Director: Reginald Ebere.
Starring. Fredrick Leonard, Nigeria. 4h +.
After a spate of gangland style Nollywood movies I settled into something a bit more tender, This mini series sees a father having to deal with a niaeve and rebellious daughter who has the ability to see ghosts but that’s not her biggest problem is a strange one but pulls on the heart strings as intended.
The series opens with Hilary being dropped off at her father’s house, her mother has decided that she wants to get married and is dropping off Hilary as it’s not her father’s turn to look after her, an unsuspecting bachelor (Leonard) who wasn’t aware that he has a daughter and the shock of the 14 year old instantly kills his current relationship with an unnamed flame (Uju Okoli). I have to give it to the Nigerians for introducing a movie in such a razzmatazz style. Continue reading Hilarys Heart (2019)
AKA Alphaville: une étrange aventure de Lemmy Caution (Alphaville: A Strange Adventure of Lemmy Caution) Tarzan Vs IBM
Director: Jean-Luc Godard
Starring: Eddie Constantine, Anna Karina, Akim Tamiroff, Howard Vernon..France. 1h 39m
Jean-Luc Godard, the King of the French New Wave lands this cryptic and incredibly iconic, sci fi noir story in the height of the movement, while on a wild run with actress and wife, Anna Kerina, the film was released around the time that the couple divorced but he continued to work with the stunner in Pierrot le Fou (1965) released in the same year.
Godard’s ceaseless innovation lead many into the realm of radical politics and extreme formal experimentation, but few could match his raw invention. Alphaville is one of his more approachable works and offers some inspiration for the dystopian futurescape of Ridley Scott’s Blade Runner, along with having strong parallels with John Boorman’s classic revenge flick, Point Blank (1967). Continue reading Alphaville (1965)
Starring😕 Nigeria. 1h 28m
There isn’t much to this short Nollywood production, although for some unknown reason one distinct story seems to gets swallowed by another part way through, maybe everything went to hell during the production, or the director has a change of heart, it becomes confusing but results in more hectic drama and heartbreak but sadly doesn’t make a better movie.
The film comes together over the cruel and mindless layabout trying to make some money, constantly scrounging from his friends, the lazy douchebag spends his days laying on a sofa watching TV and promising to pay everyone back when he gets his next big role, because this actor is apparently going places, it’s the markets fault for being so darn dry. When this excuse starts to wear thin he hatches a new devious plan. Using facebook he entices a young woman into the home promising her an acting role but first she has to submit a fee and act out a special sex scene for him, not realising that she’s being prostituted the girl goes ahead, free sex for friend and he gets to watch. Continue reading Vile blackmail (2018)
Director: Darren Paul Fisher
Starring: Daniel Fraser, Eleanor Wyld. UK. 1h 45m.
Synopsis : Are human conditions, actions, relationships determined by fate, free will, or a combination of both? At any rate, if it we cannot control it – should we care?
Initially the slow drama of Frequencies starts out at school, where not only is the young and emotive Zak (Fraser) an outcast due to his low frequency he’s also deeply in love with the top girl Marie (Wyld) who is a victim of her high frequency, which totally rids her of any emotions or feelings. In this unconventional universe when they meet, their unusually high and low frequencies creates tremendous havoc. In their 60 seconds or less meetings they form a strained friendship, Zak being the lab rat while Marie tests the effects of their encounters. Later on in life, Zak’s persistent attempts to raise his frequency with the help of his best friend leads him to a discovery that not only uncovers our past but unlocks many secrets and has the potential to change all of our futures. Continue reading Frequencies / OXV: The Manual (2013)
Director: Tod Browning.
Starring. Wallace Ford, Harry Earles, Olga Baclanova, Leila Hyams, Roscoe Ates, USA. 1h 04m.
This has long been one of my favourite movies since I was a young child, I think my parents realised that I was going to be watching what I liked but my mother was always a spokeswoman for learning history and basics, so I read and watched the classics, which included The Freaks! I had a hand me down horror book which I still hold dear to my heart, I obsessed over the grainy black and white photos and was really drawn to the sideshow misfits of Tod Browning’s The Freaks which I still have to admit are a huge thing for me, not just the movie but the history and scientific research and study, encouraging me to travel the world visiting museums like Mutter and seeking out Cabinet of Curiosities worldwide.
Being one of the first and (possibly) only movie with a predominant cast of genuine “circus freaks” this tale is quite European in it’s make up, with a range of fair maidens, lost love and bitter revenge it’s something quite magical, but don’t get lulled into a false sense of security this fairy tale is grotesque and dark as fuck. Continue reading The Freaks (1932)
Director: Andy Milligan
Starring: Allan Berendt, Hope Stansbury, Patricia Gaul, Michael Fischetti . USA. 1h 9m
This bloodfest has everything in it, monsters, romance, carnivorous plants, a host of deformed servants, affairs, crooked solicitors and a batshit crazy old woman, and all in just over an hour, Andy Milligan really knew how to make a thrilling movie on no budget but with a bucket of originality and a touch of lowbrow comedy.
A stuffy estate agent takes a doctor to view a new property, there he attempts to make his excuses about the state of the property and show the man around but before he can lay on the bullshit he’s given a hefty cheque and forced out the house with reasoning not to return, the second his foot is out the door screaming shrouded figure is rushed in the back door by two crippled servants and a crazy freakish woman. The ghoulish melting corpse they uncover is one of the more gross scenes in the movie and it’s legendary that it’s done so early in the production, it turns out this vile thing is really the beautiful wife of Doctor Orlovsky, a brilliant scientist who’s returned home to claim his family fortune to further fund his experiments. Continue reading Blood (1973)
AKA: For my sister, Story of a Whale.
Director: Catherine Breillat.
Starring: Anais Reboux, Roxane Mesquida, Libero De Rienzo, Arsinee Khanjian. France. 1h 35m.
Catherine Breillat’s dark drama inspects the lives of two young sisters at a pivotal moment in their development into womanhood with all the graphic insights that Brielliat is akin to producing for her fans and mostly for her critics.
Anais (Reboux) and Elena (Mesquaida) are two sisters who are poles apart, the film opens with them walking into town from their families holiday home, discussing losing their virginity and sex, which is quite advanced for such young girls but Elena is firm in her beliefs that it should be between two people who really love each other and her huskier sister; Anais, is on the thought train of losing one’s virginity should be just done to get it out of the way, she’s convinced that any stranger will do then she’ll just get on with her life.
Be careful what you wish for. Continue reading A Ma Soeur / Fat Girl (2001)
Director: Ali Abbasi
Starring: Eva Melander, Eero Milonoff .Denmark/Iran/Sweden. 1h 50m
It’s clear from the outset of Ali Abbasi’s latest project, Border, that aspects of his debut Danish horror Shelley (2016) were going to pour through. It chooses to focus on a strange character, whom one might pass everyday and not really notice, and this character and her job at border control only goes to empahses out many conflicts of globalisation.
After sniffing out a teenager over his quota on alcohol he mumbles “Ugly bitch” at Tina (Melander) a border guard at a Swedish ferry port who has an uncanny sense of smell, not only can the stocky lass smell illegal imports but her attuned nose can even sense guilt on an SD card harboring child pornography. After work Tina returns to her home in the woods, which she shares with a lazy and feckless dog trainer Roland (Jorgen Thorsson) their platonic relationship is purely for convenience and it’s evident how little he really cares for Tina but she entertains herself by exploring the natural world around her where she appears to be more comfortable, during these voyeuristic nature scenes, Tina is often happier in her naked form and Ali manages to capture a romance between a woman and the natural eden that surrounds her with a sensitive eye.
Continue reading Gräns/Border (2018)
Director: Sergei Bodrov
Starring: Jeff Bridges, Ben Barnes, Alicia Vikander, Kit Harington, Olivia WIlliams, Djimon Hounsou, Julianne Moore. USA/UK/Russia 1h 42m
Based on The Spook’s Apprentice by Joseph Delaney
In principle the story is ok, I’m pretty sure the better selling novel by Joseph Delaney is worth a read if fantasy is your thing, but in this bizarre adaptation there’s no longer anything particularly outstanding. Which is totally bizarre as it has all the ingredients, great actors, many who have starred in many fantasy movies, a Russian director, and without prejudice some of the most inventive fantasy movies have come from the region, topped with a lavish story, this should have blown many pairs of socks off, but it could barely figure out how to put them on.
Opening at a weird stage in the story, we see a man locking away a screaming woman in a remote hold in a vacant landscape, is alludes to this being the outcome of an epic battle between Mother Malkin (Moore) an evil witch and Gregory (Bridges) a member of a knightly order called the Falcons who dedicate their lives defending mankind from supernatural threats. Continue reading The Seventh Son (2014)
Director: Nicolas Pesce Writer: Ryû Murakami
Starring: Christopher Abbott, Mia Wasikowska, Laia Costa. USA/Japan. 1h 21m
Piercing, a movie about a man who plans to kill a prostitute in his hotel room, was an instant for my to watch list, but after seeing it get run into the dirt by many reviewers I did start to question myself. A tiny bit of research renewed my passion when I realised that this thriller is based on a book by Ryû Murakami, yep, the twisted individual that wrote the novel Audition who’s film adaption comes highly rated with it’s dark surreal undertones and horrific gore scenes. Top this off with the director of The Eyes of my Mother (2016) I can’t see how this could really be so bad..
A young father, Reed (Abbott) struggles to restrain himself from stabbing his baby daughter with a skewer, the pressure forces him to find a way to get this deadly desire out of his system. He hatches an incredibly details plan to hire a hotel room, rent a hooker and play out his stabbing fantasy, once she’s dead he hopes to return to his happy normal life.Unfortunately the unhinged hooker he encounters, Jackie (Wasikowska) has her own demons to exorcise and the two of them play an destructive game of cat and mouse. Continue reading Piercing (2018)