Tag Archives: bleak

Ray and Liz (2018)

Director: Richard Billingham
Starring: Patrick Romer, Richard Ashton, Justin Salinger, Ella Smith, Tony Way. UK. 1h 50m

This strangely hypnotic movie doesn’t really have a beginning, middle and an end, per say but there’s a strange introduction to characters, and they are very unusual creatures. Once you get over the initial shock of their squalid lives and attitudes the movie kinda meanders until a pivotal moment where everyone’s life changes, most notable the teller of the story, Richard, and his little brother Jason, who at one point would rather sleep rough than go home, but what would drive a child to do this?

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Dreams of a Life (2011)

Director: Carole Morley Starring: Zawe Ashton, Everyone else as themselves. UK/England. 1h 35m

What started off as a shocking headline, ending up depressing and confusing many who sparked up a conversation about the unknown woman involved. The woman was found dead in her apartment, having died 3 years earlier and had gone totally undetected for so long. The crime scene investigators turned up after bailiffs to a striking scene, with Christmas present covered in dust and the television still on, she had passed on her sofa.. but for 3 years went totally unmissed? It was always very concerning that someone would just fall between the cracks. Many couldn’t fathom how the utility or council hadn’t come for payment much earlier but what really got under the skin of the nation was that no friends or family had reported her missing or called on her in all that time.

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The Salvation (2015)

Director: Kristian Levring.
Starring. Mads Mikkelsen, Eva Green, Eric Cantona, Mikael Persbrandt, Douglas Henshall, Michael Raymond-James, Jeffrey Dean Morgan, Jonathan Pryce.USA/Denmark/South Africa. 1h 32m.

Westerns have long been a tough genre for me, I grew up watching them with my mother and grandfather and I really started to hate them. I suppose any entertainment that makes the adults lose interest in how cute you are will do that to a child’s psyche.. the only entertainment was playing with Gramps while he slept through some of the classics. Later on in life, when I got over the trauma, I rediscovered Spaghetti Westerns and I started to accept the genre back into my life, unless there’s a Mexican revolution a haunting Ennio Morricone soundtrack and less white people attempting to make believe that America has always been white, then the better things start to get. I’ve loved the reassurance of darker and more graphic horror westerns such as Seraphim Falls (2006), Brimstone (2016) and the almost instant cult classic Bone Tomahawk (2015), which have won me over. But without having a mythical foe or a revolution, there’s a striking grasp of The Salvation which has a more believable story of two immigrant brothers just trying to get ahead in the wild west and meeting ugly adversity.

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