Director: Beom-sik Jeong.
Starring.Wi Ha-joon, Park Ji-hyun, Oh Ah-yeon, Moon Ye-won, Park Sung-hoon , Yoo Je-yoon , Lee Seung-wook. South Korean. 1h 35m.
Today I was today years old when I realised that I might not be mature enough for some horror movies, I finished watching this fairly boring mediocre found footage horror that I felt has brought nothing new to the genre, only to find out that everyone adores it, I find this more interesting than the film, but I think it’s time to take on board that I’m a seasoned film enthusiast who’s seen it all and while a younger and fresher generation are entering in with movies such as this, sorry kids, it’s borrowing from everything and isn’t all that impressive..
Now that’s out of my system, a deeper look into the Haunted Asylum.. The film opens with a group of adventurers film their tour of the hospital, when trying to enter room 402 they hear ping pong balls and the broadcast abruptly ends and the boys are never heard from again, seeing this as an invitation, a YouTube group called Horror Times, decide to explore the building as well. Because that’s what rational people do. Continue reading Gonjiam: Haunted Asylum (2018)
Director: Stuart Brennan
Starring: Stuart Brennan, Marcus Macleod, Mark Paul Wake….UK. 1h 28m
This darkly twisted fairy tale follows a group of soldiers fleeing a war zone who find themselves lost deep in the woods where only magical things can happen.This British horror with a small budget definitely dreams big and while it has a solid story the execution comes across a little trying.
There is evil inside all of us.
Continue reading The Necromancer (2018)
Director: Matt Allen
Starring: Brian Thompson, Ben Browder, Shoshana Bush, Cheryl Texiera, Adrienna Barbeau. USA. 1h 32m
Matt Allen follows up his Aces and Eights short movie with a debut feature HOAX! which turns out to be a quirky faux mockumentary thriller about an investigation into the existence of Bigfoot, after a spate of teen disappearances in the Colorado mountains.
It’s easy to call it just another Bigfoot movie: but there has been a recent run of lowish-budget features that have broadened the creature featutes horizons by taking things to a new place, especially the fan favourite Bigfoot: The Lost Coast Tapes (2012). Somehow, without many clues or prompts or evidence, it does keep the question open in order to keep the viewers guessing until the very end, but does bigfoot exist or is there an alternative reason why teens are being slaughtered in the hills? And either way why would you want to go out with limited resources to find out? Continue reading Hoax (2019)
Director: Jamie Tracey.
Starring. J.J Gallo, Nick Smyth, Jamie Traey. Canada. 1h 15m.
A muted drama with a dark undercurrent. A group of guys are spending time together chilling in a cabin located in the Canadian wilderness, when the dog gets lose, all three guys head out to track her down but while the roam around the the forest they soon realise that they are being stalked.
For the most part of the film Paul (Gallo) and George (Smyth) search for the dog, there is a third friend who’s with them for a short while but he returns to the cabin early on and from what I understand this character is the Director Jamie Tracey? The two guys have many a heart to heart while getting lost in the woods. With their friendship in question they pull apart and soon club together for safety, finally realising how much they mean to each other, but this bromance is in question when they notice something is tracking them, a dark figure looming vaguely in the background, “was that a bear?”. With limited ammunition and only the one rifle between them they do their best to make it back to the cabin alive. Continue reading Howls (2011)
Starring. Aura Garrido, David Oakes, Ray Stevenson. Spain. 1h 48m.
The background of this mesmerising thriller is reminiscent of stories straight from the imagination of HP Lovecraft, but the film is actually based on a story by Albert Sanchez Pinol with the same title. They both involve a lone man on the edge of his sanity who lives locked tight in a light house on a remote and uninhabited island, existing like a hobo and fighting off deadly sea creatures each night.
The film breaks open at sea, a fine-looking ship is being chased by dolphins as a young Irishman named Friend (Oakes) travels to this remote island in the South Atlantic to work as a meteorologist, the only inhabitant of the island is the caretaker of the lighthouse, a tough character called Gruner (Stephenson). After a cold and abrupt introduction Gruner informs Friend that the previous meteorologist died from typhus. The crew depart leaving Friend to cosy in his new cabin he watches Gruner in his fortified lighthouse with intense curiosity, why would someone need to defend a lighthouse? Friend unpacks and finds a journal from the late meteorologist, detailing nightly attacks from strange creatures form the sea, assuming this was feverish dreams of a dying man he drifts off to sleep until a slimy webbed hand feels under the door and he finds himself under attack. He managed to fight off the intruders, the next day he tries to get Gruners attention but is ignored. He spends the day fortifying the cabin and finds a gun. Awaiting another attack but he’s overrun and in the fight ends up burning the cabin to the ground, hiding on the rocks of the beach with a blanket he spends the night hiding. Continue reading La Piel Fria / Cold Skin (2017)
Director: The Spierig Brothers
Starring: Helen Mirren, Jason Clarke, Sarah Snook, Eamon Farren . USA . 1h 39m
The mysteries of the Winchester house have been documented for years and while this movie is based on the facts of a true story it manages to make something mysterious and creepy very mundane and pointless experiment.
The widow of William Wirt Winchester, Sarah (Mirren) went into overdrive at the sudden death of her husband, trying several times to connect with him through spirituality she eventually started to make continuous alterations to their mansion in San Jose using the $20 million dollars inheritance and profits from the Winchester company.
Sarah’s not only working through her grief but she is feeling intense guilt for being part of the gum problem, her husbands guns were responsible for the deaths of hundreds of thousands of people and due to her erratic behaviour, the Winchester company send in a doctor to assess her sanity, Eric Price (Clarke) who’s a drug dependant doctor mourning the suicide of his wife, but he agrees to take on the job and becomes a resident at the home. Sarah is obviously weary of the man but as she’s totally sane, but just having to deal with spirits on a daily basis, she cleans up his act and allows him to proceed with his observations. Continue reading Winchester (2018)
D: David Ayer
S: Will Smith, Joel Edgerton. Noomi Rapace USA. 1h 57m
Described as the worst movie of 2017, I had to check this out, maybe it was a PR stunt but it worked, it got me looking and I was pleasantly surprised, while constantly looking for the loopholes, terrible acting and a story that I couldn’t understand I found the opposite and was a bit more confused about why this is was coined as being so bad when I was tempted to watch it again….
Not quite realising how long the film was going to be, as a lot of current films are getting shorter for the attention span of the masses, this is a bit of an marathon, being just shy of 2 hours, but it does use all that time quite wisely while being a sort of fantasy rip off of Alien Nation (1988). Instead of aliens descending upon us, this is an alternative reality where Orc’s, Elves and other mythical beings exist. Daryl Ward (Smith) is a know it all police officer who’s been teamed up with a pariah Nick Jakoby (Edgerton) who’s an “unblooded” Orc, we learn that this makes him a bit of a hipster, who’s from a long line of other hipsters who basically don’t kill, this gives him a bum status with all the other Orcs but the humans refuse to accept him as Orcs are famed for having accepting the “darker” more evil path as part of their nature so they can’t be trusted, in the locker rooms men boast about being Orc slayers.
Continue reading Bright (2017)
This year I’ve decided to do a shorter list of only 13 items as we were (un)lucky enough to have Friday the 13th this October and I usually fail my 31 days of Horror for October 😦
lets see if 13 is my lucky number!?! I’ll keep updating this page over the next 13 days as I countdown a fairly random list of Halloween favourites with new reviews!!
Continue reading 13 Days of Hallowe’en Horror 2017
Day 3 – The Void
Director: Steven Kostanski and Jeremy Gillespie .
Starring. Aaron Poole, USA. 1h 30m.
It’s not often a film grips my attention quite like this one. The first trailer I chanced upon was quiet mysterious and the poster had tentacles, that’s pretty much me sold on any movie. So the Void didn’t promise much, it kept 90% of the fun a secret and that added to the fun and intensity of the gory film. Starting with a curious scene a man escapes from some crazy occultist and flees into the woods, bleeding and disorientated. A lone cop sees him the road and takes him to the nearest hospital to get him patched up. The hospital is in the process of being relocated, so there is minimal staff and they are caring for one pregnant girl and packing, quite reminiscent of Assault on Precinct 13 (1976) and before you know it, they are soon surrounded by shrouded occultist and have to barricade themselves but unlike the 70’s siege film they are fighting unknown metaphysical forces that are beyond comprehension, yet very familiar to those lured tales from HP Lovecraft. Continue reading The Void (2016)
Director: Ciaran Foy .
Starring: Aneurin Barnard, James Cosmo, Jake Wilson, Wunmi Mosaku. Ireland/Scotland/UK. 1h 24m.
A deeply moving and scary psychological horror, written and directed by Ciaran Foy,who later went on to direct Sinister 2 (2015). In this dark Gaelic horror drama we’re introduced to a young couple expecting, Tommy (Barnard) and Joanne (Shiels) live in a decomposing apartment block, while returning home, the couple get separated, while Tommy is in the lift, a group of hooded teens start attacking his heavily pregnant girlfriend as he desperately tries to escape the confines of the lift, he finds her unconscious, with a syringe in her stomach, during flashbacks we see that Joanne survives and gives birth to a baby girl, but remains in a coma and eventually is taken off life support. The distraught Tommy attempts to care for his daughter while dealing with acute agoraphobia as a result of the ordeal, his only support is Marie (Mosaku). Continue reading Citadel (2012)