Una Magnum Special per Tony Saitta / Shadows in an Empty Room (1976)
Director: Alberto De Martino Starring:Stuart Whitman, John Saxon, Martin Landau, Tisa Farrow.Canada/Italy. 1h 54m
Shadows in an Empty Room is a distinct 1970s crime film with mad tones of Euro grime; this De Martino might be out of place in Canada, but it doesn’t drag for a minute. Shadows in an Empty Room is what would remain if you stripped a Giallo movie of its euro trash, bumped it up with a heavy Polittesco narrative, and went full frontal.
On the campus of Montreal college a man notices his ex girlfriend having a moment with her lecturer, and suspected lover, Dr Tracer (Landau), later on that evening a prank turns into a suspicious murder, and the prime suspect is Laundau, and his student/girlfriend is stone cold. Unlucky for him, her brother is a hard ass police officer, played by Stuart Whitman and his back up is the steely eyes John Saxon and they are about to get some Canadian Justice.
Continue reading Shadows in an Empty Room (1976)
Director: Giuseppe Vari
Starring: Lou Castel, Adolfo Celi, Beba Loncar. Italy. 1h 32m
One of the easily overlooked Giallo/Politizen films which has a storyline which trips over into the Psychotropic realms there’s a ton of sleeze to get through in Vari’s vibrant thriller.
Fashion photographer Carlo (Castel) and hit model girlfriend Olga (Loncar) are rolling in the dunes when Carlo notices a shady encounter, a couple of men start beating a third man unconscious and set fire to him in his car, Carlo catching all these on film, knowing they are onto something big and take the photos to Uncle Fifi, Olgas wheelcharir bound porno director relative, for advice on how to get the most money for the precious photos.
Continue reading Terza ipotesi su un caso di perfetta strategia criminale / Who Killed the Prosecutor and Why (1972)
La polizia chiede aiuto, lit. ‘The police ask for help”
Director: Massimo Dallaman
Starring: Giovanna Ralli, Claudio Cassinelli, Mario Adorf, Franco Fabrizi .Italy. 1h 30m
Genre blending can go horribly wrong be it apocalyptic horror and comedy which resulted in Sharknado or romantic comedy which results in boredom. You need to be careful how you mix and match established flavours, if dont right, it can birth a tremendous gripping film such as this stand out item from Italian maestro Massimo Dallamano, being a big contender with a host of really notable titles the classic cinematographer comes into his own with a trio of brilliant movies, for me the golden trio, for me at least are, Dorian Gray, What have you done to Solange and similarly titled, What have they done to our daughters? A film with takes a the best of the poliziotteschi movement, ultising daring police chases, shoot outs and crime sleuthing, and let’s lose a terrific Giallo serial killer, clad in leather this psycho deptaches their victims with a cleaver and rides a powerful motorbike.
Continue reading What Have They Done To Our Daughters (1974)
Director: Fernando Di Leo
Starring: Gastone Moschin, Mario Adorf, Barbara Bouchet. .UK. 1h 42m
Well famed for being the ultimate super cool, cult hit, this is the first of a trio of virtuoso politicization films, the following movies, La Mala ordina/The Italian Connection and Il Boss/The Boss, are all based on a short story collection all using the original names by Giorgio Scerbanenco. Each film stands out for their own powerful impact with straight forward stories harnessing beautiful women, treachery and tons of gratuitous violence.
Continue reading Milano calibro 9 / Caliber 9 / The Contract (1972)
Director: Emilio Miraglia (as Hal Brady).
Starring. Henry Silva, Beba Loncar, Keenan Wynn, Carlo Palmucci, Pier Paolo. USA. 1h 33m.
Emilio Miraglia has conjured up a vibrant Italian noir-crime thriller from a story co-written by Massimo De Rita who wrote the debut hit for Miraglia , Assassinsation (1967) which also stars Henry Silver who returns in this follow up as the heavy handed Inspector Sterling, a police inspector whose son has been brutally killed outside the family home in retaliation to his police work. Known for his brilliant Giallo and Poliziottesco movies such as The Red Queen Kills Seven Times (1972) and The Night Evelyn Came out of her Grave (1971), Miraglia’s successes came after these hard hitting Poliziottesco classics. Continue reading Quella carogna dell’ispettore Sterling / Frame Up / Falling Man (1968)