Director: M Night Starring: Gael Garcia Bernal, Vicky Krieps, Rufus Sewell, Alex Wolff, Ken Leung, Aaron Pierre, Emun Elliott, USA. 1h 48m
At first glance this was always going to be an awkward film for any director to make , after the great success of Sandcastles, the amazing graphic novel detailing the dark and immersive story of a group of strangers trapped on a beach, am night was the only person who probably is just crazy enough to take this on and to convert it for the Hollywood screen .
I had read the comic several years before when it first came out I have to buy a new copy as I had lost my original lent to it a dear friend who maybe one day will give it back to me, so now I have a fancy new version with extra insights from the author and cool little sticker that says it is being made into a movie. but for the life of me I couldn’t quite work out how he was going to translate this into a story for the big audience , but strangely he has come up with her intelligent and intriguing storyline which dips from the curious into conspiracy.
Director: James McTeigue Starring: John Cusack, Alice Eve, Luke Evans, Brendan Gleeson,Oliver Jackson-Cohen, Sam Hazeldine, Dave Legeno. USA. 1h 51m
Journalism and celebrity are the subjects of this Victorian clad detective story. Fictionalising the final days of Edgar Allen Poe, giving him some majesty while being down and out in Baltimore 1849. No one wants to publish his iconic flavour of the macabre anymore and his life is in tatters.
Director: David Cronenberg Starring: Ralph Fiennes, Miranda Richardson, Gabriel Byrne .UK/Canada. 1h m
In the early 2000’s David Conenbergpacked away the New Flesh and made an intensely beautiful and fascinating account of Patrick’s McGraths novel. Even without the body horror and gore, psychotropic vibes and the paranoid surreal, Conenbergstill manages to disturb.
Starring Ralph Fiennes, as a deeply disturbed middle aged man, simply known as Spider. He’s just been released from a long term mental institution into a drab boarding house in London’s King Cross area. The tatty rooms and pealing wallpaper permeate a 1950’s atmosphere and isn’t the idea surroundings for recovery, however it’s here that Spider travels back to his childhood, spiraling back into the trauma as he remembers his obsessive belief that his father (Bryne) did away with his mother (Richardson) to start up a new life with a prostitute.
Director: Olivier Assayas Starring: Kristen Stewart, Lars Eidinger, Sigird Bouaziz, Nora Von Waldstratten. USA/UK/France. 1h 45m
At times it’s easy to forget that Personal Shopper is a horror movie. If you’re into something which burns slow but delivers a whack at the end then this might feel like it’s let you down, but there is a huge revelation at the end but it might not be what you were expecting. At times it’s mundane and even dull, but Assatas’ genius technique is to force the viewer to not to see what’s coming so when something does stand out it has a larger impact. It’s not hard to connect Kirsten Stewart to keywords such as “Blank” and at times it’s a perfect emotion for the film that deals all too honestly with grief, alienation and death.
Director: Fred Olen Ray Starring:Buster Crabbe, Raymon Roberts, Linda Lewis, Georeg Kelsey. USA. 1h 27m
Mind bending retro sci fi horror, featuring gator eating alien zombies that lay siege on a quaint rural southern town where a journalist ends up in a dead end town that seems to be running out of gators only to stumbles on the story of a lifetime.
Director: Prano Bailey-Bond
Starring: Niamh Algar, Nicholas Burns, Adrian Schiffler, Guillaume Delause, Richard Glover, Michael Smiley, UK. 1h 24m
An unfaltering, visually stunning movie outlining the effects of censorship and suppression on the persona and a precise documentation of the departmentalisation of one’s repressed memories. If you’ve had the privilege of seeing Prano’s short movie, Nasty then you’ll be prepared for the vivid colours, the frantic style of her curious retrowave tales. Nasty is a perfect introduction to her love of tracking, video culture and a warped perception of reality taking over her characters.
Director: Anthony DiBlasi Starring: Juliana Harkavy, Natalie Victoria, J LaRose, Joshua Mikel. USA. 1h 30m
Just when you thought it was safe enough to guard an abandoned prison during the graveyard shift… There’s something about The Last Shift which really resonates with horror fanatics. A simple story which is the ultimate setting for a horror story is amped up with good old fashioned ghostly atmospherics and relies on practical effects, this is what the fans cry out for constantly and when it’s delivered it’s welcomed with open creepy arms!
Jessica (Harkavy) is left to her own devices while guarding a local empty and highly haunted prison during the night shift. and the night becomes a roller coaster of jump scares, poltergeist activity and moving family revelations.
Director: David Amito, Michael Laicini Starring: Nicole Tompkins, Rowan Smyth. Canada. 1h 35m
I have to admit that before seeing Antrim I had no idea what the word actually meant so I did have to Google it. Turns out that it means, “A nearly closed cavity or chamber…” Well ok, How does one make a movie about a nearly closed cavity? Somehow directors, David Amito and Michael Laicini managed to turn this notion into a retro cursed movie project and argue that the film is (loosely) based on a movie by David B. Earle titled Dining Room or There is Nothing. Believe it or not if you have ever seen any of the creepy movie compilations on YouTube then you probably have seen this short but were unaware of its title, and here is the movie in all of its esoteric glory.
Director: Scott Derrickson Starring: Eric Bana, Edgar Ramirez, Olivia Munn, Chris Coy. USA. 1h 58m Adapted from: Beware the Night – Ralph Sarchie
From the dawning of The Exorcist every possession movie attempts to become the scariest movie ever made, and yet, through the decades there’s a building up of different styles and techniques which seems to flavour the films throughout the decades and sadly Deliver Us From Evil falls into a series of modern tropes while bringing together some brilliant actors who are often underused for a plot which is apparently based on real events.