Director: Robert D. Krzykowski .
Starring.Sam Elliott, Aidan Turner, Bigfoot, Larry Miller, Caitlin Fitzgerald. USA. 1h m.
So we have a film with the title but seems to pluck headlines from clickbait news titles and you’d be forgiven for believing that this was going to be some fanciful psychotropic romp, but instead in Robert D krzykowski slightly downtrodden epic we find a very down to earth and grounded adventure/drama, but without pop characters, huge explosions and superhero’s there’s a lot of cinema gold here and it seems to work purely because of Sam Elliott’s total coolness.
You’ll also be forgiven for believing that this film is set in an alternate reality, but the movie is set in our reality, but back in 1987, where we find the now aged Calvin Barr played by he panty dropping silver fox and his infamous mustache, which should get as much credit as whatever David Bowie was hiding in his pants in Labyrinth (1986). Continue reading The Man Who Killed Hitler and Bigfoot (2019)
Director: J.D Dillard
Starring: Kiersey Clemons, Emory Cohen, Hanna Mangan Lawrene, Benedict Samuel, Andrew Crawford .USA. 1h 22m
I love the quote that goes something like, “you have to lose yourself to find yourself” and while it’s not the associated quote of this gripping horror, it seems to apply to the lead, Jenn a girl who doesn’t show much fear in her unusual castaway situation, but one who grows with the movie into something much stronger in this somewhat subtle new take to being stranded on an pewny island.
At first glance and in the opening, there’s not a huge amount going on in J D Dillards stomach churning thriller, but in reflection there’s a lot of social criticism a brilliant new monster and new heroine that with her faults is brilliant, brave and with some work could easily be the new Vasquez (Aliens). Dillard manages to make a lot happen on a really tiny island and with a minimal cast, but there isn’t a dull moment and he keeps a steady methodical pace. Continue reading Sweetheart (2019)
Director: Brian T Jaynes
Starring: Larry Jack Dotson, Audrey Ellis Fox, Holt Boggs, Billy Blair .USA. 1h 15m
In the seemingly inexhaustible Bigfoot Indie Movie sub-genre, Bigfoot Wars has a many thriving backstories (originating from Eric S Brown’s book series) but doesn’t appear to do anything outstanding with the subject matters. It tries to offer a crazy alternative idea to most bigfoot mythologies that points; not only to the existence of Bigfoot but that there is a community living on the outskirts of a small town, that once threatened, will turn on the local human population until the one or the other is extinct.
Holt Boggs stars as Sheriff Jim Taylor, a dutiful officer loving father who struggles to find his feet when the carpet is swept out from underneath him when a spate of violent animalistic murders shakes his sleepy little town, Boggy Creek. The movie opens with the violent (offscreen) murder of the mayor, then some teens are slaughtered by a unknown beast while “partying” and camping in the woods, but the locals aren’t all that shocked, as a local news reports reveals that a majority of town folk believe that Bigfoot and aliens are all real and out there waiting to be discovered. Continue reading Bigfoot Wars (2014)
Director: George McCowan.
Starring.Ray Milland, Sam Elliott, Joan Van Ark, Adam Roarke, Judy Pace, Lynn Borden, Mae Mercer, David Gilliam USA. 1h 31m.
You’ll have to forgive me for the review you’re about to read, but I adore this low budget eco horror which is widely considered to be a very poor movie, but for me it’s cinematic gold and I make very few apologies for adoring it, and thankfully writer Fran Lebowitz agrees with me when she called this movie “the best bad movie I have ever seen in my life.”
If YOU Are Squeamish Stay Home!!!
Many eco horror movies are quite subtle in their approach, the most famous is probably Long Weekend (1978) where a couple struggle to deal with their personal issues while taking it easy in the outback until nature decides to throw them a curveball, but others are more dramatic and usually after some kind of negative human influence, be it radiation, pollution or a truck load of PCP, the wildlife come to life and rally against mankind. From the dynamic Birds from Hitchcock, to Franco Prosperi ‘s Wild Beasts (1984) where a zoo’s water supply is compromised, sending an array of wildlife into a frenzy stalking the city streets.
Continue reading Frogs (1972)
Director: Chris Sun.
Starring. Bill Moseley, Nathan Jones, John Jarratt, Simone Buchanan, Melissa Tkautz. Australia. 1h 35m.
With all of the cult success of Razorback you’d think that a future giant killer pig movie would try to work on that cult goodness and up the ante, but for so many reasons Boar kept trying to deliver but for me it stumbled and fell flat in the mud.
There are two intermingling storylines, one surrounds an Australian family, with a new American patriarch, Bruce (Moseley) who’s pretty iconic when it comes to the horror scene but sadly he’s really out of place and underused in terrible way, people really should be arrested and jailed for this kind of neglect. The family is on vacation and are aiming to camp out and meet family, kicking back and having a good time. Meanwhile an eagle eyed wisen old man of the land Ken (Jarratt) is looking to kick back with some beers and a friend when he notices something strange and head out in the night to investigate. After this laborious introduction the movie fails to pick up the pace but it does try to delight it’s audience with a few blood thirsty killings and they are pretty mediocre. Continue reading Boar (2017)
Director: Gerard Johnson
Starring: Peter Ferdinando, Stephen Graham, MyAnna Buring, Elisa Lasowski, Neil Maskell, Richard Dormer, Tony Pitts, Mehmet Ferda .UK. 1h 24m
This matter of fact police corruption movie turns out to be not only thrilling, but delicately devious which sees the argument of righter and wronger turns heels from the streets of London into a literal blood bath.
Johnson keeps the movie on it’s feet with fast camera action that in ways follows it’s heroes and foes like an episode of [insert your favourite cop drama here] the story slowly steps out from the clamamtiy from time to time through bloody revelations, and it all becomes too much for the hardened street cop who is the focus of the movie. There’s something raw about the filming approach, the locations aren’t luxurious especially in the daytime which are filmed on any street corner, something we can all relate to, but at night the film comes alive in darkness and neon, the characters aren’t built on in the conventional way, instead they are more like sweaty desperate chess pieces but still the camera moves around them with glee. Continue reading Hyena (2014)
Director: George P. Cosmatos
Starring: Peter Weller, Jennifer Dale, Lawrence Dane,Kenneth Welsh, Louis Del Grande. USA. 1h 28m.
There is a strong committed performance here from Peter Weller as he stars in George Cosmatos cinematic interpretation of The Visitor by Chauncey G Parker III, but it can’t shake off how “un-horror” and this horror can be at times. Instead the literary sense behind the film stands out strong but there could have been a huge opportunity for some gory visually to back everything up.
Peter Weller plays, Bart Hughes, a banking executive that is constantly outsmarted by a peculiar rat. While finalising big business ventures he’s also modernising an impressive brownstone apartment he’s unaware of a furry visitor making his home within the constitution. Continue reading Of Unknown Origin (1983)
Director: Ewald André Dupont
Starring: Robert Shayne, Joyce Terry, Richard Crane, Doris Merrick, Beverly Garland, Tandra Quinn USA/Germany. 1h 18m
One of my movie weaknesses is vintage sci fi movies, I just adore the heroism and pure wonderment and moral dilemmas they still offer, the 50’s were a golden age for the beginning of big scale science fiction, from mad scientists to space exploration, monsters and space exploration. Things might not really work how they were depicted, the same generation who were sure radioactive insect bites would only enhance a man also encouraged their kids to smoke, but sci fi wouldn’t really be sci fi without a level of taking things too far and being outlandish.
The Neanderthal man is a prime example of a down trodden scientist who pushes the envelope and takes things to the extreme The mockery of a brilliant scientist Prof. Clifford Groves (Shayne) by his peers, pushes him to the dangerous edge of self exploration, after being publicly ridiculed the professor continues his feverish work to prove that our cells remember their prehistoric past and turns himself into a Neanderthal man, his cat into a Sabretooth and his housekeeper into some scary beastly wild woman. The trio have little recollection of their primal actions and terrorise the wildlife and residents of their small town. Continue reading The Neanderthal Man (1953)
Director: Robert Lieberman
Starring: C B Sweeney, Robert Patrick, Craig Sheffer, Peter Berg, James Garner, Henry Thomas. USA. 1h 49m
Based on: The Walton Experience by Travis Walton
After a decade of making dramas tinged with politics or romance, Lieberman took a step out of his comfort zone for this creepy film based on a the alleged accounts of an alien abduction survivor Travis Walton and this life after returning to earth.
The film starts out innocent enough when a group of life long friends are returning home from work in Snowflake Arizona, when Travis (Sweeney) is abducted by lights in the sky, the friends freak out but Mike Rogers (Partrick) reports that Travis has been abducted by aliens, this sparks a rugged local sheriff (Garner) to think that Mike and the others, were involved in Travis’s disappearance. after a lot of nervousness between the men who are reporting the incident, taking their unreal fear for guilt he approaches with a fairly open mind but believes he just needs to find evidence of a misdemeanour. Continue reading Fire in the Sky (1993)
AKA – The Monster Outside – Hüte dich vor der Dunkelheit
Director: Stephen Folker
Starring: Glenn Harston, Dave Juehring, Trena Penson, Tristan Coppola, Jim Nieciecki. USA. 1h 30m
The cover for this indie horror is mightily impressive but I think that’s where the budget stopped, still it got my attention and luckily I’m a sucker for indie movies and despite it’s poor attempt at being a convincing horror, it actually a loveable movie.
I do have a soft spot for bigfoot movies and films that include one legged black guys who make root beer in old bathtubs out back, but maybe because of my magnetism to bigfoot, or maybe I just like bad movies, it’s hard to justify why I can see all the bad points in Field Freak but still have some warmth for the film. Sometimes you’ll discover a b movie with no love or care, they either try too hard to create outside of their budget or like this family horror, they just admit that they don’t have a huge budget and just set out to make something enjoyable with a lot of heart, it won’t win over a majority but it is what it is. Continue reading Field Freak (2016)