Category Archives: surreal

Possessor (2020)

Director: Brandon Cronenberg
Starring: Andrea Riseborough, Christopher Abbott, Sean Bean, Jenniger Jason leigh .Canada. 1h 43m

the junior Cronenberg stirkes again with yet another brilliant, mind bending, reality busting concept, this time he’s matures his process and developed a highly stylish assasination bureau where agents enter the minds of a close associate of their victim via an implant, allowing the prefect kill to be commited, once the job is done, the agent gets their host to commit suicide and they are “pulled” out of the persons mind and back into their own body, it’s advanced, but so simple and intraceable.

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The Lighthouse (2019)

Director: Robert Eggers Starring: Willem Dafoe, Robert Pattinson .USA/Canada. 1h 49m.

An uncategorizable and slightly experimental frolic through unfinished literature and art. Rober Eggers and his brother Max attempt to finish a short story written by Edgar Allen Poe with a gusty and challenging drama that borders on fantasy.

Two Wickies (Lighthouse Keepers) are stranded on their isolated island for an extended time due to a prolonged storm and they begin to trip down a psycho sexual rabbit hole during some intense alone time that draws in cabin fever.

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Skinamarink (2022)

Director:Kyle Edward Ball
Starring: Lucas Paul, Dali Rose Tetreault, Ross Paul,Jaime Hill .Canada. 1h 40m

Every now and again a director comes from left field and reminds us that new things are still possible, which is what Kyle Edward Ball has done with his tour de force trippy horror which is causing major ripples in the horror community. To say it appeared from nowhere is far from the truth, it was by no means an accident, through several years of making short movies depicting people’s most vivid nightmare, eventually Ball was able to gather all of that experience and forge together Skinamarink, an almost indescribable horror movie that digs deep into the childhood memories of the audience and eliminates another darker aspect of the Liminal space genre.

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After the World Ended (2015)

Director: Tony Sebastian Ukpo
Starring: Eke Chukwu. Haruka Abe. Gabby Wong, Anthony Ofoegbu .USA. 1h 30m

This subdued experimental movie seems to tell a pair of harmonious stories, set in a bleak future where space travel is everyday and our social norms are quite alien from what we understand today.

Initially an astronaut has crash lands in a tranquil field and attempts to find help but the social dynamics is unsettling to him, families seem to be “clumped” together any male plays a father, any child adapts to the family they find themselves with that day, language isn’t a barrier, it seems everyone is adapted to all human languages and it just rolls off the tongue.

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The Unwelcomed/The Arrival (1991)

Director: David Schmoeller Starring: John Saxon, Michael J Pollard, Joseph Culp, Robin Frates. USA. 1h 47m

Max Page’s birthday party is ruined when an uninvited metre crashes into his yard, freaking out the old guy and his guests. Later on the next day, “authorities” turn up to investigate the site and fool everyone off with a “nothing to worry about” story.

Fear is never an invited guest

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In Fabric (2018)

In Fabric (2018) Director: Peter Strickland Starring: Marianne Jean-Baptiste, Fatma Mohamed, Hayley Squires, Leo Bill, Julian Barratt, Steve Oram, Ricahrd Bremmer .UK. 1h 58m

As much as totally fangirl for Strickland and was so eager to watch this movie dedicated to the tales of a haunted or cursed dress, I knew it wasn’t going to be the typical hollywood horror, I knew it was going to be bizarre and strange and hauntingly beautiful but I wasn’t quite expecting it to be just so chilling and yet wrapped up in the mundane… and yet it remains terrifying and mesmerizing.

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Get Out (2017)

Director: Jordan Peele
Starring: Daniel Kaluuya, Allison Williams, LaKeith Stanfield, Bradley Whitford, Lil Rel Howery, Caleb landry Jones, Stephen Root .USA. 1h 44m

The title comes from a history of black audiences shouting “Get Out” to any black cast members in horror movies, it’s a trope that has been played to death more recently as we being to embark on the serious questions of race and stereotypes, and it’s during this brave new wave that Jordan Peele has unleashed some amazingly creepy and mind bending stories centering around the black community.

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Broadcast Signal Intrusion (2021)

Director: Jacob Gentry
Starring: Harry Shum Jr, Kelley Mack, Chris Sullivan, Anthony E Cabral .USA. 1h 44m

Jacobs Gentry’s uncanny valley neon lit thriller is a great diversion for horror fans, but unlike other broadcast horrors it fails to give a satisfactory conclusion to its own question but will raise eyebrows though it’s stunning display of solid drama and a deep dive investigation.

While logging tapes of retro TV Broadcasts, a video archivist, James (Shum Jr.) discovers a disturbing clip that he believes is a sign of early hacking, out of his armchair investigation, James is innocently trying to track down the source but it turns into a deadly cat and mouse chair that night lead to solving a slew of murders.

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Undergods (2020)

Director: Chino Moya
Starring: Johann Myers, Ned Dennehy, Burn Gorman, Kate Dickie, Tim Plester .UK/Estonia. 1h m

After watching a deeply profound movie Undergods from Chino Moya, I still have questions, but I don’t really want to utter them too loudly in fear that the Corpse Collectors might come.. Very much in the vein of Domink Moll, Peter Strickland, and Ben Wheatley, this trippy blend of strange comedy and the darker elements of human nature, really creeps under the skin and while the film trips over its own message from time to time there’s mountains on mythology and messages worth contemplating. There’s a familiarity in both worlds depicted here, worlds in which we can all recognise but just uncanny valley enough for us not to properly understand.. or maybe we don’t want to admit to it.

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The Great and Terrible Day of the Lord (2020)

Director: ​Jared Jay Mason, ​Clark Runciman
Starring: Jordan Ashley Grier, Swayde McCoy. USA. 2h 1m

A couple on a romantic getaway in an idyllic cabin in the mountains agree to smoke a little dope and be totally honest with each other, but when Micharl (McCoy) beings to confess that he’s God possessing a human body, does his new lover Gabby (Grier) believe him, or is Michael a manipulative psychopath or is he really channelling a divine being, if so.. why?

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