Director: Scott Derrickson Starring: Eric Bana, Edgar Ramirez, Olivia Munn, Chris Coy. USA. 1h 58m Adapted from: Beware the Night – Ralph Sarchie
From the dawning of The Exorcist every possession movie attempts to become the scariest movie ever made, and yet, through the decades there’s a building up of different styles and techniques which seems to flavour the films throughout the decades and sadly Deliver Us From Evil falls into a series of modern tropes while bringing together some brilliant actors who are often underused for a plot which is apparently based on real events.
Director: Ali Djarar Starring: Danny Webb, John Game, Neal Ward, Monty Burgess. UK. 1h 1m
This Indie ghost sleuthing found footage horror plays out like a version of Most Haunted, with some hints of Grave Encounters (2013) and Devils Familiar (2020) running through, just sadly not the good bits! All the amazing ideas of a mysterious house being a portal to a Lovecraftian void created by a cult, is washed away with too much banter and not enough on screen action. but it’s a tangible tale and I’m sure if you like any Ghost Hunting TV show then you’ll get a kick out of it.
Director: Neil Jordan Starring: Gemma Arterton, Saoirse Ronan, Sam Riley, Caleb Landry-Jones .UK. 1h 58m
Every few years vampires find themselves reinvented and they refuse to remove their fangs from our necks. Jim Jarmusch swung back with Only Lovers Left Alive, a revival of the romantic mixed with his own take on the eternal blood sucking genre, and it’s been two decades since Interview with a Vampire, the film that made millions swoon…
Byzantium switches between modern day and yesteryear through dreamy sequences and guttural gore as Gemma Arterton, often dolled up in numerous sexy outfits, and her supposed daughter Saoise Ronan play vampires who after years of running from hunters, end up in a dead end seaside town. After shacking up with a timid hotelier, Daniel Mays, they set up their own brothel in his shabby establishment.
By the time the girls have settled into their new home, the authorities are taking an interest in them, but these agents have a good idea of the monsters lurking within the innocent faces and they are highly equipped to track down these undead wenches in order to make them more dead.
The strange unsettling drama will always been known as one of the new wave of modern neon movies, at times it sets itself among vibrant titles like Into the Void (20??), and yet there’s a creepy nostalgia when remote waterfalls turn into torrents of blood, but as the girls struggle through adversity in the 19th and 20th century, with and without corsets, the compelling story of power and hunger has a heavy feminist subtext that adds weight to the already fantastic adventure. The girls are very unique from other vampires, while they are super strong and have acute senses, but their tool of the trade is a retractable fingernail which they use to kill, with this slightly feline temperament and talons the movie oozes yet another feminine thread.
” I’m never merciful, and knowledge is a fatal thing.”
The story often stops and starts, falling over its own timeline, the girls seem to spend a lot of time sandboxing, falling in love with sick boys, updating their fries, struggling with the school system and the bittersweet gothic backstory determines why the girls hate men so much. But with such a long play time it seems to take a long time to describe what we have already guessed, and yet we still don’t really know where they are intending to go.
Certainly one for those who like a bit of mysticism and pretty visuals as much as a compelling story but don’t expect to have too many memories of the film other than pretty visuals as it frustratingly loses its personality along the way.
Related: Only Lovers Left Alive (2013), Enter the Void (2009) Lists: Vampire romances Vol 1, Neon Cinema Spotlight: Sam Riley, Caleb Landry Jones
Director: Robert Redford Starring:Robert Redford, Brit Marling, Stanley Tucci, Nick Nolte, Shia LeBeouf, Julie Christie, Susan Saradon, Chris Cooper, Terrence Howard, Richard Jenkins, Anna Kendrick, Brendand Gleeson, Sam Elliot, Stephen Root. USA. 2h 5m
Robert Redford isn’t a stranger to the director’s chair, however as much as The Company You Keep is a solid well made thriller and definitely is robust with ideas, philosophy and heavy drama, it’s just not as exciting as it could have been.
There’s a lot of interesting story to get through, but there’s not a lot of on screen action to enjoy. Hanging it’s narrative on ideas of what happens to freedom fighters and activists; after their youthful antics, when they are all settled as respectful members of society. Slowly unwinding mentally and regretfully of the bank robberies and murders of the past, do they just settle into the society they were fighting against or does the fight never end?
Director: Corey Grant Starring: Drew Rausch, Rich McDonald, Asheey Wood Garcia, Noah Weisberg, Frank Ashmore, Japheth Gordon .USA. 1h 30m
There has always been a lot to love and hate about this spirited movie. It attempts to open up new possibilities about the Bigfoot, looking at some of the newer theories and along the way it attempts to answer the popular questions, like why don’t we find more bigfoot bodies?. Despite bringing new ideas from conspiracy forums to the big screen, it fails to bring a lot of new ideas to this screen and falls into trope island with annoying characters and expresses some of the worst features of Found Footage. AND despite all of this it has to be seen and is often enjoyed.
This collection of unrelated creepy tales seems to have been a for runner for the popular V/H/S series (despite them being released in the same year) This Japanese collection just feels like a raw pre runner to the more polished American effort, but as per usual the raw unabridged versions always have that curious edge to them, and like time and time before, Japan finds a new way to creep out the cinematic world.
A team has painstakingly recovered and viewed a number of home\hand made movies accidentally capturing spooky events, but they don’t leave it there, they track down the stories behind each video trying to get to the bottom of the mystery. Continue reading Tokyo Horror Movies (2012)→
I love starting a list of horror movies off with a movie which is only loosely a horror, at least in my opinion. This outstanding surreal thriller is directed by Brandon Cronenberg, the talented son of David Cronenberg and the new flesh is strong within this young Jedi, starring Caleb Laundry Jones as a tradesman of viruses. In this Dystopian future society has stopped up it’s fanboi game and people will pay to be infected by the same flu or virus as their favourite celebrity to feel connected with them. As with any industry there is a black market and so ??? and a friend are able to trade on this market but things go terribly wrong. After taking a sample from the most popular actress in the world, he quickly injects himself, before finding the antivirus, he immediately starts to feel unwell but awakes the next day to find out that she has died. He’s then in a mad rush to find a cure and while unravelling the cure he follows a dark, paranoid path into the unknown. The visuals are unnerving for this highly unique story and Brandon has a lot of potential for future sci fi and horror projects. Continue reading 12 Horrors from 2012 Still Worth Talking About Vol 1→
Small budget aside this imaginative found footage movie actually outdoes some of the more costly attempts to freak out audiences, with its stereotypical beginnings it ramps up the psychotropic madness as it’s survivors run a gauntlet of terror that’s totally unexpected and wholesomely different and that alone; is worth the wait as this simple but highly effective story plays out.
Howie Askins’s debut Devil Girl (2007) didn’t leave a great lasting impression on its audience, the attempt to revise the ultimate horror road movie with buxom chicks just didn’t pique much interest, sadly the 9/10 review on IMDb comes from someone with the username howieaskins .. funny that. Continue reading Evidence (2012)→
As dedicated nod to the 70’s Giallo movement Tulpa sees a successful business women, Lisa Boeri (Gerini) get pulled into a grotty underworld while living a vivid double life.
Opening with a gore filled sado masochistic murder. A man enters a deadly game as a dominant but soon becomes the victim of a leather gloved maniac with a wild moral compass, out of the thick bloodied and drawn out scene the story of Lisa, a ball busting, successful business woman, well respected and admired but she keeps her nocturnal activities a painstakingly repressed, after hours she’s an eager member of a esoteric underground club, named Tulpa, owned by a strange tibetain character, a true embodiment of the hierophant played by the otherworldly Nuot Arquint . Unfortunately for Lisa, her two world’s are set to collide when her sexual partners from the club are savagely slaughtered.Continue reading Perdizioni mortali / Tulpa (2012)→
Starring. Aggeliki Papoulia, Aris Servetalis, Johnny Verkis, Ariane Labed, Maria Kirozi. Greece. 1h 33m.
After the amazing Dogtooth (2009) project, Lanthimos was a closely watched director, but his next project seemed like an amazing idea on paper but even with his surreal approach to film, personally I felt as if he missed his own target by being too realistic and not fantastical enough, or maybe the hype train mutated my anticipations to a level that not even a great director could reach.
ALPS is part is about a group of therapists who set up a business to allow families to get through the grieving process by supplying them with “trained” actors to play the roles of their loved ones, so they can have those precious last moments with them, say goodbye or to just have the feeling that they are still around for a few days. The drawbacks are that the actors don’t look like the people they are impersonating and they have to improvise on details the families give to them, hand written scripts and a few left over clothes but they make do, as method actors are especially adapted to do.Continue reading Alps (2012)→