Director: Vincenzo Natali. Writer: Stephen King
Starring.Laysla De Oliveria, Avery Whitted, Patrick Wilson, Will Buie Jr. Harrison Gilbertson, Tiffany Helm, Rachael Wilson. Canada. 1h 41m.
The penny dropped after the first hour of watching vivid scenes of tall grass swaying and screaming at lost desperate people in this slightly weary thriller, my eureka moment came when I realised I had seen this set up before, in a well known and once brilliant sci fi movie, The Cube (1997) and fuck me sideways, it’s the same director!?! I might have finally learnt my lesson in doing the technical research before settling into a movie. In a nutshell, that’s it, a folk version of The Cube in a field, and despite it’s best efforts, it’s not much more. The film eludes to lots of probabilities to the origins of its mystery but fails to really give solid answers and ends up as a messy mix of dead ends. Continue reading In the Tall Grass (2019)
Starring: Vinessa Shaw, Ebon Moss-Bachrach .Mexico. 1h 40m
Based on: El juego de los niños by Juan José Plans
In a bold attempt to update and update the 1976 classic Who Can Kill a Child but Narciso Ibanes Serrador, Makinov has basically just remade it with little care to really expand the story and somehow it now seems slightly underpowered and drawl in all areas which could have been improved.
A young couple, Beth (Shaw) and Francis (Moss-Bachrach) are on holiday and travelling around remote islands before the birth of their child. On arriving at a new island they discover a lone boy fishing but make their way into town finding it pretty vacant. Settling down in an abandoned bar they make themselves drinks and food, assuming that everyone is sleeping off the after math of festival season. Continue reading Come out and play (2012)
Director: Piers Haggard.
Starring. Linda Hayde, Patrick Wymark, Michelle Dotrice, Wendy Padbury, Anthony Ainley, Barry Andrews, UK. 1h 40m.
There’s always something dark and demonic smouldering in the movies situated deep in the English Countryside, and it’s never so in your face as in Piers Hagards, trippy macabre masterpiece that has a lot of connection with Michael Reeves’s Witchfinder General, the Wicker Man (1973) and in some ways I feel there’s an artistic nature similar to a Ken Russell the Devils (1971) albeit it in a much tamer manner.
A ploughboy stumbles on some strange remains in a field, the bones and ever staring eyeball causes the boy to start running in terror, he soon realises that his unhappy accident has unearthed the remains of an ancient demonic presence which is now free to possess his village. The first signs of danger happen in a prestigious house, where a wealthy family a host to a young girl, one that has taken the fancy of their eligible son, but due to his mother’s tough nature she’s forced into the attic, late into the night her screams wake the family, once she’s rescued her personality has completely changes, now deranged and bearing deadly sharp claws she’s taken away by the authorities and clergy. Continue reading The Blood on Satan’s Claw (1971)
Director: Jeremy Saulnier
Based on: Hold the Dark by William Giraldi
Starring: Jeffrey Wright, Alexander Skarsgård, James Badge Dale, Riley Keough, Malcolm Blair, Tantoo Cardinal, Julian Black Antelope. USA. 2h 5m
With just two major titles under his belt, Saulnier’s next project, was so highly anticipated it derailed the hype train, but the resulting ambitious drama was so different from the taut thrillers, Blue Ruin (2013) and Green Room (2015) that no one could really appreciate it in the same way and it generally got panned by the fans.
This misfire isn’t a total disaster, no one can find fault with the beautiful crafting that went into the film, Saulnier is so masterful that even if you didn’t get the movie you can easily enjoy watching it, but for me it’s just a perfect shot for a different audience. I found it just as gritty and nearly as bloody as the others, but the pushing and pulling between two fundamental ideas within the movie that would either make it a thriller or fantasy doesn’t ever come to a neat conclusion, leaving a gaping open ending which is going to piss off a lot of people but for me it’s a highly alluring project which is perfect as it is. Continue reading Hold the Dark (2018)