Director: Paul Maslansky
Starring:Marki Bey, Robert Quarry, Don Pedro Colley, Betty Anne Rees, Richard Lawson, Zara Cully, Charles Robinson .USA. 1h 31m
For me this Blaxploitation thriller is a testament to Fulci’s zombie culture, with a strong vibe from a more authentic hoodoo background mixed with a strong black female lead this could be a damned near perfect blend of real gore horror but it just falls short but doesn’t fail to entertain.
Paul Maslansky managed to recreate the pure essence of a woman scorned, by killing Sugar’s lover in the opening scenes, this spurting her on the road to bitter revenge. Spicing the story up with a Fulci’s zombie hoard, the amalgamation almost works but if he had only added a bit more of a dangerous woman about town a la Pam Grier, gun fights and blades this would have been absolutely perfect. However despite its reputation of being a bit of a joke it’s still a wonderful film, just lacking some bite. Let me explain… Continue reading Sugar Hill (1974)
Director: Barry Shear
Starring: Anthony Quinn, Yaphet Kotto, Anthony Franciosa, Paul Benjamin. USA. 1h 32m
A poetic slice of American history is adapted into this explosive crime drama, and only a few years after racial tensions ran extremely high during the “hot summer” riots, and makes the most of key Harlem locations.
Two prolific stars in their own rights clash as gangs and civil rights spark rage and chaos in the streets, initially the film opens with a daring robbery staged by Jim Harris (Benjamin) results in him and his crew stealing around $300,000 from a Mafia run Numbers Game, things turn bad and there’s a blood shoot out, leaving seven dead both black and Italian and police officers. The case is assigned to the ultimate odd couple , Lieutenant William Pope (Kotto), a driven black police officer is assigned to work the case with aging Captain Frank Mattelli (Quinn), a street-wise racist Italian-American cop. Obviously sparks will fly but deep down you know they will find common ground amongst the bloodshed. There’s a constant reminder that the older Italian officer is on his way out and the new more empowered black officer is rising up to replace him. The entire slice of stereotype pie is eaten.
Continue reading Across 110th Street (1972)