Director: Franco Prosperi.
Starring: Lorraine De Selle, Ugo Bologna, John Stacy, John Aldrich Stefania,Pinna Italy/Germany. 1h 32m.
A short while ago the Amazon delivery guy brought two films to my door, on a chilly winter morning, Wild Beasts and ROAR! I had hope for a double bill of amazing creature features and I got it.. I started the duo with this gem from the 80’s which like Roar (1981) involved the use of many large wild animals, undergoing a wild night in the city.
Half horror and half “let’s think about what we’re doing to the environment” movie, it’s scattered with gruesome animal attacks as well as highlighting ecological issues. But it’s just a normal day at the zoo when a beautiful photographer Laura Schwarz (De Selle) arrives to take some photos at the local zoo, she’s introduced to the various lives of a range of animals and procedures in the zoo, while the animals seem to be going about their normal day to day lives there are some concerns that they are “off their food”. Wrapping things up the photographer gets the cold shoulder from her young daughter who she rarely see’s day to day and is experiences abandonment issues. While the brilliant zoologist Ruper Berner ( Aldrich) retreats to his home for a shower.. Continue reading Belve Feroci (Savage Beasts) / The Wild Beasts (1984)
Director: Nick Szostakiwkyj
Starring: Shane Twerdun, Michael Dickson, Carl Toftfelt, Marc Anthony Williams, Andrew Moxham, Timothy Lyle, Steve Bradley. Canada. 1h 39m
Like a creepy love letter to John Carpenter’s; The Thing (1982) from a methed out HP Lovecraft, Black Mountain assembles a dark story the slowly gets more sinister until a bleak but strong ending.
Much like the thing, there are a small crew working in harsh icy conditions of Northern Canada, but this team are a group of archaeologists who uncover an ancient structure and some artifacts which date around the last ice age, perplexed by the date of the objects and in wonderment of the people who crafted them, the men continue to investigate and study the pieces but their presence spook the native members of the crew who quickly abandon them then their communications fail and their supplies are cut off, but this is the least of their problems. Continue reading Black Mountainside (2014)
Director: Kinji Fukasaku
Based on: Battle Royale by Koushun Takami
Starring:Tatsuya Fujiwara, Takeshi Kitano, Aki Maeda, , Chiaki Juriyama. Japan. 1h 54m
Battle Royale is Japan’s ultimate dystopian thriller, which follows a group of junior high schoolers who are forced to fight to the death by the Japanese government. due to the ultra violent nature of the film and the age of most of the cast it was met with widespread repulsion and band in excluded from distribution in several countries.
Veteran director fukasaku, at the tender age of 70, managed to put everything we had into this film. and while it’s often not easy to watch, stark, angsty and the incredibly unnerving it still remains an influential genre masterpiece, that takes place in a difficult near future, that we pray is an alternative universe to the one that we’re all comfortable with. Continue reading バトル・ロワイアル (Batoru Rowaiaru) Battle Royale (2000)
Director: Lin Oeding
Starring: Jason Momoa,Stephen Lang, Zahn McClarnon,Jill Wagner, Brendan Fletcher, Sasha Rossof, Garret Dillahunt. USA/Canada. 1h 39m
After the massive successes of his many roles as a hero, marvel super or otherwise, it’s not strange to see Jason Momoa being brave in a range of other roles, his name will attract an audience no matter what he does now and despite being typecast this movie had the right name but it’s a bit of a dumb flop of a film but we get to see Momoa running around in the snow chucking axe’s at people, so it’s not a total loss. Continue reading Braven (2018)
Director: Liam O’Donnell .
Starring. Frank Grillo, Bojana Novakovic, Jonny Weston, Iko Uwais, Antionio Gargas USA. 1h 45m.
Skyline seems to be cursed, the original movie had a great idea and outstanding budget but the story was so basic that it only started to get into motion in the final few moments, after watching this tepid sequel, it seems both movies could have easily made one film, with the original being trimmed down to a mere introduction. Ultimately Skyline remains one of the worst sci fi movies in recent history, and only a little it really saved with this sequel.
Things pick up from the where the last movie left off, the world is under attack from a monstrous species of aliens who have weird mecha technology partially organic and looking quite similar to the machines from the Matrix series, they use lights to brainwash people into coming to them, like the blue lights in the deli are used to attract flies. In Skyline a hero was born in the finale moments, it seems the aliens are interested in our brains (fools!!) and while the hero was killed while trying to protect his pregnant girlfriend, his brain is placed into one of the alien “machines” which is a Guyver like suit, he managed to regain his consciousness and started the fight against the aliens, AS one of the aliens! Luckily you’ll know who this good buy is as he glows red while all the other aliens glow blue.. just putting that out there.. Continue reading Beyond Skyline (2017)
Director: Can Evrenol
Starring: Gorkem Kasal, Mehmet Cerrahoğlu, Ergun Kuyucu. Turkey. 1h 37m
This surreal Turkish gory horror, directed by Can Evrenol, based on his 2013 short film by the same name, although in this blood soaked feature length debut he turns up the nightmare factor to full. Not running totally parallel it’s like a lucid dream within a dream, something more like Inception (2010) Vs Hellraiser (1987). While it’s not obviously as to what’s going on, the puzzle presented within Baskin is not something that you’ll be able to work out until the end, providing you have the stomach to get to the bitter end. There is a heavy handed dose of blood, meat, strange symbolism and a chilly silenthillesque atmosphere that is bound to entertain horror fans throughout. It’s crowning achievement is that it successfully manages to make you a passive spectator as this incredibly vivid nightmare unfolds. Continue reading Baskin / Raid (2015)
Director: S. Craig Zahler.
Starring. Vince Vaughn, Don Johnson, Jennifer Carpenter, Don Johnson, Udo Kier USA. 2h 12m.
Not being a huge fan of comedy it’s not surprise that I haven’t seen a lot of Vince Vaughn, in fact the only film that comes to mind is the abysmal remake of Psycho (1999) which I sat through wondering a frame for frame remake was needed while nursing my very first tattoo in the back of a dingy Odeon Cinema… I was not impressed.
So when I heard that he has broken character and was starring in a grisly prison action drama from the unstable Bone Tomahawk (2015) director S. Craig Zahler. I knew this was going to be a great film and it didn’t disappoint, much like the horror western Brawl in Cell Block 99 take a while to really get into the swing of things. Continue reading Brawl in cell block 99 (2017)
Director: Lamberto Bava
Starring. Michele Soavi, Andrew Occhipinti, Fabola Toledo, Anny Papa. Italy. 1h 50m.
The literal translation of the title is The House with the Dark Staircase which is a little bit more appropriate; at least for the opening scene. Initially cast as a mini-series the film was scraped by Italian TV moguls for being too violent, so re edited as a much shorter film.
Starting with a peculiar scene a groups of boys dare each other to go down some dark stairs (hence the name) eventually one of the boys is forced down into the darkness where he meets his grisly fate, from there Bava leisurely sets the pace of a whodunit with some impressive jump scares. Continue reading La Casa Con La Scala Nel Buio / A Blade in the Dark (1983)
D: David Ayer
S: Will Smith, Joel Edgerton. Noomi Rapace USA. 1h 57m
Described as the worst movie of 2017, I had to check this out, maybe it was a PR stunt but it worked, it got me looking and I was pleasantly surprised, while constantly looking for the loopholes, terrible acting and a story that I couldn’t understand I found the opposite and was a bit more confused about why this is was coined as being so bad when I was tempted to watch it again….
Not quite realising how long the film was going to be, as a lot of current films are getting shorter for the attention span of the masses, this is a bit of an marathon, being just shy of 2 hours, but it does use all that time quite wisely while being a sort of fantasy rip off of Alien Nation (1988). Instead of aliens descending upon us, this is an alternative reality where Orc’s, Elves and other mythical beings exist. Daryl Ward (Smith) is a know it all police officer who’s been teamed up with a pariah Nick Jakoby (Edgerton) who’s an “unblooded” Orc, we learn that this makes him a bit of a hipster, who’s from a long line of other hipsters who basically don’t kill, this gives him a bum status with all the other Orcs but the humans refuse to accept him as Orcs are famed for having accepting the “darker” more evil path as part of their nature so they can’t be trusted, in the locker rooms men boast about being Orc slayers.
Continue reading Bright (2017)
The Bridge (2006) – I love ducofilms, although I don’t fully understand them, are they documentaries or are they films? Do they ever appear in the cinema? Generally I find them on DVD in bargain bins, this one I had been chasing down for years! I knew it was about the a bridge of suicides and it’s one of those things I find highly interesting (yep sick puppy here). It’s just one of those aspects of (life and) death that is rarely subject to an unbiased film. It’s a combination of bridge surveillance and interviews with the family and friends of various jumpers/ it’s actually quite eerie how seeing all these random people talking about absent friends and their only connection is through death. The major criticism is that the filmmakers filmed the bridge for an entire year, capturing every suicide and at no point did they tell the victims (?) families that they had the footage and we’re going to use it in the film. I can see how this could really fuck people up but if you distance yourself from it, it’s a deeply upsetting and poignant aspect of the film. 7/10
Continue reading Last Night’s Movies 07.08.2017