Director: Brad Silberling
Starring: WIll Ferrell, Anna Friel, Danny McBride, Jorma, Taccone. USA 1h 32m
This turned out to be a slightly psychotronic and fairly deranged movie. Having an air about it similar to the legendary Buckaroo Banzai while tossed into the Twilight Zone with the Flintstones.
A space-time vortex sucks scientist Rick Marshall (Ferrell), his assistant Holly (Friel) and a survivam nut Will (McBride) into a world populated by dinosaurs and painfully slow creatures called Sleestaks. With few resources at their disposal, Rick, Holly and Will must rely on their only ally, a primate named Chaka (Taccone), to try to survive long enough to figure out a way back home. Continue reading Land of the Lost (2009)
D: David Ayer
S: Will Smith, Joel Edgerton. Noomi Rapace USA. 1h 57m
Described as the worst movie of 2017, I had to check this out, maybe it was a PR stunt but it worked, it got me looking and I was pleasantly surprised, while constantly looking for the loopholes, terrible acting and a story that I couldn’t understand I found the opposite and was a bit more confused about why this is was coined as being so bad when I was tempted to watch it again….
Not quite realising how long the film was going to be, as a lot of current films are getting shorter for the attention span of the masses, this is a bit of an marathon, being just shy of 2 hours, but it does use all that time quite wisely while being a sort of fantasy rip off of Alien Nation (1988). Instead of aliens descending upon us, this is an alternative reality where Orc’s, Elves and other mythical beings exist. Daryl Ward (Smith) is a know it all police officer who’s been teamed up with a pariah Nick Jakoby (Edgerton) who’s an “unblooded” Orc, we learn that this makes him a bit of a hipster, who’s from a long line of other hipsters who basically don’t kill, this gives him a bum status with all the other Orcs but the humans refuse to accept him as Orcs are famed for having accepting the “darker” more evil path as part of their nature so they can’t be trusted, in the locker rooms men boast about being Orc slayers.
Continue reading Bright (2017)
Day 8 – Carnival of Souls
Director: Herk Harvey.
Starring. Candace Hilligoss, Frances Feist, Sidney Berger, Art Ellison, USA. 1h 24m.
A cult classic that still influences a host of modern directors, this independent horror film manages to create a bizarre ghostly atmosphere that has been difficult to re-create since.
A few girls are out for a lark, when then encounter some greasers who challenge them to a drag race over a bridge, the girls car crashes in the river and they get pulled along by the rapids, the rescue mission fails to find anything but a shabby and bemused young blonde bombshell emerges from the water the only survivor from this tragic misadventure. Mary’s life is never quite the same after the accident. The church organist relocates to Utah, where she finds herself set apart from the locals and stalked by a strange pasty faced ghoulish man (Harvey) as she’s drawn towards a mysterious carnival on the outskirts of town near the river, where she’s inclined to dance. Continue reading Carnival of Souls (1962)
Day 3 – The Void
Director: Steven Kostanski and Jeremy Gillespie .
Starring. Aaron Poole, USA. 1h 30m.
It’s not often a film grips my attention quite like this one. The first trailer I chanced upon was quiet mysterious and the poster had tentacles, that’s pretty much me sold on any movie. So the Void didn’t promise much, it kept 90% of the fun a secret and that added to the fun and intensity of the gory film. Starting with a curious scene a man escapes from some crazy occultist and flees into the woods, bleeding and disorientated. A lone cop sees him the road and takes him to the nearest hospital to get him patched up. The hospital is in the process of being relocated, so there is minimal staff and they are caring for one pregnant girl and packing, quite reminiscent of Assault on Precinct 13 (1976) and before you know it, they are soon surrounded by shrouded occultist and have to barricade themselves but unlike the 70’s siege film they are fighting unknown metaphysical forces that are beyond comprehension, yet very familiar to those lured tales from HP Lovecraft. Continue reading The Void (2016)
AKA The Mansion of Madness
Director:Juan López Moctezuma .
Starring.Claudio Brook, Arthur Hansel, Ellen Sherman. Marin LaSalle. Susana Kamini. Mexico. 1h 39m.
The concept of this darkly macabre path into insanity is simple, the inmates have taken over the asylum. This vision of madness come from the king of the unusual, the film is loosely based on Edgar Allan Poe’s The System of Dr Tarr and the Professor Feather. A reporter (Brook) and his entourage have been invited to 19th century asylum hidden deep in the woods, their guide promises easy access but they are confronted by two armed guards, eventually they are let in and split up, the reporter takes one route while his beloved is chased through the woods and abused. After meeting various groups of people acting out wildly in the forest he meets the megalomaniac who’s running the whole affair and soon realises that the inmates have taken over and the prisoners are the redundant staff. In the absence of medical care they are left to their own crazy devices and act out their basest fantasies and have incredibly surreal urges. Continue reading Dr Tarr’s Torture Dungeon (1973)
Director: Jordan Vogt-Roberts
Starring: Samuel L. Jackson, Tom Hiddleston, John Goodman, Brie Larson, John C Reilly, Toby Kebbell, Corey Hawkins. USA. 1h48m.
When I first heard about this film I was shaking my head crying about Another remake, but I still headed out to see it, just because I wanted to have a sofa to myself at the new local Empire Cinema,so I booked those two seats baby!
So it’s not a remake but it is a remake, yet again we’re discovering Kong but he’s not King anymore, in the same was that Spider man is not just a spider man he’s the AMAZING Spiderman, so now that King Kong had been downgraded and a slightly different persona and his tastes for blondes has been abandoned.
Continue reading Kong: Skull Island (2017)
Director: Olaf Ittenbach.
Starring.Natacza Boon, James Matthews-Pyecka, Daryl Jackson. Germany. 1h 26m.
It’s quite easy to slate a film just because of it’s shoddy acting and low budget but then there are a few golden films where we actually really adore them just for those reasons, I want to name the Room (2003) but really I don’t know why it’s’ the best of the worst.. but it is. Garden of Love has some pretty bad qualities, poor production being the more noticeable but there is a damn fine slasher movie somewhere in the mess. Continue reading Garden Of Love (2003)
Director:David .F Sandberg .
Starring: Teresa Palmer, Gabriel Bateman, Alexander DiPersia, Billy Burke, Maria Bello . USA. 1h 21m.
Back in 2015 David Sandberg frightened a lot of people with his short film entitled Lights Out, despite it being only a few minutes long it really did hit a nerve with a lot of people including me. Now the story has been refined and more details lead to more scares, it’s a great attempt to make something from a short film and provides a decent horror film but it is lacking a few details. Continue reading Lights Out (2016)
Director: Nobuhiko Obayashi.
Starring: Kimiko Ikegami, Kumiko Ohba, Kumiko Oba, Mitshtoshi Ishigami, Miki Jinbo, Reiko Sato. Japan. 1h 27m.
Every now and then I have the urge to watch something completely off the wall, and I’ve seen and heard so much about House over the years and deemed that most of it couldn’t be true.. but finally managed to find a copy at a semi reasonable price so I relaxed into it a few nights ago… then panicked a lot, but there is a lot going on in this cartoon style fairy story. Continue reading Hausu / House (1977)
Director: Roger Corman
Starring: Boris Karloff, Jack Nicholson, Sandra Knight, Dick Miller, Dorothy Neumann. USA. 1h 20m
There’s not a lot to this old meets new Roger Corman film, a gothic ghostly romance that features Boris Karloff near the end of his career and Jack Nicholson near the beginning of his illustrious career and he’s still quite wet behind the ears, especially in stark contrast of the seasoned Karloff, but even with his mastery it’s easy to see that the film would have benefitted from being much shorter. Continue reading The Terror (1963)