Director: Amy J. Berg
Starring. Oliver O’Grady. USA. 1h 41m.
There comes a time when people just need to own up to the shit they did, however evil and intense, the humane search in the void for an unbiased look into such confessions from budding director Amy J. Berg is perfect in its direct candid approach but it only makes everything seem so much more sinister, not that it’s a easy subject to view in the first place.
Amy J. Berg conjures up a quiet and peaceful atmosphere for setting her subjects, primarily Irish priest Oliver O’Grady, with lots of shots in churches and decorative offices, the focus is entirely on the person trying to tell their story and this is totally important with docufilms. Continue reading Deliver Us From Evil (2006)
Director: Mike Flanagan
Starring: Carla Gugino, Bruce Greenwood, Chiara Aurelia, Carel Struycken , Henry Thomas. USA. 1h 43m
Based on Gerald’s Game by Stephen King
Sometimes I read the synopsis of a film and then check the time and can’t fathom how someone can drag out something so simple for so long, reading about Gerald’s Game, a woman trapped along chained to a bed, the mind doth boggle how i can last for nearly two hours, but this movie is amazing in the details and revelations that incur during Jessie’s surprise and accidental incarceration.
Jessie (Gugino) and her husband Gerald (Greenwood) travel to a remote beach house to rekindle their marriage, with a bit of kink, after running into a stray dog, Jessie puts some food out for the dog incase it’s still in the area and notices that a door has been left open. Focusing on the fun she slips into a something more comfortable and Gerald pops two viagra, handcuffs his wife to the bed and dies from a heart attack. Continue reading Gerald’s Game (2017)
Director: Matthew Holness
Starring: Sean Harris, Alun Armstrong .UK. 1h 25m
There’s a place that some dark artist like to go, it often involves gloomy and eerie aspects from a fuzzy past that are easily recognised but often pushed back to those obscure corners of our minds, like a suppressed memory Possum manages from slither its way out of the dank interior of an old English home, and hides itself in the brown bag carried by a disgraced children’s puppeteer as he embarks on a journey to confront his stepfather and his own inner demons.
The film opens with Philip (Harris) wandering aimlessly around a remote area of Norfolk with his bag clutched tightly to him, after some atmospheric art house scenes backed by a heavy Radiophonic Workshop soundtrack. He spys a few teenage boys on a train he tries to talk with one but he runs away from the creepy man, Philip returns to his home, a dank rundown home with a disheveled garden, here he opens his bag and chucks the contents into a metal barrel with the promise to destroy the leggy creature, eventually we are made aware of Maurice (Armstrong), a sly and controlling character who seems to want to encourage Philip to keep his puppet, while constantly keeps asking if he’s going to burn it, which Philip agrees to but then never does. Little by little Maurice exerts control over Philip and suggests different places for him to visit, while the puppet is slowly revealed and each time the effects on Philip get more disastrous. As a news story about a missing school boy flourish in the news, questions are raised over Philips possible involvement. Continue reading Possum (2018)