Director: Benedict Andrews
Starring: Ruby Stokes, Rooney Mara, Ben Mendelsohn, Tobias Menzies .UK. 1h 34m
David Harrower (based on his play “Blackbird”)
From its moody opening juxtaposed with PJ Harverys iconic Down By the Water there’s a clear insight into how dark and difficult Benedict Andrews drama is going to be. There’s a long and complicated tale that has to be adapted from stage to screen, one that describes a relationship that too many of us couldn’t fathom and even after watching the sterling performances, it’s still a tainted pill to swallow.
Continue reading Una (2017)
Director: Curtis Hanson Starring: Annabella Sciorra, Rebecca De Mornay, Matt McCoy, Ernie Hudson, Julianne Moore, John de Lancie. USA. 1h 50m
After his humble beginnings with 70’s trashy slashers, Curtis Hanson slowly edged his style from layering blood and gore on young people, into something a little more grown up and psychotically sophisticated. Sometimes with a light or heavy edge of noir, his ability to write an engrossing story around a terrifying theme saw the seduction in The Bedroom Window (1987) he then amped up to his two most intense psychotic characters, first Alex (Rob Lowe) in his hard edged Bad Influence (1990) and then two years later he brought a similar, equally deranged and controlling, feminine character to the plate in, The Hand That Rocks the Cradle showing that hell hath no fury as a woman scorned. Continue reading The Hand That Rocks the Cradle (1992)
Director: Benjamin Ree.
Starring: Karl Bertil-Nordland, Barbora Kysilkova. Norway. 1h 42m.
From a selfish and despicable act of theft came a truly beautiful relationship erupts in Ree’s near perfect documentary that focuses on Czech artist Barbora Kysilkovaand a Norwegian career criminal, Karl-‘Bertil’ Nordland. This tale of forgiveness, obsession, friendship and love is what we need to see in this crazy climate where everyone seems to be lacking those tangible experiences, does it restore faith in humanity? It’s certainly a highlight of the simplistic Scandinavian ethos of rehabilitation.
Continue reading The Painter and the Thief (2020)