Director: Adam Elliot Starring: Toni Collette, Phillip Seymour Hoffman, Eric Bana, Narrated by Barrie Humphries. Australia/USA. 1h 32m
It’s hard to summarise the movie in words and it just makes you think and feel of so many childhood moments and nostalgia once again. If you’re someone who’s in a dark place I’d like to think that the two requited characters The are the scent of Elliot’s movie will help rekindle something in you as they speak to audiences on a universal level.
Director: Shane Black. Starring. Thomas Jane, Boyd Holbrook, Keegan Michael Key, Sterling K Brown, Trevante Rhodes, Alfie Allen, Jake Busey, Yvonne Strahovski, Olivia Munn USA. 1h 58m
For a while I had a lot of faith that after Shane Black’s death by the hands of the original Predator back in the 80’s cult classic jungle sci fi mayhem epic adventure, and his subsequent career as a director, that he could be trusted with this remake. But then I remembered he’s Shane Black and you cannot trust this man! To be fair Shane is totally okay and I still regained some faith but the writer, Fred Dekker was an odd choice. His previous classics are cult but for very different reasons, Night of the Creeps, Monster Squad (written with Shane Black) were high for their levels of comedy antics. Dekkers contributions for House (1986) gave the film a surreal and yet again comedic undercurrent, and his more recent work included Robocop 3 which ruined the trilogy by adding in some cute kids and morals… this is when I knew someone has fucked up. Continue reading The Predator (2018)→
Director: Christopher Smith Starring: Melissa George, Michael Dorman, Rachael Carpani, Henry Nixon, Emma Lung,Liam Hemsworth. UK. 1h 39m
At first glance it would seem that the title seems to refer to the Bermuda Triangle, where puzzling things seem to happen at sea, but really if this film deserved an apt title it would be Loop but that would sound stupid.. so triangle it is.The film is quite smart and even with rounds of repetition it’s still interestingly constructed, sly and a fairly deep piece from British Director Christopher Smith who gave us deeply disturbing projects such as Creep (2004).
Set in the US, with a totally Aussie/New Zealand crew, there are a few accent faux pas but they are totally acceptable in the time loop chiller, that seems to be a cross between Ghost Ship (2002) and Donnie Darko (2001), that sees a group of youngsters take a jaunt on a fancy yacht and run into curious difficulties.