Director: Stuart Brennan
Starring: Stuart Brennan, Marcus Macleod, Mark Paul Wake….UK. 1h 28m
This darkly twisted fairy tale follows a group of soldiers fleeing a war zone who find themselves lost deep in the woods where only magical things can happen.This British horror with a small budget definitely dreams big and while it has a solid story the execution comes across a little trying.
There is evil inside all of us.
Continue reading The Necromancer (2018)
Director: Lisandro Alonso
Starring: Viggo Mortensen, Ghita Nørby, Viilbjørk Malling Agger. UK. 1h 49m
Sometimes I watch a movie and I’m left with a feeling of nostalgia hinted with the question of did I really just watch a dream come to life on screen? There’s a rare select group of directors who can achieve this unique atmosphere but the determined efforts of Lisandro Alonso and Viggo Mortensen have made a movie which starts out quite straight forwards eventually boils down to a crazy trip in the desert, akin to any modern classic but it’s set in the past and it almost fools you into thinking that such a step into the unknown is not plausible. Continue reading Jauja (2014)
Director: Eric Weston.
Starring. Clint Howard, Joseph Cortese, R G Armstrong, Don Stark, Claude Earl Jones, Haywood Nelson. USA. 1h 37m.
Part teen revenge part occult horror, Eric Weston’s Evilspeak is a venture into the unknown by a downtrodden young man looking for revenge and biting off more than he can chew. but this well worn revenge story has a much needed transfusion by stripping out the detailed build up to a justified revenge scene and instead opens it up for wild violence with a Satanic edge, showing enough gore for it to be banned in the UK in the 1980’s.
Opening with a Dark Ages sun setting on a Satanic mass on the beach, the group are approached by a church official telling them, they will be banished from Spain and denied the glory of a christian god, the naked group don’t pay much attention and the opening credits roll. Continue reading Evilspeak (1981)
Director: Reginald Ebere.
Starring. Fredrick Leonard, Nigeria. 4h +.
After a spate of gangland style Nollywood movies I settled into something a bit more tender, This mini series sees a father having to deal with a niaeve and rebellious daughter who has the ability to see ghosts but that’s not her biggest problem is a strange one but pulls on the heart strings as intended.
The series opens with Hilary being dropped off at her father’s house, her mother has decided that she wants to get married and is dropping off Hilary as it’s not her father’s turn to look after her, an unsuspecting bachelor (Leonard) who wasn’t aware that he has a daughter and the shock of the 14 year old instantly kills his current relationship with an unnamed flame (Uju Okoli). I have to give it to the Nigerians for introducing a movie in such a razzmatazz style. Continue reading Hilarys Heart (2019)
AKA Alphaville: une étrange aventure de Lemmy Caution (Alphaville: A Strange Adventure of Lemmy Caution) Tarzan Vs IBM
Director: Jean-Luc Godard
Starring: Eddie Constantine, Anna Karina, Akim Tamiroff, Howard Vernon..France. 1h 39m
Jean-Luc Godard, the King of the French New Wave lands this cryptic and incredibly iconic, sci fi noir story in the height of the movement, while on a wild run with actress and wife, Anna Kerina, the film was released around the time that the couple divorced but he continued to work with the stunner in Pierrot le Fou (1965) released in the same year.
Godard’s ceaseless innovation lead many into the realm of radical politics and extreme formal experimentation, but few could match his raw invention. Alphaville is one of his more approachable works and offers some inspiration for the dystopian futurescape of Ridley Scott’s Blade Runner, along with having strong parallels with John Boorman’s classic revenge flick, Point Blank (1967). Continue reading Alphaville (1965)
Director: Alexandre Nahon.
Starring. Matthew Dennis Lewis, Russell Dennis Lewis, Roxanne Mesquida, Roger Guenveur Smith, Richard Edson, Julie Delpy, Sal Landi. USA/France. 1h 28m.
This is one of those films you stumble on and while you might not be able to really appreciate it in its entirety you can’t fault it’s delivery. Often the film is described in such a way that sells it so short, but without any facilities it is indeed about a man who is down on his luck and obsessed with a stripper, by chance, he meets a homeless man who’s his double who he invites him into this life. Don’t let this fool you there’s so much more bubbling away under the surface of this dreamlike fantasy film with a huge sinister overtone that plays on perception of reality.
Charlie (Lewis), is in a dead end job, flipping tables at a diner owned by a totally incomprehensible Julie Deply, often he has to skip out of his hotel window to avoid the landlady asking for overdue rents, the only reason he has no money, is that he spends every penny to see his favourite European stipper at the local club. And each day he marvels at the local kingpin, Mr Jones (Guenveur Smith) a cool latino who uses the relaxed diner as a halfway office, sat at his favourite booth with his mostly silent Frenchmen henchmen (Edson)who clearly is a character you don’t want to fuck with but they have an understanding and respect between all three of them, mostly based on fear more than admiration. Continue reading Burning Shadow (2018)
Director: Nick Lyon.
Starring. Chris Schellenger, Katy Reece, Austin Scott, Laurie Kynaston, USA. 1h 27m.
For a movie made with a “low” budget and special effects from about 20 years ago, it’s not terrible but it’s lacking a bit of energy in places but for a TV horror it’s quite different from the normal gumpf that you get served on a regular basis, but this seems to be by pure accident more than intent. Lyon’s falls into many of the typical horror traps, but it seems to be his style as he’s the father of a huge range of ‘tastrophy movies that all swim in the same stream, but somewhere in there is a fairly interesting story but delivered by a bunch of wailing idiots…
They thought they opened the portal to somewhere cool…
Some bright hopeful students successfully create a portal but unfortunately for them they open a doorway into hell, for some reason the film doesn’t show them coming together for this project, which is that touch of background that really introduces the characters but we’re landed into a situation where giant craters that lead into hell are being reported on the TV and the students are in the thick of it. Continue reading They Found Hell (2015)
Director: Babak Anvari .
Starring. Armie Hammer, Dakota Johnson, Zazie Beetz. USA. 1h 34m.
This strange and dutifully tragic movie owes a lot to Cronenberg and H.P Lovecraft despite opening with a quote from Joseph Conrad’s Heart of Darkness, that ends with “it echoed loudly within him because he was hollow at the core”. It’s hard to recognise the significance at this early stage of the movie but recalling back to the character it’s now easy to see how the main characters overall weakness as a human being made him so vulnerable for the nightmare that is about to unfold before his eyes. Continue reading Wounds (2019)
Starring: .Nigeria. 2h 40m
Like a lot of Nollywood movies, there is a central theme of step parents abusing the children they are supposed to be protecting. A lusty adult will move in, swipe up a new lover but all they care about is the material wealth, and sadly the children are the ones to pay as they are often seen as being expendable. Continue reading The Despicable (2019)
Director: Flying Lotus.
Starring. David Firth, George Clinton, USA. 1h 45m.
I have to be totally honest when I say that I really don’t know how to describe or classify this movie, which makes it way more interesting for me I’ve watched it twice know and while I’m morbidly obsessed with it, there’s so much I can’t deal with while watching it.
If I had known that the movie was made by Flying Lotus with David Firth as back up I could have been properly prepared, but I chanced upon this by total accident. The film has a loose wrap around plot to which 5 stories are attached, split up into small segments and clouded with experts only suitable for a deranged subculture on the edge. Continue reading Kuso (2017)