “nope” it just doesn’t come across as being more frightening or more compelling than the horror short.
So some girl gets terrorised by a shadowy figure which is stalking her in her selfies, any other photo is totally fine but whenever she takes a picture of herself this dark monster begins to get closer, until one picture later and boom it’s upon her and while she’s now bedridden her “niece”? (I really couldn’t care for the relationship, the build up to this point was slow and .. boring) visits to help look after her, and starts to dig into the story and is soon hunted by the same entity but luckily she has a laptop and starts to find answers on the dark web… Continue reading Selfie from Hell (2018),
Director: Sôichi Umezawa.
Starring. Kyôka Takeda , Momoka Sugimoto , Ena Fujita , Kanji Tsuda. Japan. 1h 21m.
I used to be blown away by Japanese horror, going through the Tartan Horror series with much glee as it was miles apart from the slowdown that was occurring with its Western counterpart. with the fresh of breath air that the creepy tales sprung upon me, eventually I started noticing a huge split between genuine Japanese Horror and that fringe area which incorporated their unique humor, gore, body horror and sprays of blood. After a while I let things run their course, on returning I was gobsmacked by the array of mundane items which the Japanese has found a way to make scary! Continue reading Chi o sû nendo / Vampire Clay (2017)
Director: Jeremy Saulnier
Based on: Hold the Dark by William Giraldi
Starring: Jeffrey Wright, Alexander Skarsgård, James Badge Dale, Riley Keough, Malcolm Blair, Tantoo Cardinal, Julian Black Antelope. USA. 2h 5m
With just two major titles under his belt, Saulnier’s next project, was so highly anticipated it derailed the hype train, but the resulting ambitious drama was so different from the taut thrillers, Blue Ruin (2013) and Green Room (2015) that no one could really appreciate it in the same way and it generally got panned by the fans.
This misfire isn’t a total disaster, no one can find fault with the beautiful crafting that went into the film, Saulnier is so masterful that even if you didn’t get the movie you can easily enjoy watching it, but for me it’s just a perfect shot for a different audience. I found it just as gritty and nearly as bloody as the others, but the pushing and pulling between two fundamental ideas within the movie that would either make it a thriller or fantasy doesn’t ever come to a neat conclusion, leaving a gaping open ending which is going to piss off a lot of people but for me it’s a highly alluring project which is perfect as it is. Continue reading Hold the Dark (2018)
Director: Jim Henson.
Starring. David Bowie, Jennifer Connelly, Toby Froud, Brian Henson, Frank Oz, USA. 1h 47m.
It’s hard to write to about films that have been around so long, that are so wildly popular, but alas it’s a film that I’ve seen; many times and therefore it has a place on my illustrious blog, but don’t expect me to take this review all that serious, because that would be boring and this film like so many other Henson productions always suggest that you shouldn’t take life too serious.
The film is a meeting of three great talents and a lavish history of children’s fairy tales, arranged and directed by Jim Henson’s who made a range of amazing creatures in all sizes, all built around the twisted imagination of renowned Brian Froud, and with the presence of David Bowie the film already has enough credentials for perfection, and it literally all the ingredients you need for the faultless fantasy film. Continue reading Labyrinth (1986)
Director: Greg Lamberson
Starring: Robert Sabin, Mary Hunter, Bunny Levine, Dennis Embry. USA. 1h 28m
Despite being on par with the average Troma movie this imaginative occult gory body horror is strangely fun to watch and gives adequate nods to a number of classic horror movies in a psychotropic manner.
When a young art student, Alex (Devon) moves into a new apartment in a run down area of NYC with the intentions of getting his girlfriend Lori (Hune) to “sleep over”, he tries to be accommodating of his misfit neighbours, but after a supposedly vegetarian meal of Himalayan Yogurt made by Landlady Lizzie (Jane Doniger Reibel) with one of the more poetic tennants Roman (Embry), that’s quickly washed down with a mysterious home brew made by her dead alchemist father Zachary. His timid girlfriend Lori Starts to notice disturbing changes in her boyfriend, especially after he awakens one morning with a new blood lust and dripping with slime. Continue reading Slime City (1988)
Director: George A Romero
Starring: Ed Harris, Tom Savini, Patricia Tallman, Stephen King, Christine Forrest, Gary Lahti, Warner Shook . USA . 2h 25m
While Romero is well known for his ground-breaking horror movies, it is his change of pace movies like Monkey Shines (1988) or Knightriders that really spark the imagination and allowed him some personal exploration, this drama about a travelling renaissance fair troupe is not only deeply personal for him and it’s cult followers but a chance to express some of his moral code into an imaginative story.
Seemly inspired by age old tales from Medieval Europe and a man dealing with his own strict moral code, there’s an amazing battle between good and evil temptations in this action drama and it all starts with Billy (Harris), who leads a travelling troupe of motorcycle jousts. Billy styles himself according to King William’s ideals, and is constantly balancing these internally within the ruins of the modern world. His battle, financial pressures and the strains from the group becoming so popular start to fracture the group apart. Continue reading Knightriders (1981)
Director: Corin Hardy.
Starring. Taissa Farmigna, Demian Bichir, Bonnie Aarons, Jonas Bloquet. USA. 1h 36m.
Supposedly the most terrifying chapter of the Conjuring Universe!! *queue the dramatic music* We have the NUN!!! *queue lightning and scary sound effects* But they say that about every new Conjuring related movie.
The Conjuring turned out to be a pretty decent horror movie a touch of class and a dash of “run of the mill” but overall it had a mix of scares and thrills which really enthralled it’s audience, detailing a real life couple who get their pleasures from investigating hauntings and other paranormal events. In their debut they mentioned Annabelle, a haunted doll unlike any other, and her short creepy clip gave way to a full length movie, which did ok, my only gripe is that it really should have featured a doll which resembled the original. But after the abysmal rendition of the Enfield haunting which was subject of the Conjuring 2, a new unrelated character got shoehorned into the mix, a rather scary Nun, and now she has her centre stage, but sadly she doesn’t get to play much in her own film. Continue reading The Nun (2018)
Director:Ugezu J Ugezu .
Starring. Bob Manuel Udokwu, Chioma Chukwuka, Ugezu J Ugezu, Uju Okoli . Nigeria. 5h 25m.
For Nollywood this is certainly one of my all time favourites and I believe the first full length one I saw back in 2016, I was a total noob but I fell in love with the genre and didn’t realise that the movies would be so long, like mini series, this 4 part epic (each episode over an hour) is a tale of woe and magical mystery.
So a loving and yet very strict businessman, named Silas played by Bob Manuel Udokwu, runs a thriving business, when he’s not running his corporation with an iron first, he’s loving his beautiful wife, Elizabeth (Chukuka) and their daughter, Elizabeth is heavily pregnant with their second child, this comes after a losing her previous baby, but with care and love they family have picked themselves up and are trying again. Continue reading The Sorrows of Elizabeth (2016)
Director: Dušan Makavejev
Starring:Carole Laure, John Vernon, Anna Prucnal, Pierre Clémenti, Jane Mallett, Roy Callender, Sami Frey. France, Germany, Russia. 1h 38m
The film is like a psychedelic socio political nightmare orgy, with some kind of comedy added to cushion the blow.
Following the lives of two women, Miss Mode 1984 and Anna Planeta, both are figureheads for different movements, Miss Mode (Laure) represents modern commodity culture, while on the other hand Anna (Prucnal) is the spearhead of the failed communist revolutionary. The film opens with a glitzy show, where women around the world are aiming to win the Most Virgin competition, the winner is Miss Canada with her golden shiny vagina. Her prize is to marry Mr. Kapital, a milk industry tycoon played by the daring and often enigmatic John Vernon, losing her virginity doesn’t go to plan, despite a golden dick, she soon bribes a servant to smuggle out of the Milk Tycoons mansion after his mother tries to drown her. Miss Mode goes on to join a cult, she gets seduced by a glittery Latin singer called El Macho (Frey). Continue reading Sweet Movie (1974)
Starring: Alfred Abel, Gustav Frohlich, Rudolf Klein Rogge, Fritz Rasp, THeodor Loos, Brigitte Helm. Germany. 2h 28m
Despite the age and the various cuts of this groundbreaking movie it’s still a powerful and disturbing film, it’s one of those titles that a lot of people are aware of but haven’t really watched and I have to admit that I’ve only seen it 3 times and each time it’s been a different cut but the darkness of the story remains constant, Regardless of HG Wells comments about the plot being “silly” it’s hard not to see how it’s a forerunner for those stark dystopian projects such as 1984 (1949), High Rise (1975-2015) and dare I even say Terminator (1984).
Opening with lavish scenes of an efficient and idealist future cityscape, the Metropolis is busy and filled with beautiful people, one of these stunning hipsters is Freder (Frohlich) his father Joh Fredersen, is a rich and powerful man who basically owns the city and runs the world above and below from his penthouse office. While Freder is playing with his friends in a pleasure garden, their playtime is interrupted when Maria (Helm) intrudes with a group of children who exist in the underground, who have come to see how the other half live, Freder is bewitched by Maria’s beauty and follows her into the depths of the city, and into a world which he’d been kept apart from all of his privileged life by this rich father who just happened to own the city.. Continue reading Metropolis (1927)