Director: Woo Ping Yuen Starring: Yuwn Siu-tien, Hwang Jang-lee, Linda Lin Ying, Yuen Shun-yi, Charlie Shek, Yen Shi-kwan Hong Kong. 1h 31m
Set after the cult classic Drunken Master, the aged fighting master Sam Seed (Yuen Siu-tien) returns home to his wife after many years to discover he has a new son! This outlandish Ku fu movie is one of my favorites for it’s equal measures of clever fighting and cheeky comedy which boils down to hell of a final movie for the legendary actor Yuen Siu-tien, as he passed from a stroke soon after filming. Not only is the humor and fighting well balanced but the characters conjured up are not easily matched, the cast includes the characters, Rubber Legs , Moneybags, Foggy and Sickness Master, who all sound like some Wish version of Wu Tang.
Director: Charlie Ahearn Starring:Nathan Ingram, George David Conzales, Migeul WIllanueva. USA. 1h m
You’ll not find any film as authentic while investigating New York Black and Puerto Rican culture than this collector’s gem. Ahearn had always been in love with the streets and his down to earth and accurate portrayal is extended to this more fictional story surrounding the troubles between a man trying to enjoy his love of martial arts peacefully and those trying to use it to arm their drug runners.
Director: Partick Alan Starring: William Aabka, Michael Bernardo, Maryam d’Abo, Martin Kove, Bolo Yeung, Edward Albert. USA. 1h 40m
Slightly lesser known but wildly loved, Shootfighters plays on a few fight to the death tournament tropes but there’s a lot of genuine talent, not much love interest based distraction and tongues of sweaty muscles and heart, just like it should be!
Starting out with a disgraced fighter being kicked out of a legal fighting ring, Mr Lee (Kove) then travels from the Far East to Tiuana and starts up a similar righting ring but the winner of each match is only crowned when one man is unconscious or dead. Mr C (Albert) is a sly fox sidekick to Mr Lee and his job is to entice down and out fighters with bills to pay into the tournament with the promise of winning big, he manages to rope Ruben (Zabka) into the next tournament and his best friend Nick (Bernardo) tags along to keep an eye on his friend during this dangerous fight game. Somewhere back home there’s a couple of love interests but they really don’t add anything to the guy action packed adventure.
A strangely beautiful and violent thriller from cult classic director Miike, who, in recent years has slowed down and mellowed a little but swinging back with this sophisticated drama with slick fighting scenes and the odd touches of animation and quirkness really elevates an already brilliant story that’s acted out to perfection.
Miikes track record of outlandish movies really made a huge impact, and after a short stint of re rebooting iconic Japanese cinematic pieces such as Seven Samurai and Hara Kiri, his approach to bigger and bolder cinema has been fine tuned. This charming little piece follows Leo, an emerging boxer who is facing the darkest chapter of his life after he passes out in the ring and his doctor warns him that he might have a brain tumor. On his way home he rescues a screaming woman who’s being chased by an unknown man and the two catch feelings.
Director: Simon McQuoid Starring: Tadanobu Asano, Hiroyuki Sanad, Chin Han, Nathan Jones, Lewis Tan, Jessica McNamara, Josh Lawson, Joe Taslim, Mechad Brooks, .USA. 1h 50m
Despite the long running time, just shy of 2 hours, McQuoid and his team didn’t managed to fill in enough story to fully rewrite the Mortal Kombat universe, however they did manage to cobble together a film just entertaining and intriguing enough to keep a viewer or two entertained for the duration.
AKA Mortal Kombat, The Return of the Five Deadly Venoms
Director: Chang Cheh Starring: Philip Kwok, Chen Kuan Tai, Chiang Sheng, Kuo Chui, Lo Mang, Lu Feng, Wang Lung Wei .Hong Kong. 1h 40m
Just when I was positive that the Five Deadly Venoms was the best 70’s martial arts film, it turns out that the (lose) sequel actually outdoes the cult classic. In a similar vein the film runs through a deadly storyline featuring a diabolical jaded kung fu master and a group of unlikely heroes.
When a brilliant wealthy fighter’s family is brutally attacked, his wife left slaine and his son now armless, the Tiger expert finds a way to restore his son’s arms with mechanical extensions but now with a blackened heart he bullies and terrifies his hometown. Finding pleasure in crippling those to cross his pat, Four of his latest victis form a bond and seek revenge, A hawer, who has been blinded, a blacksmith, made mude and deaf and a drifter whose legs are cut off all attempt to band together with a fighter who is known as tier “idiot friend”. While finding ingenious ways to overcome their disabilities they conjure a cunning plan to take on the evil gang and the four are tested time and time again and demonstrate strengths and abilities.
Director: Sam Firstenberg Starring:Mark Dacascos, David Bradley, Valerie TRapp, Rex Ryon, John Fujioka. USA. 1h 34m
This movie arrived during the height of the American cinematic takeover of the eastern martial arts. For many years Hong Kong cinema had released a number of powerful Kung Fu movies, winning over the hearts of millions if not billions of die-hard fans, with such prestigious names as the Shaw Brothers, Wu-Tang, and the Iconic labels such as Golden Harvest, a non-stop line of some of the best and most questionable martial arts movies have been released reaching cult classic limits.
Somehow during the late 80s early 90s the American market started the whole new basket of shenanigans, attempting to suggest that some of the the top of the range martial artists were in fact American born, initially this kicked off with a number of American ninja movies, and this delightful side step into the world of the Samurai features a number of faces that were normally seen as ninjas.
Director: Takashi Miike Starring: Takuya Kimura, Hana Sugisaki, Sota Fukushi, Hayato Ichihara. Japan. 2h 20m
Miike’s career has turned into a long line of massive remakes of Japanese Classic cinema for some time now. I’ve been racking my brain why, but I’m still unsure what he’s trying to achieve, but it’s working out for him and I wonder what’s next? He’s making some solid and faithful remakes but I do wonder if we really need them all despite their powerful impact? This just seems to be another one, however even while watching the series after the film.. I found it’s expressionary style and character depth on a different planet entirely, and yet each are ridiculously impressive but in their own way.
Director: Fruit Chan Starring: Jin Zhang, Anderson Silva, Kevin Cheng, Suet Lam .Hong Kong. 1h 25m
The UFC is an absolute goldmine not only does it make super fighters, but it and generally if you can nurture a dynamic Hong Kong action movie with at least one big name you’ll take in cash.. But blend the two poorly and you’ll end up with this disjointed mess, that feels as if the producers knew what they wanted to do, but wrote any bull in to make it happen.
What starts as a really engaging crime thriller following a determined gun happy cop, Officer Kowloon (Jin) who opens the film boiling in a cooking pot, in a seedy backstory restaurant, Lam Suet taunting him as the two compare Dragon tattoos, fortunate that our hero has a better back story featuring an adorable (brightly coloured cgi) Dragon that he met as a child…after the bonding he shoots Lams hand off in a function room and gets suspended, this becomes a trend with Kowloon even while investigating a spate of murders targeting female police officers he manages to fudge the operation, not only letting the only suspect go, but losing his fiancee\fellow officer. Continue reading The Invincible Dragon (2019)→
I’ll start my review by saying that I adore everything about this quirky film, even the bad bits, so buckle up for a fangirl review of what is commonly thought of as a bad movie.
It’s never easy when a foreign director attempts to break into different cinematic style, for me John Woo totally struggled with his western movies, Jean-Pierre Jeunet didn’t get much applause for Alien Resurrection but was made a god for any of his French movies, (it goes both ways) and Kitano seemed to have been lost in translation while still maintaining his signature cool style, and I think he made a wise choice in starring in the movie to try and hold on to whatever he could from his previous great titles. One of Kitano’s strong facets is that you can kinda link his character throughout his movies, growing and becoming tougher and cooler each time, if you thought he reached his peak, you’ll be mistaken he’ll level up forever. Continue reading Brother (2000)→
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