Director: Phillipe Mora Starring: Barry Otto, Max Fairchild, Imogen Annesley, Frank Thring, Michael Pate, Burnham Burnham, Barry Humphries. Australia . 1h 38m
Easily the most Australian of the Howling franchise and possibly the most Australian movie ever. If you’re a fan of the 80’s Australian Horror genre then you might just have a soft spot for this turd instalment in an iconic werewolf series. In saying that, if that’s not your into garish lit scenes, vulgar humor, vile body horror and ransom nun, commandos and Aboriginal spiritual warriors popping in at random points then this might be hard to get into. I do wholeheartedly agree that it’s not a brilliant made movie, it doesn’t really make sense, and is more comedy than horror, but is Howling 3 really that bad? A film so bad it didn’t even get a cinematic release in its home country?
Director: David Fincher Starring: Kevin Spacey, Morgan Freeman, Brad Pitt . USA. 2h 6m
Only one year after The Crow (1994)darkened cinema screens with a midnight gothic punk industrial wild decent into grief, loss and revenge, David Fincher hit back and an equally hard hitting film which was often likened to the Crow in the early headlines as popular cinema tried to refocus on what was happening, somehow subvergent underground ideas from comics and madmen were becoming popular and adjustments had to be made. These dark worlds filled with grimy stress, rain and a heavy oppressive atmosphere often mimic the inner depression and rage of one or more of their characters. Eric Draven’s depression at losing the love of his life is mimicked by the dark night and rain, his tears, but what is creating the dark dirty polluted rain filled world within Fincher’s, unnamed metropolis it’s certainly not from lost love. Continue reading Se7en (1995)→
Director: Todd Haynes Starring: Juilanne Moore, John Apicella, Xander Berkeley, Dean Norris .USA/UK. 1h 59m
After watching Todd Haynes’s masterful macabre paperwork drama, Dark Waters I can’t help but think back to one of his more impressive and less talked about movies, Safe; featuring all of the key elements that Haynes loves to explore, showing how we are negatively affected by “forever” chemicals. He takes a more sensitive approach in this mid nineties movie before breaking the doors down years later with the harder hitting Mark Ruffalo biopic.
Director: Mike Leigh. Starring. David Thewlis, Lesley Sharp, Katrin Cartlidge, Peter Wright, Ewen Bremner, Gina McKee, Greg Cruttwell. UK. 2h 12m.
It’s hard to talk about this brilliant, tres controversial, sour drama without describing it as a poignant thought provoking and slightly disturbing nocturnal odyssey, it’s the darkest journey throughout London by an unemployed Mancunian on the run after attempting to rape his date. But Johnny (Thewlis) is an infection character, he manages to draw people to him almost like a guardian angel at first, talking a language which they begin to understand, with his unique charm and eloquence but eventually he begins to erupt like a volcano of theories and rude personal attacks, and then he’s hot on the trail for the next conquest like a devil scavenging in the dark. Continue reading Naked (1993)→
Director: Brett Ratner Starring: Anthony Hopkins, Edward Norton, Ralph Fiennes . USA. 2h 4m
There comes a time when every movie is going to be remade, no matter how cult or classic the original is. But did we really need this remake of the near perfect Michael Mann gusty thriller Manhunter (1986), Originally Brian Cox played the flesh eating doctor, but while his take on the now iconic doctor; is different from Hopkins laid back soft talker, Cox’s interpretation is very apt for the direction of Mann’s psychological dog fighting style. Is the Hopkins trademark on the character so powerful that he gets to shoulder his way through to complete his trilogy. Well, Dino De Laurentiis, producer of both Manhunter and Red Dragon and effectively the Lecter copyright holder, has decreed it. So Anthony Hopkins returns, for the final time, because after this he vowed never to play the role again and it’s not surprising as the task was given to Brett Ratner to facilitate, a director who can handle a fast paced popcorn action flick but really struggled with this type of deep psychological and powerfully cerebral thriller. If only this was an equally horrific sentimental comedy, like The Family Man, where Ratner would feel more at home. Continue reading Red Dragon (2002)→
Director: Flying Lotus. Starring. David Firth, George Clinton, USA. 1h 45m.
I have to be totally honest when I say that I really don’t know how to describe or classify this movie, which makes it way more interesting for me I’ve watched it twice know and while I’m morbidly obsessed with it, there’s so much I can’t deal with while watching it.
If I had known that the movie was made by Flying Lotus with David Firth as back up I could have been properly prepared, but I chanced upon this by total accident. The film has a loose wrap around plot to which 5 stories are attached, split up into small segments and clouded with experts only suitable for a deranged subculture on the edge. Continue reading Kuso (2017)→
Director:David Cronenberg . Starring: James Woods, Debbie Harry, David Cronenberg, David Dvorsky, Leslie Carlson, Julie Khaner. Canada. 1h 29m.
Having watched Videodrome at quite a young age the film fascinated me for all the wrong reasons, pulsating VHS tapes, clips of dodgy torture rooms and people morphing into guns and machines really lit my young mind on fire, this was something that really carried on through my teens while lapping up underground comic books and really came to life when I discovered tales of the dark web and Tetsuo Iron Man (1989) which hit home this idea of bio mechanics along with my love of Giger’s artwork but nothing was quite on that level of bizarre as Videodrome, covering so many aspects of the darker side of the human psyche it’s science fiction body horror touches on some worrying habits and disgusting practices but all in such a way that it’s almost too clever for it’s own good.
James Woods takes centre stage as Max, as the CEO of a small UHF television station specialising in sensationalist programming he’s constantly displeased with his current line up which is mostly soft core, while looking for ways to boost the station, he stumbles on a bizarre broadcast featuring extreme violence and torture which he believes is staged and wants the show known as Videodrome for his station as he perceives it as something that everyone wants to see. While searching for the source of the broadcast, he employs his cameraman Harlan, to record the shows for him, eventually he deduces that the show is being transmitted from Malaysia, and soon Max orders that Harlan to broadcast the show unlicensed via his network. The more Max watches Videodrome the more he begins to hallucinates the world around him, mechanical items become soft and fluid, pulsating with life and breathing, but this is only the beginning.Continue reading Videodrome (1983)→
Director: Dan O’Bannon. Starring. John Terry, Jane Sibbett, Chris Sarandon, Robert Romanus. USA. 1h m. Based on: The Case of Charles Dexter Ward : HP Lovecraft
I didn’t know this was based on Lovecraft’s writings before watching because I do very little research about movies as I know I’m going to watch them to find out if I like them anyway.. But it takes about 15 or so minutes before that heady sense of Lovecraftian crazy logic and dark magic seeps through this straight to video horror movie.
Starting like any modern detective story, the film opens with a rich and forgotten wife Clare Ward (Sibbett) pleading for help from a private detective John March (Terry) to investigate the worrying mysterious behaviour of her husband Charles Dexter Ward (Sarandon). Through a series of conversations the backstory is revealed, Charles has recently isolated himself in the families carriage house, after doing extensive family history research he discovers an ancestor, Joseph Curwen, to whom he bears an uncanny resemblance. Continue reading The Resurrected (1991)→
Director:James Bryan, Brother Bryan . Starring. Jack McClelland, Mary Gail Artz,James P. Hayden,Angie Brown. USA. 1h 22m.
This is a total no brainer horror, but one of the uncanny I’ve seen from this era for quite some time. at first it seems that it’s going to build into something special in that b movie kinda way but I feel this is one of the Sharknado, Icetastrophy, Zodiac of the apocalypse low budget flops of yesteryear that didn’t mature well.
A group of young people head into the wilderness for some “fun” mostly pratting around splashing water at each other and pulling stupid pranks but unbeknownst to them there’s a lunatic in a joke shop viking outfit that stalks the woods and kills tourist on a whim. Usually the teens are a bit more liberal, heading out into nature for sexy good times and probably ludicrous amounts of drugs, but back in the 70’s it was usually just a chance to make out. While there’s not a lot of naughtyness there is a fair amount of slashing, for a slasher.. So one by one they are stalked by this crazy guy wearing skins who lives off trash and the land, he doesn’t say much apart from some odd screeching but he can book it for a fat guy. Continue reading Don’t go into the woods (alone) (1981)→
Director: Steven Soderbergh Starring. Claire Foy, Joshua Leonard, Jay Pharoah, Juno Temple. USA. 1h 38m
Everything about the opening of this movie is just dull and unassuming, which is a risky and dangerous move from director Steven Soderbergh, luckily it doesn’t last too long. While introducing the lead, Sawyer (Foy), we learn just how mundane her life is, the faceless office worker, who suffers all the nagging and office politics as the rest of us, she eats lunch while skyping her disapproving mother and later hooks up with a (not tinder) date, but after taking him back to her place with no strings attached sex, she freaks out thinking that he’s her stalker and the film re opens with her talking to a therapist.
We start to learn that Sawyer has been running away from an unknown stalker, hiring professionals (Matt Damon) to secure her routes to work, protect her personal details etc., but simultaneously we are also privy to the idea that she might be suffering from delusions and that the stalker is a fabrication of her overactive and vivid imagination, Unfortunately at this point in the movie she accidently signs herself into a psychiatric ward for observations, and for the rest of the film we, alongside her have to try and piece together just how sane or unsane she really is.Continue reading Unsane (2018)→