Category Archives: Folk Horror

The Pyramid (2014)

Director: Gregory Levasseur
Starring: Denis O’Hare, Ashley Hinshaw, Alexandre Aja, James Buckley. USA. 1h 29m

Not quite found footage, but using a lot of the first person perspective shots, the Pyramid attempts to break the story of the century when a team of experts dig up the most uncanny find in a very unusual hidden pyramid.

With a high strung story and worrying cast the movie keeps losing grasp of its own concept. Long are the forgotten days of explorers opening up NEW pyramids, they have all been raided and documented but in Levasseur’s dusty thriller a group finds a longer Lobster pyramid and begins to investigate its potential treaties.

Continue reading The Pyramid (2014)

The Curse of Aubrey Ernshaw (2020)

AKA Blood Harvest

Director: Thomas Robert Lee Starring:Catherine Walker, Jared Abrahams, Sean McGinley, Jessuca Reynold, Don McKellar. USA. 1h 34m

For the most part, The Curse of Audrey Earnshaw is a slightly perplexing pagan tale, seeming to take roots from a host of folklore horror classics but while it’s a masterclass of cinematography and there’s nothing negative to be said about the acting, there’s just not really enough here to bite into, or at least nothing we haven’t seen done better elsewhere.

Continue reading The Curse of Aubrey Ernshaw (2020)

Paranormal Diaries : Clophill (2013)

Director: Kevin Gates, Michael Bartlett
Starring: Kevin Gates, Michael Bartlett, Criselda Cabitac UK. 1h 28m

There’s been a big trend in making found footage movies, where the cast head out to investigate something unusual and paranormal, only to find themselves running around in the darkness screaming with terror, and if done well this chilling concept can really get under the skin of a lot of audience participants, however if done with the wrong pace and little care, then the unsettling can become uninteresting.

Continue reading Paranormal Diaries : Clophill (2013)

Antrum – The Deadliest Movie Ever Made (2018)

Director: David Amito, Michael Laicini
Starring: Nicole Tompkins, Rowan Smyth. Canada. 1h 35m

I have to admit that before seeing Antrim I had no idea what the word actually meant so I did have to Google it. Turns out that it means, “A nearly closed cavity or chamber…” Well ok, How does one make a movie about a nearly closed cavity? Somehow directors, David Amito and Michael Laicini managed to turn this notion into a retro cursed movie project and argue that the film is (loosely) based on a movie by David B. Earle titled Dining Room or There is Nothing. Believe it or not if you have ever seen any of the creepy movie compilations on YouTube then you probably have seen this short but were unaware of its title, and here is the movie in all of its esoteric glory.

And here is some info from the directors website about the project http://davidbearle.com/nothing.html

Continue reading Antrum – The Deadliest Movie Ever Made (2018)

A Warning to the Curious (2013)

Director: Ali Djarar
Starring: Danny Webb, John Game, Neal Ward, Monty Burgess. UK. 1h 1m

This Indie ghost sleuthing found footage horror plays out like a version of Most Haunted, with some hints of Grave Encounters (2013) and Devils Familiar (2020) running through, just sadly not the good bits! All the amazing ideas of a mysterious house being a portal to a Lovecraftian void created by a cult, is washed away with too much banter and not enough on screen action. but it’s a tangible tale and I’m sure if you like any Ghost Hunting TV show then you’ll get a kick out of it.

Continue reading A Warning to the Curious (2013)

Draug (2018)

Directors: Karin Engman, Klas Persson 
Starring: Elna Karlsson, Thomas Hedengran, Ralf Beck, Nine Filimoshkina, Urban Bergsten. Sweden. 1h 27m

There’s been a modern trend of directors getting back to their ruddy roots and finding terror in the wood which is the driving force in this potent doom folk horror, as local hero’s search for a missing man of the cloth. Draug keeps a sharp edge through it’s dynamic set up of a foul mouthed beer swigging clan leader Kettil (Hedengran), his highly sensitive and possibly psychic adopted daughter Nanna (Karlsson), his main squeeze and apparently his bravest men.

It feels very “authentic” drab colours, crazy locals and lots of beer; it’s the stereotypical perception of any European pagan infused settlement, while not being historically accurate ,if gives you what you’d expect, and more, there are few whoopie moments, modern clothing being the main culprit, it will be interesting to see how many other goods a professional could pick out!?

After setting out, the rescue team start at the last place where the missionary was seen, a quite neighboring village but all they find there is beer and stories about the creepy woods, the only event is Nanna getting creped out by a demented old woman, signs start to appear that adopted daughter is quite different from the other morals around her and the movie hinges on her discovering her origins and powers.

Draug sits well between scandanivan journey epics like Wolfhound (2006) with touches of the dark mysticism of Sauna (2008), yet it really doesn’t know if it wants to be an action flick or something more supernatural. Without having the massive budget or drive, at times Draug flounders, yet manages to keep a somewhat brooding sense of danger until the final act, when all hell is supposed to break loose but this is where the lack of budget trips the production up and it ends up being an extended episode of Nightmare(1987-1994), the mood changes to some kind of ethereal neon lit world and a new entity finally makes itself known within layers of lightning struck scenery side steps all the good build up that the movie achieved until then.

Oft in the woods, is a listener nigh – Grettir’s Saga

There could be more character development apart from the ale quaffing kind and his daughter everyone else is just mud soaked Viking some braver than others but there’s no real emphasis on who these characters are. There’s a lot of technical and acting fails, see if you can catch modern clothes, people looking for the camera and lots of focal adjustments.

“Where’s the bloody beer”

Kettil

It’s great to see the forest being used a home for monsters yet again, it’s certainly nothing new in folk horror sub genre, it happens time and time again but the strength of Draug is firstly with its approach of there being some peace between the religious and pagan people, and then in it’s bitter ending. Engman and Persson make a bold leap into the European fairytale narrative where there are no happy endings. There’s a lot to admire with the approach to feminine strength Nanna has to make some difficult choices, finding her a dark secret within her bloodline is something the film is set up to do from the beginning but the implications are so very damning. Draug is surely one that needs to be seen to encompass modern folk horror but it’s a movie which feels challenged by its own storytelling, it wants to be a dark nightmare but it’s a slightly confusing one at best.

Rating: 4/10

 

Related: The Witch (2015), Hagasuzza (2017), Sauna (2008), The Ritual (2017), Wolfhound (2006)
Lists: Folk Horror, A Witch in the Woods
Trailer

 

Onus (2020)

Director: Alex Secker
Starring: Daniella Faircloth, Erin Leighton, Tony Manders .UK. 1h 28m

A new contender to join the ranks of British Folklore Horror, and while it’s clear to see the distinctive influences floating around in Alex Seckers detailed dark thriller, I personally just felt that it didn’t ignite in a way that it should have but I do have respect for the bold attempt to scare audiences with those folk figures and rituals we don’t want to believe are real so we can sleep safe at night, however I feel that this is a first draft of something that could have been massively great.

With the limited budget this well crafted movie works it’s curious magic within one large country home with only a handful of cast. Alex manages to set up a miniature Wicker Man (1973) highlighting a history of pagan worship and ritual all hidden under the cloak of smug rich faces. Continue reading Onus (2020)

Feed the Devil (2015)

Director: Max Perrier
Starring: Jared Cohn, Ardis Barrow, Victoria Curtain .USA. 1h 35m

A romp through the woods in search of secret fields of dope, turns into a hellish nightmare, filled with native tribal monsters and strange dangerous entities in Max Perrier’s tepid horror.

The typical loser, while down on his luck, calls in a debt from a friend which involves trading all outstanding money for whatever homegrown he has been busy growing out in the wilderness. Eager to get his hands on the green gold he heads out speedily with his girlfriend but finds his sister stowed away in the back of the pick up before finding the sweet spot. She’s a pain in the ass but another pair of hands and they’ve gone too far to turn back. Continue reading Feed the Devil (2015)

Webcast (2018)

Director: Paul McGhie
Starring: Samantha Redford, Joseph Tremain, Nicola Wright .UK. 1h 35m

It’s way too easy to summarise this as a found footage version of the Wicker man meets Kill List however I feel that it would be going the classics a bit of an injustice.

Webcast is a mockumentary/found footage film made by a couple of young lovebird students when they realise that some kind of cult is operating next door, and make all the wrong decisions in trying to uncover a deadly plot. Continue reading Webcast (2018)

Midsommar (2019)

Click the banner for the full list
Director: Ari Aster
Starring:Florence Pugh, Jack Reynor, William Jackson Harper, Vilhelm Blomgren, Ellora Torchia, Archie Madekwe, Will Poulter . USA/Sweden. 2h 18m

Ari Aster has a bone to pick with our perceptions of folklore and his method is to scare and intrigue us by old practices which somehow feel familiar to us but also keep us up at night. By his own admission, his own personal demons and fear of germs helped centre him as the central character, something which might have spurred on his need to move away from horror, he loves musicals and rom coms, who’d have thunk it? Despite his love of folky cult themed horrors, he does have a great eye for colour and dramatics, so maybe his distinctive style will happily manifest in other dramatic and loud ways, but I don’t doubt for a second that whatever he dreams up next will be unmistakably Asterish. Continue reading Midsommar (2019)