Director: Umberto Lenzi
Starring: Tomas Milian, Henry Silva, Ray Lovelock and Anita Strindberg .Italy. 1h 40m
This movie could easily be called “Il criminale più stupido d’Italia” as it follows the misadventures of a total psychotic loser criminal who couldn’t con his way out of a paper bag successfully but his constant efforts do cause some sensational cinema.
Opening with a bunch of robbers/kidnappers, snatching a young boy, their (not so trusty) getaway driver is Giulio Sacchi (Milian) manages to kill an officer while waiting and soon the gang is being chased around the city, they manage to speed past a train which cuts them off from the cops in time for them to drop the child and ditch the cops, they find a secluded place to recoup and kick the crap out of Giulio for foiling their efforts, after threatening to castrate him he heads back into the city alone. The brute roughs up his girl for some money and kills another cop while robbing a cigarette machine, while other officers arrive to investigate he starts displaying disturbing behaviour by squaring up to Inspector Walter Grandi (Silva). Eventually the bad tempered loose cannon, devises a scheme of kidnapping the daughter a wealthy businessman, who his girlfriend works for, but with a crazed moral compass and no scruples his manages to mess up each step of the way, but just manages to stay one step ahead of Inspector Grandi but mostly by mistake. Continue reading Milano odia: la polizia non può sparare / Almost Human (1974)
Director: Jeff Lieberman
Starring:George Kennedy, Chris Lemmon, Gregg Henry, Deborah Benson. USA. 1h 42m
While gearing up to write a review for Satan’s Little Helper (2004) I finally deciding to actually investigate who directed it and low and behold it happens to be the pretty well known director Jeff Lieberman better known for his earlier films such as Squirm (1976) and the hippy flashback from hell Blue Sunshine (1978) but while I passed through life totally oblivious to directors, I never would have connected the two as the style is so very different but in between these amazing varied classics comes another slightly different movie, a backwoods slasher with a very different atmosphere to a lot of the other genre specific slashers of the era. Just Before Dawn is a menacing thriller that takes a very sly stab from time to time. Continue reading Just Before Dawn (1981)
Director: Philip Gelatt.
Starring. William Jackson Harper, Rebecca Henderson USA. 1h 42m.
Based on: They Remain by Laird Barron.
Exploration is the focus of this psychological sci fi thriller, but the execution is as conflicting as the main characters grasp on reality and eventually the slow burning just fizzles out after several meandering mistakes which were supposed to build tension. They Remain explores a relationship of two scientists , Keith (Harper) and Jessica (Henderson) who are employed to investigate an area which was once a camp for a mysterious cult. It’s not very clear what they are doing for a long stretch of the movie, the two seem to have bizarre conversations while looking at camera feeds and “researching”, apparently sent by a mysterious corporation identifies by it’s geometric corporate logo and no more.
Continue reading They Remain (2017)
Director: Christopher Smith
Starring: Melissa George, Michael Dorman, Rachael Carpani, Henry Nixon, Emma Lung,Liam Hemsworth. UK. 1h 39m
At first glance it would seem that the title seems to refer to the Bermuda Triangle, where puzzling things seem to happen at sea, but really if this film deserved an apt title it would be Loop but that would sound stupid.. so triangle it is.
The film is quite smart and even with rounds of repetition it’s still interestingly constructed, sly and a fairly deep piece from British Director Christopher Smith who gave us deeply disturbing projects such as Creep (2004).
Set in the US, with a totally Aussie/New Zealand crew, there are a few accent faux pas but they are totally acceptable in the time loop chiller, that seems to be a cross between Ghost Ship (2002) and Donnie Darko (2001), that sees a group of youngsters take a jaunt on a fancy yacht and run into curious difficulties. Continue reading Triangle (2009)
Director: Lance Daly.
Starring. Hugo Weaving, James Frecheville, Stephen Rea, Freddie Fox, Barry Keogham, Sarah Greene. USA. 1h 40m.
This brilliantly dark poetic revenge flick from the bleakest part of Irish history is rough but so intense. Based on the Irish Language short called An Ranger by PJ Dillon and Pierce Ryan, this lengthy retelling is focused on an Irish Ranger returning home from war and finding his homeland is very different to how he left it.
Starting on another tangent, the film opens with Hanna (Weaving) losing his temper with a prisoner, a member of the Young Irelander movement, while losing his temper he strangles the man he sips from his canteen while another guard realises Hannah has killed the prisoner.
Meanwhile Martin Feeney (Frechville) a former Connaught Ranger arrives in Connemara, west Ireland in 1847, the worst part of the Great Famine, he finds family home hollowed out and filled with pigs, he learns that his mother died from starvation and his brother was hanged after stabbing a bailiff during the family’s evection. Feeney stays with his brothers widow (Greene) who are squatting in one of the few remaining houses. Soon the landlord arrives to evict the family, killing Feeney’s nephew and destroying the home. Feeney is arrested but managed to kill his captors and destroy the barracks and re returns to find his sister in law and her daughter dead from exposure. This sparks something dark inside of Feeney and he begins to seek a tortuous bloody revenge on the men who have wronged him. Continue reading Black 47 (2018)
Director: John Krasinski
Starring: Emily Blunt, John Krasinski, Javier Botet. USA. 1h 30m
John Krasinski’s pensive thriller is designed to make you feel like an active participant of a family who is faced with unreal fears. The camera often swings around the characters making you feel that that your part of the conservation, tagging along as a silent witness.
Much is already been given away in the numerous trailers and it’s very clear to see that this family a living on the edge of a post apocalyptic future where deadly creatures are attracted to the noises we make every day. The origin of these deadly critters isn’t a factor in the movie, it doesn’t matter why they are here or what happened, the families journey now is all that the film concentrates on and for plot reasons only, but if you read clippings that are saved in the families basement you can work out that in 2020 within only 3 months most of the world’s population have been destroyed by large creatures that are attracted to sound and protected by armored skin. Continue reading A Quiet Place (2018)
Director: Osamu Dezaki. Japan . 1h 31m
I’ve never really been swept off my feet by Bond movies, although I did get sweaty palms over some of the wonderful toys and gadgets. But the actual bond character changed with every incarnation and while everyone brought their own twist I couldn’t really find him all that believable. In contrast we have Rambo (stay with me here) Rambo is the toughest man alive (no question about it) a tough hombre who little kids wanted to be when they were all growed up, but then I discovered Riki-O (1991) a amazing invincible tough guy who makes Rambo look like a pussy. In the same vein Golgo 13 makes Bond looks equally pussified. He’s an assassin who is always one step ahead of the game, women falling over themselves willing to die just for one night with him, no shot if ever off and he’s like teflon in hand to hand combat. There really isn’t anyone better than Golgo 13.
With that mighty introduction, what else is left to say? You now have the opportunity to see the toughest man alive do bossanova things.. Get going.
Continue reading ゴルゴ13 / The Professional : Golgo 13 (1983)
Director: James Rewucki.
Starring. Tyhr Trubiak, Darren Johnston, Dr. Rage, Paul McWhinney .Canada 1h 28m.
I love cheesy low budget horror movies, not only do they often explore uncharted territory but they don’t have too much hype to live up to and they managed to stay true to what fans want. Tempus Tormentus is a strange chase horror about a drifter who ends up in the wrong town, Directed by James Rewucki. and starring Tyhr Trubiak, who also starred in a previous production Aegri Somnia (2008) also by Rewucki this compact and very likeable, but at times it can be a bit repetitive but all is forgiven for the WTF ending.
Don’t build your hopes up too much, this isn’t the “best B movie” ever, remember this is personal opinion and I have unusual tastes. The motives of the drifter are never explained, but he’s bumming rides until, late one night he end up at an unnamed town, checking into a cheap motel inspects his room which is equipped with a typewriter, and heads out to an all-night diner where he meets a trio of unusual characters who take special interest in him. After freaking him out, the bulky stranger returns to his room and settles down for the night but later on he awakes to find himself strapped to the bed and being injected with unknown fluids. Then the chase is on. The rest of the film sees Mr Mouse (Trubiak) being chased like wild prey, at times he’s literally the bunny in the headlights while the trio are chasing him through the town in their car. Continue reading Tempus Tormentum (2018)
Director: Jeremy Wechter
Starring: Julia Kelly, John Anthony Wylliams, Christopher Daftsios. USA. 1h 26m
It’s quite easy to simply explain this movie as being a demonic indie version of Unfriended (2014) but that would be doing it a disservice as it’s actually better than unfriended, not only is the creepy atmosphere more enhanced it has much better setups to it’s more shocking moments.
Launching with a masked figure warning us about “certain events”and truths that have to be exposed to the public, an Anonymous style broadcast is a stark warning from the E Demon Resistance that opens with a group of friends start a routine web chat, and start to enact their favourite past times which is basically pranking each other which they lightheartedly called “getting freaked”. The first uber elaborate prank involved a young man speaking with his grandmother who warns him about a haunted trunk and witchcraft. He proceeds to go into the loft where he has opened the trunk and starts to perform a ritual which results in him releasing a deviously clever demon that had been trapped for centuries in Salem, Massachusetts. Continue reading E-Demon (2018)
Director: Steven Soderbergh
Starring. Claire Foy, Joshua Leonard, Jay Pharoah, Juno Temple. USA. 1h 38m
Everything about the opening of this movie is just dull and unassuming, which is a risky and dangerous move from director Steven Soderbergh, luckily it doesn’t last too long. While introducing the lead, Sawyer (Foy), we learn just how mundane her life is, the faceless office worker, who suffers all the nagging and office politics as the rest of us, she eats lunch while skyping her disapproving mother and later hooks up with a (not tinder) date, but after taking him back to her place with no strings attached sex, she freaks out thinking that he’s her stalker and the film re opens with her talking to a therapist.
We start to learn that Sawyer has been running away from an unknown stalker, hiring professionals (Matt Damon) to secure her routes to work, protect her personal details etc., but simultaneously we are also privy to the idea that she might be suffering from delusions and that the stalker is a fabrication of her overactive and vivid imagination, Unfortunately at this point in the movie she accidently signs herself into a psychiatric ward for observations, and for the rest of the film we, alongside her have to try and piece together just how sane or unsane she really is. Continue reading Unsane (2018)