Tag Archives: 1

1922 (2017)

Director:Zak Hilditch .
Starring. Thomas Jane, Molly Parker, Neal McDonough. USA. 1h 48m.

This hot and melting messy murder film is quite an interesting brooding moralistic thriller. At first the rocky love affair between Wilfred Jane) and his feisty wife Arlette (Parker) is something on parallel to a Tennessee Williams play,  but it’s no secret that he’s planning to kill his wife for her land and cash, but it doesn’t seem plausible until he slowly bullies his son, Henry into helping him hold her down and slit her throat in a torrid gurgling bloody mess. He disposes of her corpse down the well soon after then the rats appear, crawling in and out of her corpse, the scene shocks him but he has some cleaning up to do and a lot of police dodging, until the Henry discovers that his teenage true love is pregnant and he has to escape the town and the two go on the run leaving Wilfred alone on the farm with the ever present rats for company.

Continue reading 1922 (2017)

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+ 1, Plus One, Shadow Walkers (2015)

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Director:Dennis Iliadis
Starring: Ashley Hinshaw, Rhys Wakefield, Natalie Hall. USA. 1h 39m

Along with a new wave of sophisticated teen sensation thrillers like It Follows (2014), Dark Summer (2015) and The Guest (2014), Plus 1 also swans around like a peacock flaunting an unusual story told in a unfamiliar fashion. The summer party to break all records has begun but something strange has invited itself to the party with devastating consequences. Continue reading + 1, Plus One, Shadow Walkers (2015)

10 Cloverfield Lane (2016)

 

10cloverfieldlane1.jpgDirector : Dan Trachtenberg
Starring : John Goodman, Mary Elizabeth Winstead, John Gallagher Jr. USA. 1h 43m

This has to be one of the most unpredictable and yet most anticipated monster sequel for quite some time. The return of Cloverfield comes with a heavy dose of Hitchcock as the young franchise steps away from the found footage shaky cam horror that made original so popular. Instead 10 Cloverfield Lane, originally called The Cellar plays with a lot of psychological tricks while dealing with tremendous tension; mostly caused by the unknown saviour Howard played by John Goodman, is his homely and very creepy underground bunker. Continue reading 10 Cloverfield Lane (2016)

Nineteen Eighty-Four (1984)

Nineteen_Eighty_Four 1984

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This is what I like to call a substance film, it’s got such a unique claustrophobic feel to every element of it, it’s a constant array of muted and dismal greys, a concrete totalitarian regime where the people are controlled to the point where their inner thoughts belong to the state and in the midst of this, one man dares to break the rules and fall in love.

Winston Smith (John Hurt) role in life is to re write history, in this bleak future where Big Brother (Bob Flag‘s image) is always watching and a constant voice (Phyllis Logan) can be heard informing the “people” of victory and successes in a war that no one has ever witnessed. But Winston strives for more, he can see the cracks in this fascist regime  and he dares to fall in love and rebels against the norm with revolutionist Julia (Suzanna Hamilton) but with intricate overseers including the monstrous O’Brien (Richard Burton) who have carte blanche to enforce what the party ys is right, who would dare defy the party forever.

Obviously drawing from a paranoia of where the human race was heading if hitler or stalin were to drop into power and to be honest we’ve not really paid much attention to the warnings of this amazing book/film etc, instead we’ve made a TV show called Big Brother so we CAN watch other people, new laws are passed daily to spy on people and we are slowly slipping into the Prole class. It’s hard not to get political after you’ve digested this fascinating and terrifying dystopian story.

It’s incredibly uneasy to watch, while your watching the decline of the individual, free thinking and privacy, thoughts creep into the mind that indicate that we’re heading for this dismal future.

Richard Burton (RIP), went out with a surly bang with this, his final film. He’s not on screen for very long but what you do see of him is so calm, reserved and yet extremely powerful, listening to him he sounds like a gentle friends but the torture scenes near the end make him out to be very much the opposite, John Hurt’s fragile looking character goes through a lot of thoughts and torture especially once he makes it into room 101, and attempting to drill 2+2=5 into him. It’s uncanny how many words from the newspeak that have been adopted, and most all there to describe a picking at society.

The movie shows a slice of this dismal life, from the gutter looking up to Big Brother looking down everyone. John hurt shuffles around alien English streets (now Oceana) with the guilt of his job on his shoulders and the want of being free, even while he wears his standard uniform, this is truly a reality where you are a number and not a person anymore.

The original book has influenced a series of sub cultures, new words and concepts and many poignant messages, while it shines through in this graphic and chilling movie, it’s moody melancholy atmosphere twinned with the claustrophobic prying eyes of big brother and constant announcements bring the clear message from the book onto the screen. Even without the violent ending it will get any intelligent audience thinking and honestly remarkable in many ways, although I can’t recommend the book enough, it really demands to be read.

Rating 8/10

full review and lots of post discussion stuff to come