The only way to confirm that you were watching a horror movie in the 1980’s was the moment a pair of boobs were flashed across the screen, the exposure of flesh was the indicator that you were in for some slaherific blood and gore, monsters and creeps and this 1988 film is a perfect victim of its age! The intro plays out like a dated underwear advert (something the director was king of having filmed over 600 of them), but this panty advert lasts what feels like 20 minutes, but luckily the models are soon hacked to pieces so don’t get too attached..
Director: David Blue Garcia Starring: Mark Burnham, Elsie Fisher, Owlen Fouere, Neil Hudson Sarah Yarkin, Jacob Latiore, Moe Dunford. USA. 1h 21m
I wasn’t aware that we needed another addition to this blood soaked series but it seems that coming out of a pandemic we just might need some fun chainsaw fun time again. The brilliance is that this isn’t a remake, a reboot or a re-imagined mish mash of horror pulp and a genuine attempt to revisit a dusty town has been achieved although with all the tropes, cliches and homages, was it really worth the effort?
Director: Prano Bailey-Bond
Starring: Niamh Algar, Nicholas Burns, Adrian Schiffler, Guillaume Delause, Richard Glover, Michael Smiley, UK. 1h 24m
An unfaltering, visually stunning movie outlining the effects of censorship and suppression on the persona and a precise documentation of the departmentalisation of one’s repressed memories. If you’ve had the privilege of seeing Prano’s short movie, Nasty then you’ll be prepared for the vivid colours, the frantic style of her curious retrowave tales. Nasty is a perfect introduction to her love of tracking, video culture and a warped perception of reality taking over her characters.
Director: Jeremy Lovering
Starring:Iain De Caestecker, Alice Englert, Allen Leech. UK, Ireland. 1h 25m
There’s nothing new about a couple going for a fun thrilled romantic break in Ireland, it’s not like the market is swamped and this is a genre movie but with crackers like From the Dark (2014), which sees a more established couple trying to revive a strained relationship while descending on a village overrun by hard to kill vampires, along with this creature feature there’s a brilliant psychological tale Travellers (2011) that involved a group of city boys running into some Irish travellers but until a few magical 360 plot spinning reveal it’s hard to know who’s the worst set of characters. So with these already out and about, for seasoned horror fans, this movie initially kicks off as more of the same, or is it? Jeremy Lovering uses these others as stepping stones and red herrings, helping to throw his audience off and In Fear manages to fool and chill constantly from beginning to end.
Clive Barker has a distinctive, personal vision and interpretation of horror, it’s a rough gory world filled with nasty monsters, visceral torture and eternal pain, this very unique selling point which, when missing causes his movie adaptions to not do so well and come across without their wholesome disgusting glory. Midnight Meat Train does have some hands-on work from Clive in the production chair but for me, it’s definitely a good horror movie but it’s not true to form Clive Barker horror at all. Continue reading Midnight meat train (2008)→
Director: Eli Roth Starring:Lauren German, Roger Bart, Heather Matarazzo, Bijou Phillips, Richard Burgi, Jay Hernandez, Edwige Fenech . USA/Slovakia/Iceland. 1h 34m
After the success of his 2005 slaherific body horror gore fest Hostel, Eli Roth returns with arguably much of the same but with a trio of girls at the helm of a hellride in Europe. There are some cute nods to the colourful survivors from the previous movie however I feel that Roth only gives us the same level of gore as before, rather than taking the film to higher levels of stomach churning buckets of blood, he plays it off with an intelligent and considered movie which expands the Hostile “universe” before it’s all shat down the pan in the third and final movie (to date).
Director:Lucio Fulci . Writer : Dardano Sacchetti Starring. Tisa Farrow, Ian McCulloch, Richard Johnson, Al Cliver, Olga Karlatos, Auretta Gay. Italy. 1h 31m.
I had seen a great deal of movies around the time I finally found a copy of this on DVD and being in my early 20’s I prided myself on seeing a lot of horror and gore films, banned movies galore, I honestly thought I had seen it all, but half way through this Zombie Flesh Eaters, I realised I hadn’t see anything quite like the Tiger Shark Vs Zombie scene… I got into more detail here, but the film is a testament to Fulci’s ability to try new things while being a staple in the 70’s horror scene.
Director: Herb Freed Starring: May Britt, Cameron Mitchell, Aldo Ray, Ben Hammer .USA. 1h 37m
There’s a lot bubbling under the surface of Herb Freed’s tangled thriller, Haunts. On the surface it’s a slow paced brooding psychological horror following a violent psychopath preying on the women in a small North Carolina town, armed with a handy pair of scissors and attacking under the cover of darkness no woman is safe but so much seems to surround an isolated farm on the outskirts of town.
Director: Charlie Steeds Starring: Kate Davies-Speak, Mark McKirdy, Makenna Guyler .UK. 1h 18m
The opening of Mutants is a love letter to 70’s horror, it has a true retro feeling about it, chunky yellow fonts with a boombing synth soundtrack and fuzzy graphics, you’d be forgiven for thinking this is a re release of an older movie, as it’s so authentic rather than imitation, you’ll also be excused to wondering why the movie is called Mutants, it seems to exist with two titles, Mutants shown at the beginning and Barge People shown at the very end..
Director: Antonia Bird Starring: Robert Carlyle, Guy Pearce, David Arquette, Jeffrey Jones, Jeremy Davies, Stephen Spinella, Nail McDonough, John Spencer .USA/UK/Czech Republic. 1h 41m
Through all the beautiful landscape shots and bloody battles, Ravenous is a poetic journey of one man dealing with the mental conflicts of honour and cowardice set in a allurgin remote mountain location and having to deal with one of the most ferocious Algonquian legends. The film raises tough questions on how heroes are perceived and the effects on the individual, what if a moment of bravery is pure accidental luck, how can a man continue to live the lie before he’s found out?
After their first two initial weeks of filming the original director Mick McCluskey was sacked and leading cast member Robert Carlyle called on an old friend Antonia Bird to complete this prestigious project. Antonia had previously directed him in a brilliant English council estate mobster film called Face (1997) where Carlyle stars alongside Ray Winstone as an average Joe socialist who forms a gang to rob a bank, the movie still has a strong cult following and is highly rated along other Brit classics such as the highly acclaimed Nil By Mouth (1997) and really cemented burden Carlyle in the memories of dedicated fans. Continue reading Ravenous (1999)→