Director: Albert Shin Starring: Addison Tymec, Mikayla Radan, Tim Beresford, Tuppence Middleton, David Cronenberg, Aaron Poole .USA. 1h 40m
A hazy mix of trauma-drama and whodunit, embossed with a cool neon noir highlighted thriller, Disappearance at Clifton Hill is an outstanding art piece following the life of Abby (Middleton) as she attempts to unravel a troubling fragmented memory from her childhood on returning to her hometown in Niagara Falls after her mothers death.
Director: Tom Gliserman Starring: David Bunce, Rob Dalton, Susan Cicarelli-Caputo, Ron Komora, .UK. 1h 29m
For a long time, a majority of Lovecraft’s cinematic works were so underground that the biggest films were fan made efforts like this, although despite it’s challenges I personally found the aesthetic approach and storytelling to be exactly what the story calls for.
Based on a short story of the same title by American Mythos writer H. P. Lovecraft, The thing on the doorstep is part of the Cthulhu universe but has heavy undertones of a PI film Noir. Originally written in August 1933, and first published in the January 1937 issue of Weird Tales. Now captured by Tom Gliserman in a fan funded effort, and commonly found quite cheaply on a number of streaming services, so there’s no excuse, give it a shot, and see if you’ll join the numerous fans who still revel in the heady atmosphere.
Director: Nathan Catucci Starring: Laila Robins, Santino Fontana, Dennis Boutsikaris. USA. 1h 24min
Part of the charm of Impossible Monsters is that it plays with ideas of sleep and dreams without really alluding to many of the schemas behind the expansive theology and science behind this complicated field. Often advertised as a film dealing with nightmare dreams and sleep paralysis, I don’t remember seeing much about it, and instead Impossoble Monsters falls into a rabbit hole of dark sexuality and crime de passion, ideas surrounding the opedious complex and a tutor who gets caught up in the murder of one of his students as the lines begins to blur between reality and a Ken Russellseque dreamworld. Continue reading Impossible Monsters (2019)→
Director: David Fincher Starring: Kevin Spacey, Morgan Freeman, Brad Pitt . USA. 2h 6m
Only one year after The Crow (1994)darkened cinema screens with a midnight gothic punk industrial wild decent into grief, loss and revenge, David Fincher hit back and an equally hard hitting film which was often likened to the Crow in the early headlines as popular cinema tried to refocus on what was happening, somehow subvergent underground ideas from comics and madmen were becoming popular and adjustments had to be made. These dark worlds filled with grimy stress, rain and a heavy oppressive atmosphere often mimic the inner depression and rage of one or more of their characters. Eric Draven’s depression at losing the love of his life is mimicked by the dark night and rain, his tears, but what is creating the dark dirty polluted rain filled world within Fincher’s, unnamed metropolis it’s certainly not from lost love. Continue reading Se7en (1995)→
Director: Basel Owies. Starring. Scott Glenn, Chris Coy, Stephen Tobolowsky, Kristen Hager, Max Arciniega. USA. 1h 35m.
A debut feature from elusive director Basel Owies, is a slow burner that attempts to demonstrate just how you can never judge a book by it’s cover and appearances are everything, so brush up and read on.
Budding cop played by Chris Coy, loses his father to suicide when he couldn’t put a psychopathic criminal behind bars, eventually the suspect is released due to little or no evidence, the ashamed officer commits suicide. 20 years later his son begins to follow the same path, believing he’s located the psycho now living under a new identity, but is Eugene Van Wingerdt (Scott Glenn) the innocent small town barber or is it a criminal mastermind? Continue reading The Barber (2014)→
Director:William Herbert . Starring.Laurie Walters, Joe Spano, Edna MacAfee, Harry Bauer, Steve Solinsky, Richard, Veille. USA. 1h 29m.
Warlock Moon is a stange low budget horror that has all the right intentions to be a twisted occult driven grindhouse thriller but it just doesn’t quite reach those dizzying heights, but still remains a hot favourite with a select few enthusiasts.
William Herbert’s confident homemade horror involved a lot of favours and dedication, but that’s what a lot of b movies are all about, making the most of what you can and creatively bending rules on public filming, it also helps to have a cast who are flexible and are fully dedicated to project, in this case, Edna MacAfee wasn’t allowed to wear makeup to enhance her old woman look and Walters and Spano were able to ad lib most of their scenes together which runs natural as they were a couple at the time. Continue reading Warlock Moon (1973)→
Small budget aside this imaginative found footage movie actually outdoes some of the more costly attempts to freak out audiences, with its stereotypical beginnings it ramps up the psychotropic madness as it’s survivors run a gauntlet of terror that’s totally unexpected and wholesomely different and that alone; is worth the wait as this simple but highly effective story plays out.
Howie Askins’s debut Devil Girl (2007) didn’t leave a great lasting impression on its audience, the attempt to revise the ultimate horror road movie with buxom chicks just didn’t pique much interest, sadly the 9/10 review on IMDb comes from someone with the username howieaskins .. funny that. Continue reading Evidence (2012)→
Director: Barry W Levy. Starring.Ayanna Berkshire, Dani Lennon, Deborah Lee Smith, Madeline Merritt, Leah Ann Cevoli, Helenna Santos. USA. 1h 14m.
In a world filled with strange new realms of astrophysics, mechanics and conspiracy theories, Barry W Levy has strung together a bunch of entry level ideas together, probably after binge watching a year of Gaia TV and he seems to have constructed an acceptable spare time filler of a movie.
A woman returns to her childhood home to investigate the disappearance of her father by using his encrypted notebook but there’s an urgency to her mission as the area is subject to a deafening bombing sound and strange, almost paranormal activity in a certain spot found via lay lines and dowsing, although it’s just called “using the rods” in the movie. Continue reading Shasta Triangle (2019)→
Director:Jeremy Dyson, Andy Nyman Starring: Andy Nyman, Paul Whitehouse, Alex Lawther, Martin Freeman. UK. 1h 32m
By the time I had seen the trailer for this movie it was already being slated by a lot of the horror community, apparently it just isn’t scary enough, and looking back I can see where they are coming from, while I wholeheartedly disagree. If I were 18-19 and now venturing into the horrific side of cinema I think I would also be confused and high disappointed but this drama based horror, my hype train would be derailed and I left in tears.
There’s nothing quite like Ghost Stories out in the market today, there are no strange Swedish cults, no crazy CGI monsters, and no hint whatsoever of creepy clowns or a Sharknado. The main reason, well it’s based on a stage play and therefore it won’t be like all the rest, it’s been dutifully adapted in a pretty sensitive manner to really play off the original stag setting. The star of the production a character named Phillip Goodman (Nyman), speaks to the audience about his history and current job, which involves poo pooing the cold readers, fake psychics and charlatans who fool us into believing there’s an afterlife and a paranormal world around us, is this the life of Darren Brown?