Director: Aaron KeelingAustin Keeling Starring: Cathy Barnett, Emily Goss, Taylor Bottles, Jim Korinke. USA. 1h 51m
There’s something provocative about a haunted house tale, many directors have used this eternal additional character to emphasise the dark natures within its occupants or at times it’s a portal into a darkness that we neer want to look into. And while there’s some admiration in what Aaron KeelingAustin Keeling as directors have achieved in the bitter ending, there’s a boring tropey slog to get to the good bits.
Director: Alejandro Hidalgo Starring: Joseph Marcell, Will Beinbrink. México/Venezuela/USA. 1h 38m
Every few years there’s another game changing exorcism movie, and these stand out to the weekly releases of the same old tripe. But what makes this heavily laced CGI movie stand out from the rest? First it challenges religious scripture with a bit of cray logic but unfortunately it takes an ice age to get to the fun bits but audiences are entertained with shock moments, jump scares and lots of grisly CGI faces, sometimes with some familiarity to his previous gothic house masterpiece The House at the End of Time (2013). Having grown as a director since then he’s developed his eye but leaves behind the suspense for full out vile visuals but it won’t distract from the silliness that keeps corrupting this horror.
Director: David Amito, Michael Laicini Starring: Nicole Tompkins, Rowan Smyth. Canada. 1h 35m
I have to admit that before seeing Antrim I had no idea what the word actually meant so I did have to Google it. Turns out that it means, “A nearly closed cavity or chamber…” Well ok, How does one make a movie about a nearly closed cavity? Somehow directors, David Amito and Michael Laicini managed to turn this notion into a retro cursed movie project and argue that the film is (loosely) based on a movie by David B. Earle titled Dining Room or There is Nothing. Believe it or not if you have ever seen any of the creepy movie compilations on YouTube then you probably have seen this short but were unaware of its title, and here is the movie in all of its esoteric glory.
Director: Jack McHenry Starring: Tom Bailey, Maureen Bennett, Alfred Bradle, Robert Llewellyn, Timothy Renouf, Charlie Robb, Jessica Webber. UK. 1h 20m
Genre bending comedy horror doesn’t get much better than this frightful mini epic. Here Comes Hell, sees a small group of gorgeous 1930’s socialites hooking up to see one of their friends’ new purchases, which just happens to be a charming haunted mansion located deep in the British wilderness. The party includes a seance as getting a psychic grandma in on your party is thought to be terribly fun.
Director: Corey Grant Starring: Drew Rausch, Rich McDonald, Asheey Wood Garcia, Noah Weisberg, Frank Ashmore, Japheth Gordon .USA. 1h 30m
There has always been a lot to love and hate about this spirited movie. It attempts to open up new possibilities about the Bigfoot, looking at some of the newer theories and along the way it attempts to answer the popular questions, like why don’t we find more bigfoot bodies?. Despite bringing new ideas from conspiracy forums to the big screen, it fails to bring a lot of new ideas to this screen and falls into trope island with annoying characters and expresses some of the worst features of Found Footage. AND despite all of this it has to be seen and is often enjoyed.
Director: Michele Soavi Starring: Hugh Quarshie, Tomas Arana, Feodor Chapliapin Jr. Barbara Cupisti, Antonella Vitale, Asia Argento .Italy. 1h 42m
I’d like to suggest that Michele Soavi’s The Church (1989) is a good movie, but the least I could say is that it’s interesting, on occasions quite fascinating and occasionally on board with Clive Barker for it’s sexy bodies and ugly monster creepiness. But is it a good movie?! Between the incoherent plot and awkward characters it sells a mystical story and it’s highly entertaining and that’s what counts. Continue reading La Chiesa / The Church (1989)→
Director: Stephen Cognetti Starring: Danny Bellini, Gore Abrams, Adam Schneider, Ryan Jennifer, Hared Hacker .USA. 1h 23m
Here we go again, the scariest found footage horror of all time!? Where have I heard that before?!!maybe with every new found footage release? It’s almost one of the tropes of the genres now, but it’s an intriguing selling point but after it’s got bums on seats out only opens the film up for ridicule later on. Continue reading Hell House LLC (2015)→
Every now and again a movie creeps along as it reminds us what horror is really about, touching on sensitive subjects and delivering shocks, scares and a creeping dread which lingers long after the movie. One of these precious gems hasn’t arrived for a few years but somehow, coming straight from leftfield, a rom com director has re written the step by step guide on how to fuck with an audience and it’s done with a cool calm style in this occult horror nightmare. Continue reading Anything For Jackson (2020)→
Director: Jim Klock Starring:Jim Klock, Mike Capozzi, Chad Ridgely .USA. 1h 26m
This is quite a tidy moody piece of theology noir, as two investigators embark on a spiritual journey while searching for a missing police officer.
After watching the officer pass through a door while answering an emergency call he’s never seen again and his distraught wife asks for additional help to find him. Jim and Mike answer the call, each at different ends of the spectrum of religious belief, although Mike, while pious, had the remarkable skill of being highly psychic, and is reluctant to take this particular job but goes along to help his bestest bud. Continue reading Red Letters (2019)→
Director: Engr. Henry Mgbemele Starring: Onny Michael, Destiny Etiko, Adim Christian, Ebere Okaro, Joseph Daniels, Obi Okoli. .Nigeria. 4h +
This charming Nigerian production is built up around a family drama, a brother and sister are caught up in a terrible cycle, having recently lost their father only to later find out their mother is gravely ill and in need of emergency operation that costs a mere 2Million Naira. The siblings struggle against bad luck to raise the money to save what’s left of their family. Continue reading Hour of Victory (2020)→