Director: Piers Haggard.
Starring. Linda Hayde, Patrick Wymark, Michelle Dotrice, Wendy Padbury, Anthony Ainley, Barry Andrews, UK. 1h 40m.
There’s always something dark and demonic smouldering in the movies situated deep in the English Countryside, and it’s never so in your face as in Piers Hagards, trippy macabre masterpiece that has a lot of connection with Michael Reeves’s Witchfinder General, the Wicker Man (1973) and in some ways I feel there’s an artistic nature similar to a Ken Russell the Devils (1971) albeit it in a much tamer manner.
A ploughboy stumbles on some strange remains in a field, the bones and ever staring eyeball causes the boy to start running in terror, he soon realises that his unhappy accident has unearthed the remains of an ancient demonic presence which is now free to possess his village. The first signs of danger happen in a prestigious house, where a wealthy family a host to a young girl, one that has taken the fancy of their eligible son, but due to his mother’s tough nature she’s forced into the attic, late into the night her screams wake the family, once she’s rescued her personality has completely changes, now deranged and bearing deadly sharp claws she’s taken away by the authorities and clergy. Continue reading The Blood on Satan’s Claw (1971)
Director: George Barry
Starring: Demene Hall, William Russ, Julie Ritter, Linda Bond, Patrick Spence-Thomas. USA. 1h 20m
This film seemed to have been lost for some time, but it’s more recent rediscovery has given it a new lease of life, much like the ben in question.
How scary can a bed be? I remember Singer/Songwriter Tanita Tikaram casually mentioning that she was afraid her bed was going to eat her, she possibly saw Freddy Krueger shred Johnny Depp in Nightmare on Elm Street (1984) at an impressionable age. But weren’t w all scared of the monster under the bed in our infant years? So obviously a demonically haunted bed can be scary, and this adventurous psychotropic horror for me is one of the best ways to explore this outlandish piece of furniture.
Continue reading Death Bed : The Bed that Eats (1977)
Director: Adam MacDonald
Starring: Laurie Holden, Nicole Muñoz. Canada. 1h m
There are so many various types of horror movies some are deeply atmospheric, other rely on fantasy or special effects, some are purely creature features and scare it’s audience by showing graphic monsters that disgust. In more modern times we have a resurgence of found footage, torture gore and this new wave of cerebral horrors that often leave audiences left feeling let down, mostly due to the fact that they didn’t SEE anything. This divides horror fans, it’s much like that of Science Fiction fans who are now heavily reliant on special effects for their kicks as opposed to those who are leaning toward LoFiSciFi.
Now I didn’t do much research into Pywacket and I just assumed it was going to be a big beastie monster in the woods type of horror, but I got a very big shock, it’s more highbrow horror than I ever could have imagined. While it has some minor faults, it could have been done with some refining and maybe a little bit more research into the mechanics but alas it’s still a very well crafted horror that has the ability to really eat into the consciousness and makes you rethink a lot of your personal philosophy. Continue reading Pyewacket
Director: Tom Nagel
Starring: Denise Richard, Mischa Barton, Jeff Barton Jeff Denton, Brian Nagel, Greg Cioland, Matt Mercer, Greg Violand. USA. 1h 35m.
There’s so much to like about the bare bones of this movie, a haunted RV with a dark past entwined with hints of a real serial killer, that takes a family hostage and starts killing them, you just can’t go wrong? Sadly something was definitely lost when translated to film, but I really enjoyed the film but find it hard to defend, yes it’s a BMovie, albeit slightly polished it creates a great grimey atmosphere and at times comes across as plausible but every now and again it just drops into the damned awful bin and struggles to get out.
A slightly more than average emaciated and botoxed Denise Richards heads up the estranged family heading out on their vacation in a second hand RV with a deadly past. The RV was purchased at a highly discounted price by Charles (Violand), as a promise to his now late wife, he wants to reconcile with his two sons and offers to take them and their families out on a road trip. Continue reading The Toybox (2018)
Director: Raymond Wood.
Starring. Hayley Lovitt, Jason MacDonald, Teddy Cole, Brook Todd, Ace Harney. USA. 1h 37m.
Knowing that this Indie Movie is both found footage and about possession it’s a no brainer what’s going to happen, check out my list of what to expect in a possession, exorcism and demonic movie. but with indie movies, there’s usually a degree of experimental artistic license and providing they don’t play it safe, there can be amazing results. Sadly this film falls into most of the typical plot holes and ends up flopping around like a dying priest before expiring in it’s own unoriginal mess. Continue reading 1st Summoning (2018)
Director: Liam Gavin.
Starring. Steve Oram. Catherine Walker. UK/Ireland/Wales. 1h 39m.
For a directorial debut things can’t get much better than this enlightened and powerful independent movie about grief, revenge and the harsh deeper side of the occult.
An obviously distraught and confused mother, Sophia (Walker) rents an isolated house in rural Wales to try and convince an angry and unhinged occultist Joseph Solomon (Oram) to lead her through months of grueling rites in order to summer her Guardian Angel to grant her a special favor after her son was abducted and murdered, all she wants is to talk with him again.
Sophia follows the rules to the letter, collecting large amounts of supplies and spending thousands just to entice Joseph to the house and after some rugged persuasion he begrudgingly agrees but has reservations about Sophia’s motives but she is persistent and pretty durable, and she grinds through the punishing exercises, changing her diet, and begin soaked with chilled water, denied sleep and spends hours learning complex sigils and rituals. All the while in the dim secluded house that’s alien to them both and is constantly creaking and being generally creepy, Joseph remains a moody occult guide and rude rule maker, reading from the Book of Abramelin, and making some things up to help him keep his mind in the game, usually involving Sophia’s naked body.. Meanwhile Sophia doesn’t see enough results for her hard work, but ever so slowly the magic starts to work, or is it all a result of the demanding time locked away in the house with a volitlie and pushy occultist? Continue reading A Dark Song (2016)
AKA Are You There?
Director:Scott Di Lalla .
Starring.Demetrius Sager,Courtney Foxworthy, Kelly McLaren, Caleb Courtney USA. 1h 25m.
As part of my Occult A-Z I have been watching some of the best and worst that cinema has to offer and pretty early on I was easily set on this being the end of the list but i’m afraid that the list will end on a low note.
I‘m a huge supporter of lower budget movies but what they lack funds they do have to make up with some passion, some drive, a bit of energy!! But this is little more than entry level horror, which is a shame as the whole Zozo mythos is pretty interesting and usually harbors a few jumps and sleepless nights. Continue reading I am Zozo (2006)
Director : Adrián García Bogliano
Starring : Nick Damici, Ethan Embry, Lance Guest. USA/Spain. 1h 35m
I had been looking for this film for some time as i made it a personal mission to watch every werewolf movie when I was a creepy deathrock teenager and preferred them over vampires any day. Werewolf Order!!!
It’s an unusual set up to a lot of other horror movies with wild beasts involved, and the strange concoction of seasoned cast seems to side step the normal for a set of very unusual and slightly surreal characters, at times I wondered if this was a metaphor for something more profound?
A cantankerous veteran Ambrose (Damici) moves into a quiet and peaceful retirement home in a gated community called Crescent Bay, after the loss of his wife, the aging, blind vet and his dog are settled in by Will (Embry), Ambrose’s adoring son but it’s clear their relationship has been through the the wars there’s respect but something gloomy from the past under the surface. Ambrose’s exceptional smell and hearing leads him to his adorable neighbour who he befriends, but later on that night she’s brutalised by a hairy beast, Ambrose attempts to save her but he and his dog are injured in this unexpected animal attack. Sadly the beloved dog dies from his injuries but Ambrose goes into survival mode and begins a personal hunt for the beast. Continue reading Late Phases / Night of the Wolf (2014)
Director: Sôichi Umezawa.
Starring. Kyôka Takeda , Momoka Sugimoto , Ena Fujita , Kanji Tsuda. Japan. 1h 21m.
I used to be blown away by Japanese horror, going through the Tartan Horror series with much glee as it was miles apart from the slowdown that was occurring with its Western counterpart. with the fresh of breath air that the creepy tales sprung upon me, eventually I started noticing a huge split between genuine Japanese Horror and that fringe area which incorporated their unique humor, gore, body horror and sprays of blood. After a while I let things run their course, on returning I was gobsmacked by the array of mundane items which the Japanese has found a way to make scary! Continue reading Chi o sû nendo / Vampire Clay (2017)
Director: Jeremy Saulnier
Based on: Hold the Dark by William Giraldi
Starring: Jeffrey Wright, Alexander Skarsgård, James Badge Dale, Riley Keough, Malcolm Blair, Tantoo Cardinal, Julian Black Antelope. USA. 2h 5m
With just two major titles under his belt, Saulnier’s next project, was so highly anticipated it derailed the hype train, but the resulting ambitious drama was so different from the taut thrillers, Blue Ruin (2013) and Green Room (2015) that no one could really appreciate it in the same way and it generally got panned by the fans.
This misfire isn’t a total disaster, no one can find fault with the beautiful crafting that went into the film, Saulnier is so masterful that even if you didn’t get the movie you can easily enjoy watching it, but for me it’s just a perfect shot for a different audience. I found it just as gritty and nearly as bloody as the others, but the pushing and pulling between two fundamental ideas within the movie that would either make it a thriller or fantasy doesn’t ever come to a neat conclusion, leaving a gaping open ending which is going to piss off a lot of people but for me it’s a highly alluring project which is perfect as it is. Continue reading Hold the Dark (2018)