I have a deep belief that the goal for this movie was to make it as generic as possible, maybe as some kind of experiment, maybe if a film is so no specific the audience might believe that it’s a masterpiece in disguise. Either way the blessing is that it’s only 43 minutes so it’s not an endurance test either.
Macumba Sexual (1983)Director: Jesús Franco
Starring: Ajita Wilson, Lina Romay, Antonio Mayans, Lorna Green, Jose Ferro .USA/Ita. 1h 20m
Franco’s attempt to build a provocative romp around African magic, works in as much as it combines a staggering round of art house prono with a loose story about a powerful witch princess who’s attempt to take over the world one orgasm at a time is going to plan.
A lithe Spanish real estate agent, Alice (Romay), and her partner, a French writer, are holidaying in the Canary Isands when she has a highly erotic dream about a tall black woman who walks through the desert with two human slaves on chains. That very day she’ll recieve a message from her boss to visit Princess Obongo (Wilson) for business, but soon she realises the prophetic nature of her dream and embarks on a journey of sexual awakening.
Director:Brian Jagger Starring: Todd Haberkorn, Don Shanks, Paris Warner, Ester Lay, Corynn Treadwell, Brain Telestai. USA. 1h 10m
It’s a popular belief that a prison or asylum is going to be a hotspot for paranormal activity, it just makes logical sense that at some point along the lines, the areas with the more degrees and sadistic characters, those who are already showing demonic possession and are around electrocution and electrotherapy night channel in darker forces which none can fathom.
AKA Robot Jox 2 : Crash and Burn Director: Charles Band Starring: Paul Ganus, Megal Warn, Jack McGee, Eva LaRue, Bill Moseley .USA. 1h 25m
Originally being a concept for the follow up to Robojox, a much harder end of the world scenario is placed in Band’s post apocalyptic sci fi thriller. Crash and burn does recycle some aspects from Robojox, most noeably the stop motion aniated robots themselvees but it slaps a can of terminator and max mad on to it’s murder mystery plot.
The film is set several years after a global economic collapse, and after Covid it’s easier to imagine than it was in 1990. All of fears of the future from the classic writers are dropped throughout the film, global warming, nuclear poisoning and corporation control all raise their ugly heads and Crash and Burns gives us a glimpse of what it might be like to try and live with all these oppressions but there is hope, a group of freedom fighters attempt to jam TV signals and promote messages for people to rise up against the corporations. The world is pretty dismal, it’s hot, sueper desert hot all the time, there are frequent power cuts and water is hard to find and when you drink it is probably recycled only hours before. Kids learn via some kind of interactive TV and have no connection with each other. it’s life but not a happy one.
Director: Thomas Grieser
Starring: Thomas Grieser, Ursula Grieser, Wolfgang Grieser, Timo Homburg Germany. 1h 09m
There’s something about Griesers career as a movie director that has hints of Don Dohler, not necessarily, subject and quality but determination and drive, it’s a similar energy. For those who aren’t aware, Dohler had a run of trashy sci fi movies in early 80’s including Fiend, Galaxy Invader, The Alien Factor and Nightbeast which have recently started gaining a small cult following.
Director: Matt Jaissle Starring: Deanna Cockrum, Ezekiel Alexander Enriquez, William Jassle, Rich Massey, Don Mature, Adolf Mulzer. USA. 1h 16m
It’s great to see that the truer elements of BMovies haven’t quite died out just yet. And Matt Jaissle is one of the busier directors, having a ton of interesting titles under his belt including… and then there’s the grindhouse epic of Revolution 666 blending together a pseudo Manson cult and a zombie Helter Skelter plot to destroy the world.
Director: Jason Figgis Starring: Matthew Toman, Emma Dunlop, Alan Rogers. Ireland. 1h 20m
Please correct me but this noisy thriller is Dead Man’s Shoes but in a depraved reversal where the gang, all twisted and desperate, are the saviours of a vulnerable lad…let me lead you down this bloody rabbit hole.
Director: Aaron Martinez Starring: Nathran Martinez, Luke Fowler, Jordan Tanner, Mark Gibbons. USA. 1h 48m
I think a trick was missed in this slightly confusing theological movie. The set up follows a pair of voyeuristic researchers in a lo fi sci fi bunker, their main objective is to follow a Jesus-esquema wandering in the desert searching for his daughter after an apocalypse, it’s never clear how they are filming him, who installed CCTV in the desert in this post apocalypse world..
Director: Jacob Gentry Starring: Harry Shum Jr, Kelley Mack, Chris Sullivan, Anthony E Cabral .USA. 1h 44m
Jacobs Gentry’s uncanny valley neon lit thriller is a great diversion for horror fans, but unlike other broadcast horrors it fails to give a satisfactory conclusion to its own question but will raise eyebrows though it’s stunning display of solid drama and a deep dive investigation.
While logging tapes of retro TV Broadcasts, a video archivist, James (Shum Jr.) discovers a disturbing clip that he believes is a sign of early hacking, out of his armchair investigation, James is innocently trying to track down the source but it turns into a deadly cat and mouse chair that night lead to solving a slew of murders.
Director: Tyler Measom and Justin Weinstein Starring: James Randi, Jose Alvarez, Penn and Teller, Adam Savage, Alice Cooper, Bill Nye, Uri Geller USA/Canada. 1h m
I tend to get my fangirl cap on when James Randi is mentioned, his insightful analysis of the world of tricksters and snake oil merchants has been a huge source of inspiration and entertainment. His brief TV show that airs in the 90’s really opened the eyes of many people to the simple tricks of the big names of mystery, Poppof and Geller were among those who were unmasked as charlatans, willing to make a quick buck claiming they have rare gifts only to have Randi rip the carpet out from underneath them. In this quaint and personal documentary, directors Measom and Weinstein spend some time with Randi and give him a chance to express his past and current life with candid insights into his biggest moments in Magical history.