Director: Thomas Robert Lee
Starring:Catherine Walker, Jared Abrahams, Sean McGinley, Jessuca Reynold, Don McKellar. USA. 1h 34m
For the most part, The Curse of Audrey Earnshaw is a slightly perplexing pagan tale, seeming to take roots from a host of folklore horror classics but while it’s a masterclass of cinematography and there’s nothing negative to be said about the acting, there’s just not really enough here to bite into, or at least nothing we haven’t seen done better elsewhere.
Director: David Lowery Starring:Dev Patel, Alicia Vikander, Barry Keoghan, Sean Harris, Joel Edgerton, Ralph Ineson, Sarita Choudhury, Kate Dickie .USA/Canada. 2h 5m
With everyone and the dog wanting to reboot classical literature and and give it some kind of modern twist, we can be thankful that David Lowery didn’t take easy route of , yet another, King Arthur retelling, as I find it hard to find anything that comes close to John Boorman‘s glittery Excalibur (1981) Instead Lowery casts his poetic eye over an equally aged text that, for some reason, is more enchanting but remains lesser known. The adaptation of the 14th century chivalric romance Sir Gawain and the Green Knight into film has masterfully crafted into one of the more memorable films of the year.
Director: David Cronenberg Starring: Ralph Fiennes, Miranda Richardson, Gabriel Byrne .UK/Canada. 1h m
In the early 2000’s David Conenbergpacked away the New Flesh and made an intensely beautiful and fascinating account of Patrick’s McGraths novel. Even without the body horror and gore, psychotropic vibes and the paranoid surreal, Conenbergstill manages to disturb.
Starring Ralph Fiennes, as a deeply disturbed middle aged man, simply known as Spider. He’s just been released from a long term mental institution into a drab boarding house in London’s King Cross area. The tatty rooms and pealing wallpaper permeate a 1950’s atmosphere and isn’t the idea surroundings for recovery, however it’s here that Spider travels back to his childhood, spiraling back into the trauma as he remembers his obsessive belief that his father (Bryne) did away with his mother (Richardson) to start up a new life with a prostitute.
Director: David Amito, Michael Laicini Starring: Nicole Tompkins, Rowan Smyth. Canada. 1h 35m
I have to admit that before seeing Antrim I had no idea what the word actually meant so I did have to Google it. Turns out that it means, “A nearly closed cavity or chamber…” Well ok, How does one make a movie about a nearly closed cavity? Somehow directors, David Amito and Michael Laicini managed to turn this notion into a retro cursed movie project and argue that the film is (loosely) based on a movie by David B. Earle titled Dining Room or There is Nothing. Believe it or not if you have ever seen any of the creepy movie compilations on YouTube then you probably have seen this short but were unaware of its title, and here is the movie in all of its esoteric glory.
Director: Matt Winn Starring: Mischa Barton, Robert Knepper, Andrew Buckley. USA. 1h 24m
Quietly unassuming but a strangely profound thriller, that draws on all the good aspects of the Descent (2005) mixed with all the horrors of Storage Wars !!?
Matt Winn sets his chilling horror mystery in the basement of a complicated system within a self storage unit. With a set up that begins like an episode of Steve Wilkos show. Ella (Barton) is attempting to discover if her future husband is cheating on her. After suspecting that his lock up is holding nasty secrets, Ella entices her bestie, Molly (Atack) to help her gain access to the unit, using a lock pick and borrowed card key, which they discover will change their lives forever.
Backwoods horrors seem to have traveled from the deserts of the southern American into the cold forests of the north, incorporating indigenous folklore along the way. The Silencing tries to keep itself in the here and now, offering a grimy armchair detective mystery with icy drama, some daring thrills and a fathers promise to find his missing daughter at all costs.
Director : Zack Snyder Starring : Gerard Butler, Lena Headey, David Wenham, Vincent Regan, Michael Fassbender, Andrew Plevan, Andrew Tiernan, Rodrigo Santoro . USA | Canada | Bulgaria | Australia. 1h 57m
Out of all of the graphic novels and comics I’ve read over the years, this was surprisingly one I never considered to be a good candidate for a film adaptation. While I stand divided on if it should have been created, I’m forever blown away by every aspect 300, even with all the campy parodies and piss takes, for me, at least it’s still a rocking stylised story of ultimate bravery and sacrifice, but with so many of the pages from the novel coming to life periodically throughout the action, it seems I was wrong and 300 was made for the big screen. Continue reading 300 (2006)→
Every now and again a movie creeps along as it reminds us what horror is really about, touching on sensitive subjects and delivering shocks, scares and a creeping dread which lingers long after the movie. One of these precious gems hasn’t arrived for a few years but somehow, coming straight from leftfield, a rom com director has re written the step by step guide on how to fuck with an audience and it’s done with a cool calm style in this occult horror nightmare. Continue reading Anything For Jackson (2020)→
Director: Andrew Currie. Starring. K’sun Ray, Billy Connolly, Carrie-Anne Moss, Henry Czerny, Tim Blake Nelson, Dylan Baker. Canada. 1h 33m.
For a while the Zombie revival was starting to get rather annoying, every Tom Dick and Harry were making a Zombie Vs [Insert Ludacris foe here] movie and for me it got to the level of almost being insulting to the craft of filmmaking. But every now and again somebody take the initiative to have a solid narrative before filming and thus we have Fido, for me one of the most unusual and genuinely funny comedy horrors for some time. Continue reading Fido (2006)→
Director: Mike Slee Starring: Mark Stong, Jock McLeod, Joan Gregson, Ian Downie .UK/Canada. 1h 30m
It’s often quite typical for a mockumentary to just detail a single little project or some kind of investigation using the found footage format to make the most of a small budget and hopefully to give chills and thrills for its audience, however The Great Martian War goes a step beyond to rewrite human history with a War of the Worlds fashioned World War.
The team has model their creative documentary with the flare of the (Sky) History Channel and goes as far to have the logo in the corner and a lot of the formatting looks quite genuine although it is lost halfway through the movie for some random effects that I’ve never personally seen any type of TV documentary but maybe this is artistic flare? It does hold up to the high standard of a professional job and it doesn’t go out of its way to explain certain details in the same way that a normal history show would expected it’s audience to have a grounding knowledge around the subject which is quite a clever stance. Continue reading The Great Martian war 1913-1917 (2013)→