Director: William Malone
Starring: Stan Ivar, Wendy Schaal, Lyman Ward, Robert Jaffe, Diane Salinger, Klaus Kinski . USA. 1h 37m
I feel a little bad for suggested that this is just another Alien (1979) rip off, but it’s obvious that it’s highly inspired by the late 70’s classic, but it does a little something extra to the cult storyline that did develop from the Aliens comic spin offs. What really came a shock is that this film was released only 1 year before Aliens (1986) and yet it struggled to look half as good, and I’d hate to assume it was purely down to budget, but that’s not all of it’s woes.
In a slightly comical prologue a pair of geological researches from an American corporation start investigations on Titan, one sits on an egg like container so his companion can take a photo and a pissed off alien rips him a new one later the geologists ship crashes into a station with the pilot having died in his seat, somes like something from Alien huh.. Continue reading Titan Find / Creature (1985)
Director:Matthijs van Heijningen Jr.
Starring:Mary Elizabeth Winstead, Joel Edgerton, Ulrich Thomsen, Adewale Akinnuoye-Agbaje, Eric Christian Olsen. USA/Canada. 1h 43m
From the first viewing of the thing I had a love and hate relationship with it, I was about 6 or 7 and it scared the crap outta me but I had to watch it, and i dealt with the sleepless nights and nightmares, but what always inreguided me was the events that happened prior to this cult classic in the Norwegian camp. But after all this hard work I think maybe it should have been left alone or given to someone with more dedication to the horror genre.
It could have gone either way there could have been an equally creepy body horror, on par with what changed the game in the early 80’s or someone could play by the rules and make a move fall into line with all the typical cliches that the Thing tried to break away from. but while the movie didn’t live up to my expectations it was made with all the best intentions.
Continue reading The Thing (2011)
Starring: Alfred Abel, Gustav Frohlich, Rudolf Klein Rogge, Fritz Rasp, THeodor Loos, Brigitte Helm. Germany. 2h 28m
Despite the age and the various cuts of this groundbreaking movie it’s still a powerful and disturbing film, it’s one of those titles that a lot of people are aware of but haven’t really watched and I have to admit that I’ve only seen it 3 times and each time it’s been a different cut but the darkness of the story remains constant, Regardless of HG Wells comments about the plot being “silly” it’s hard not to see how it’s a forerunner for those stark dystopian projects such as 1984 (1949), High Rise (1975-2015) and dare I even say Terminator (1984).
Opening with lavish scenes of an efficient and idealist future cityscape, the Metropolis is busy and filled with beautiful people, one of these stunning hipsters is Freder (Frohlich) his father Joh Fredersen, is a rich and powerful man who basically owns the city and runs the world above and below from his penthouse office. While Freder is playing with his friends in a pleasure garden, their playtime is interrupted when Maria (Helm) intrudes with a group of children who exist in the underground, who have come to see how the other half live, Freder is bewitched by Maria’s beauty and follows her into the depths of the city, and into a world which he’d been kept apart from all of his privileged life by this rich father who just happened to own the city.. Continue reading Metropolis (1927)
AKA Non Si deve profance il sonno dei morti, Don’t Open the Window, the film officially has 15 titles, so take your pick..
Director: Jorge Grau
Starring: Ray Lovelock. Arthur Kennedy, Cristina Galbo. Spain/Italy. 1h 35
There’s a subtle Giallo twist to this unusual but gripping science fiction zombie flick, undead, mystery, giallo, car crash, sci fi horror, pesticides, it’s got so much going on but all to the backdrop of the gorgeous English countryside and littered with the creeping dead.
The film focuses on two protagonists who until their vehicle crash led two totally different lives, there’s Edna (Galbó) Who’s trying to visit her family and the brash George (Lovelock) a hot tempered and pushy individual but his drive really powers the action. Continue reading The Living Dead at Manchester Morgue / Let Sleeping Corpses Lie (1974)
Director : Carl Colpaert
Starring : Tony Markes, Rainbow Dolan, Filiz Tully. Japan/Australia. 1h 25m
There is always an element of Love and Hate with this Anime/Live Action mashup, the film will captured my affection many year ago and I still enjoy watching it, while blindingly unaware of it’s origins I just assumed two directors got together to produce this mix of post apocalyptic drama/ baroque mystery, many years later I realised how this project basically butt fucked a precious classic Anime movie and turned it into a Troma movie BUT I still adore it.
So the original Anime is Mamoru Oshii’s 1985 undefinable classic Angel’s Egg, which sees a young girl traverse an abandoned town while nursing a giant egg and entertaining a young soldier, the film dissolves into a biblical darkness that even the director himself can’t really explain. But Carl Colpaert decided to rehash the strong imagery in between new footage filmed in the hot Australian desert and brings new life and meaning to the bizarre original. Continue reading In the Aftermath (Angels Never Sleep) (1988)
Director: Shane Black.
Starring. Thomas Jane, Boyd Holbrook, Keegan Michael Key, Sterling K Brown, Trevante Rhodes, Alfie Allen, Jake Busey, Yvonne Strahovski, Olivia Munn USA. 1h 58m
For a while I had a lot of faith that after Shane Black’s death by the hands of the original Predator back in the 80’s cult classic jungle sci fi mayhem epic adventure, and his subsequent career as a director, that he could be trusted with this remake. But then I remembered he’s Shane Black and you cannot trust this man! To be fair Shane is totally okay and I still regained some faith but the writer, Fred Dekker was an odd choice. His previous classics are cult but for very different reasons, Night of the Creeps, Monster Squad (written with Shane Black) were high for their levels of comedy antics. Dekkers contributions for House (1986) gave the film a surreal and yet again comedic undercurrent, and his more recent work included Robocop 3 which ruined the trilogy by adding in some cute kids and morals… this is when I knew someone has fucked up. Continue reading The Predator (2018)
Director: José Padilha
Starring: Joel Kinnaman, Samuel L Jackson, Michael Keaton, Gary Oldman, Michael Kenneth Williams, Abbie Cornish . USA. 1h 57m
It’s taken me a long time to watch this as I have such a deep connection with the original film, for me Robocop is a saint and I was almost insulted that anyone would dare to remake the movie, but this is a very loose remake that pretty much relies on you having seen the original too get make sense of some of the benial content. But don’t take my low rating as a sign that I am a total fangirl of the Verhoeven classic, I have taken a lot of energy to think outside of my little box.
In this rendition of the tragic life of Alex Murphy (Kinnaman), he’s a brilliant righteous cop who is on a questionable case that keeps giving him and his partner Lewis (Williams) the slip. Continue reading Robocop (2014)
AKA Alien Terror AKA Strangers
Director: Ciro Ippolito
Starring: Ciro Ippolito, Belinda Mayne, Mark Bodin, Michele Soavi,Judy Perrin. Italy. 1h 32m
Before the Alien (1979) film could be fully licenced and trade marked, it obviously had a profound effect on Italian director Ciro Ippolito decided to take it upon himself to craft a unauthorised sequel, and while this film has a low budget, the scope is there for a much bigger and impressive project, but the Alien lifeform is more affiliated with The Thing (1982)– In a Cave.. and has little to do with Ridley Scott’s cult classic.
While the earth eagerly await the return of a group of astronauts, meanwhile in an unrelated television studio, Thelma Joyce (Mayne) appears to talk about Spelunking and caves but she had a terrible psychic episode and violent visions forces an abrupt ending to her interview. The spaceship arrives but the crew are missing, in theory I believe this is supposed to be the derelict Nostromo. Meanwhile a young girl playing on the beach finds a pulsating blue rock, when her mother finds her, she’s missing her face. Continue reading Alien 2 – Sulla Terra / Alien 2 – On Earth (1980)
Director: Jack Smight
Starring: Rod Steiger, Claire Bloom, Robert Drivas . USA . 1h 43m
Based on the Illustrated Man by Ray Bradbury (1951)
A bold adaptation of an amazing groundbreaking anthology book from the legendary Ray Bradbury, really this film couldn’t go wrong, especially when you mix Rod Steiger into the mix, the classic actor is enormous in any role he puts his mind and body into and was a dramatic baluster in the many roles he played in this sometimes difficult science fiction movie.
The original book was a collection of 18 Science Fiction Stories, only 3 made it into the film, sadly the least provocative but certainly not the least shocking. The Veldt, The Long Rain and The Last Night of the World, along with some of the wrap around story were all adapted using the same three characters. For me the movie was very influential, as a child I marveled over the amazing illustrations especially the rose in the palm, the first tattoo, although I chose a slightly different tattoo when I eventually got to that rather sensitive area myself. But even after seeing the demise of a once strong man, the lovely Felicia and her amazing mysteries still enchant audiences today. Continue reading The Illustrated Man (1969)
Director: Alex Garland.
Based on: Southern Reach Trilogy by Jeff VanderMeer
Starring. Natalie Portman, Jennifer Jason Leigh, Oscar Isaac. USA. 1h 57m.
This newest visionary delight from Alex Garland, doesn’t fit into the typical science fiction category, with other Netflix releases like Bright (2017) and Cloverfield Paradox (2018), where the effects and story are both weak in the later and jarring this side step into the cerebral is exactly what a lot of dedicated science fiction fans have been craving for so very long now. Taking on a model similar to the legendary Tarkovsky’s Stalker (1979) or Solaris (1971), Annihilation plunges it’s audience into a lavish and dangerous new world to explore along with a scattering of emotive flashbacks added purely for good measure. Continue reading Annihilation (2018)