AKA Non Si deve profance il sonno dei morti, Don’t Open the Window, the film officially has 15 titles, so take your pick..
Director: Jorge Grau
Starring: Ray Lovelock. Arthur Kennedy, Cristina Galbo. Spain/Italy. 1h 35
There’s a subtle Giallo twist to this unusual but gripping science fiction zombie flick, undead, mystery, giallo, car crash, sci fi horror, pesticides, it’s got so much going on but all to the backdrop of the gorgeous English countryside and littered with the creeping dead.
The film focuses on two protagonists who until their vehicle crash led two totally different lives, there’s Edna (Galbó) Who’s trying to visit her family and the brash George (Lovelock) a hot tempered and pushy individual but his drive really powers the action. Continue reading The Living Dead at Manchester Morgue / Let Sleeping Corpses Lie (1974)
Director: Matthew Holness
Starring: Sean Harris, Alun Armstrong .UK. 1h 25m
There’s a place that some dark artist like to go, it often involves gloomy and eerie aspects from a fuzzy past that are easily recognised but often pushed back to those obscure corners of our minds, like a suppressed memory Possum manages from slither its way out of the dank interior of an old English home, and hides itself in the brown bag carried by a disgraced children’s puppeteer as he embarks on a journey to confront his stepfather and his own inner demons.
The film opens with Philip (Harris) wandering aimlessly around a remote area of Norfolk with his bag clutched tightly to him, after some atmospheric art house scenes backed by a heavy Radiophonic Workshop soundtrack. He spys a few teenage boys on a train he tries to talk with one but he runs away from the creepy man, Philip returns to his home, a dank rundown home with a disheveled garden, here he opens his bag and chucks the contents into a metal barrel with the promise to destroy the leggy creature, eventually we are made aware of Maurice (Armstrong), a sly and controlling character who seems to want to encourage Philip to keep his puppet, while constantly keeps asking if he’s going to burn it, which Philip agrees to but then never does. Little by little Maurice exerts control over Philip and suggests different places for him to visit, while the puppet is slowly revealed and each time the effects on Philip get more disastrous. As a news story about a missing school boy flourish in the news, questions are raised over Philips possible involvement. Continue reading Possum (2018)
Director: Takashi Miike. Story by: Ryū Murakami
Starring. Ryo Ishibashi, Eihi Shiina. Japan. 1h 43m.
Famed as being one of the breakthrough modern Japanese video nasties, the Audition has a sacred place in the hearts of anyone who likes the gore and chills turned right up, from the granddaddy of Japanese bizarre cinema, Takashi Miike.
Based on the chilling horror novel The Audition By Ryū Murakami (thanks to @GiornataNera for the info, if you ever need someone awesome to follow on twitter check out this wonderful guy) and it captures an mesmerizing dreamlike feel when things start to get weird the “deeper” throws of the movie. Continue reading Odishon / The Audition (1999)