Category Archives: surreal

In Fabric (2018)

In Fabric (2018) Director: Peter Strickland Starring: Marianne Jean-Baptiste, Fatma Mohamed, Hayley Squires, Leo Bill, Julian Barratt, Steve Oram, Ricahrd Bremmer .UK. 1h 58m

As much as totally fangirl for Strickland and was so eager to watch this movie dedicated to the tales of a haunted or cursed dress, I knew it wasn’t going to be the typical hollywood horror, I knew it was going to be bizarre and strange and hauntingly beautiful but I wasn’t quite expecting it to be just so chilling and yet wrapped up in the mundane… and yet it remains terrifying and mesmerizing.

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Get Out (2017)

Director: Jordan Peele
Starring: Daniel Kaluuya, Allison Williams, LaKeith Stanfield, Bradley Whitford, Lil Rel Howery, Caleb landry Jones, Stephen Root .USA. 1h 44m

The title comes from a history of black audiences shouting “Get Out” to any black cast members in horror movies, it’s a trope that has been played to death more recently as we being to embark on the serious questions of race and stereotypes, and it’s during this brave new wave that Jordan Peele has unleashed some amazingly creepy and mind bending stories centering around the black community.

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Broadcast Signal Intrusion (2021)

Director: Jacob Gentry
Starring: Harry Shum Jr, Kelley Mack, Chris Sullivan, Anthony E Cabral .USA. 1h 44m

Jacobs Gentry’s uncanny valley neon lit thriller is a great diversion for horror fans, but unlike other broadcast horrors it fails to give a satisfactory conclusion to its own question but will raise eyebrows though it’s stunning display of solid drama and a deep dive investigation.

While logging tapes of retro TV Broadcasts, a video archivist, James (Shum Jr.) discovers a disturbing clip that he believes is a sign of early hacking, out of his armchair investigation, James is innocently trying to track down the source but it turns into a deadly cat and mouse chair that night lead to solving a slew of murders.

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Undergods (2020)

Director: Chino Moya
Starring: Johann Myers, Ned Dennehy, Burn Gorman, Kate Dickie, Tim Plester .UK/Estonia. 1h m

After watching a deeply profound movie Undergods from Chino Moya, I still have questions, but I don’t really want to utter them too loudly in fear that the Corpse Collectors might come.. Very much in the vein of Domink Moll, Peter Strickland, and Ben Wheatley, this trippy blend of strange comedy and the darker elements of human nature, really creeps under the skin and while the film trips over its own message from time to time there’s mountains on mythology and messages worth contemplating. There’s a familiarity in both worlds depicted here, worlds in which we can all recognise but just uncanny valley enough for us not to properly understand.. or maybe we don’t want to admit to it.

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The Great and Terrible Day of the Lord (2020)

Director: ​Jared Jay Mason, ​Clark Runciman
Starring: Jordan Ashley Grier, Swayde McCoy. USA. 2h 1m

A couple on a romantic getaway in an idyllic cabin in the mountains agree to smoke a little dope and be totally honest with each other, but when Micharl (McCoy) beings to confess that he’s God possessing a human body, does his new lover Gabby (Grier) believe him, or is Michael a manipulative psychopath or is he really channelling a divine being, if so.. why?

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Hvítur, hvítur dagur / A White White Day (2019)

Director: Hlynur Pálmason
Starring: Ingvar Sigurdsson, Ida Mekkin Hlynsdottir, Sara Dogg Asgeirsdottir. Iceland. 1h 49m

It doesn’t take long to get a good grasp of the top talent in Iceland, not only does a majority of the movies released there really hit a nerve and the industry continues to release one banger after the next, but with such a tiny population you’re going to see a lot of repeat offenders and not surprisingly a lot of the more popular faces have buckets of incredible talent and some of those come together in this study of grief.

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Tonkei shinjû – Pig Chicken Suicide (1981)

Director: Yoshihiko Matsui
Starring: Naomi Hagio, Takahiro Hattori, Toshihiko Hino .Japan. 1h 31m

Like a rare and obscure borja wine, the history of Yoshihiko Matsui’s film making is sporadic but filled with really unusual gems, with themes of suicide, the understanding of love blended with cannibalism and genuine strange behavior you’ll always know who you”re watching and often question why you’re still watching. For me this unreal expression is one of the blessings of cinema, seeing something genuinely new that is al altered, heightened sense of the world around you. At times you’ll almost be able to feel Matsui’s message through the combination of imagery, a feeling of an idea that doesn’t need language for expression, or you might be left scratching your head wondering what the hell is going on.

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Shutter Island (2010)


Director: Martin Scorsese Starring:Leonardo DiCaprio, Emily Mortimer, Mark Ruffalo, Ben Kingsle, Max Von Sydow, Patricia Clarkson, Ted Levine, John Carroll Lynch, Elias Koteas USA. 2h 18m

Scorsese is a legendary director but more often I find I can work out his films from the get go and this one I called in the intro and then didn’t enjoy a single second of the movie because for me it was so clear what was going on. But in hindsight I can see the appeal for anyone who didn’t clique what was going on, it must have been gripping and playing on all of their emotions.

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Dark Knight (2016)

Director: Tim Sutton
Starring: Robet Jumper, Anna Rose Hopkins, Rosie Rodriguez, Karina Macias .USA. 1h 25m

Dark Night is an incredibly slow movie. Not necessarily a film in slow motion or involving lengthy still shots, but one which whimsically dances around the mundane sequences in the lives of it’s subjects instead of explaining exactly why they are important. The (unwanted) insight into the lives of a group of people who are all present on the night of a screening of an infamous Batman film that would go so terribly wrong when a deranged individual opened fire with bullets and tear gas. Many people will be more than aware of the case, one of the biggest one man shooting events in living memory. Tim Sutton has managed to bypass the hype and politics by somehow going back in time outlining the normaily before the shooting, trying to pay homage to the victims and show how fragile life is in a moody thought provoking arty drama, frequently highlighted with Robert Jumpers haunting stare.

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Norfolk (2015)

Director: Martin Radich Starring: Denis Menochet, Barry Keoghan, Goda Letkaustie. UK. 1h 23m

Sometimes cinema can be drab and unkind, which is the unnerving feeling you’ll end up with after watching Martin Radich’s Surreal coming of age art house drama.

The downtrodden ,depressing atmosphere permeates from the screen, as a father attempts to protect and train his son. While living off the grid in a remote rural location the two have strained relationship, mulling around their isolated home, their only connection is watching tv together. Unbeknowst to the son, a job from the past has caught up with his father and now their lives are in danger and one more murder must be commited, just one more contract or one more act of revenge.

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