Director: Stephen Sommers.
Starring. Treat Williams, Kevin J O’Connor, Wes Studi, Anthony Heald, Djimon Hounsou, Jason Flemyng, Cliff Curtis, Derek O;Connor, Famke Jassen. USA. 1h 46m.
The 90’s was a great era for cool action flicks with questionable levels of bravado and badassness , everyone was hot with a weapon, spitting corny one liners, and pulling hot chicks is nothing but a hobby. This era was owned by a few huge names, Arnie, Stallone and Gibson to name a few but at the back end of the 90’s there was a few toys to play with, the addition of advanced computer enhanced effects really ignited something in a lot of directors who tried to break through old limitations and create groundbreaking horror sci fi action flicks just like this and despite there being a few holes in the plot and physical side to story, Stephen Sommers was certainly building his craft into something quite spectacular, only a year later he returns with The Mummy (1999) and a host of other big popcorn titles were to follow. Continue reading Deep Rising (1998)
Starring: .Nigeria. 2h 40m
Like a lot of Nollywood movies, there is a central theme of step parents abusing the children they are supposed to be protecting. A lusty adult will move in, swipe up a new lover but all they care about is the material wealth, and sadly the children are the ones to pay as they are often seen as being expendable. Continue reading The Despicable (2019)
Director: Simon Fellows Writer: Brendan Higgins
Starring.Andrew Scott, Bronagh Waugh, Denise Gough, J.D. Evermore. Canada. 1h 29m.
Irish stud, Andrew Scott stars in this muted drama that hinges on a community that is constantly turning a blind eye to some of the most horrific events that could happen behind closed doors.
When a young boy, Tyler Zeigler, goes missing in a sleepy fictional backwoods town of Harburgh, Pennsylvania, a former steel town that has seen brighter days. A local garbage truck driver and single father, Donny (Scott), plays detective, embarking on a precarious and obsessive investigation. Donald Devlin isn’t like all the other people in his town, and it’s kinda hard to pin point exactly what his ailment is, autism is top of my list but I’ve never quite seen a detective like him, Monk (2004-2009) had OCD along with a range of fears and phobias, Poirot was also OCD and it seems these afflictions help the perception of these amazing individuals, Donald is a special Samaritan, for the most part it’s easy to understand his concerns but every now and again he comes swinging from left field and does something really random as he attempts to grasp the world around him. Continue reading A Dark Place / Steel Country (2018)
Director: Stefan Ruzowitzky.
Starring. Eric Bana, Olivia Wilde, Charlie Hunnam, Kate Mara, Treat Williams, Kris Kristofferson, Sissy Spacek. USA/Canada. 1h 35m.
Children change everything, but asshole parents and terrible family relations are the driving force of this strange thriller. Everything about the opening suggests that this is going to be a cold heartless chase to the death, that can only get grittier and more dangerous but each step of the way but each step towards this badass edge is followed by some daddy issue drama until family relations eventually kills the fun completely.
Eric Bana plays Addison a wild eye psychopath on a mission to get across the border to Canada, his beloved sister is making a similar route but the choice to split up is a necessity and for her protection. Despite his quick trigger finger Addison does have a strange moral compass which does sometimes sway in favour of protecting women but this soft approach doesn’t reduce his kill count by much. Continue reading Deadfall (2012)
Director: Harley Cokeliss .
Starring. Jemma Redgrave, Timothy Spall, Jimmy Nail, Katheleen Wilhoute, Mark Streenstreet, Susan Fleetwood, Nickolas Grace . UK. 1h 26m.
This timid British television production boasts some great names, but for some reason the most influential actors were cast as dodgy villains; two posing as slimey reporters another as a repressed memory bad daddy character it’s sad to see the smallest and nastiest roles in what turns out to be a pretty uneventful haunted house horror go to great names while it’s lead by two no brainer whimsical women. Let’s say Cokeliss lost a lot of the power and charm he exacerbated in Black Moon Rising by this time but the film isn’t a complete loss. Considering the very different surreal undertones it’s a different kettle of fish and thus treated in a very different manner. Continue reading Dream Demon (1988)
Director: Fatih Akin
Starring: Jonas Dassler, Margarete Tiesel, Katja Studt .Germany. 1h 50m
Based upon the novel of the same title, written by the author Heinz Strunk and published in 2016.
Unlike a ton of American productions about Serial Killers which feels the need to pick at the upbringing and give a reason for the erratic behaviour, there’s a ton of grotty mess throughout this pretty accurate retelling of the crimes of a notoriously bad character who eventually killed 4 part time prostitutes in a region of Hamburg in the late 70’s. Fritz Honka has a troubled life from a youngster but the film opens with the discarding of his first corpse, one that would alter the police but not much else would come from his nightly escapade of desperate sex and murder.
Honka is played by a pretty attractive and young German actor, Jonas Dassler who works his ass off to play this misaligned and deformed character with the use of some marvelous method acting and special effects he really does a lot to mimic the grimy nutcase. The film plays out the four year span where Honka did most of his killing, there’s some elaborations and artistic licence with story, with the inclusion of a young teen couple who are trying to be adults in and around the red light district, they story dips in and out giving Honka some wank material and moves the plot along when it begins to flounder. Continue reading Der Goldene Handschuh / The Golden Glove (2019)
Director: George Barry
Starring: Demene Hall, William Russ, Julie Ritter, Linda Bond, Patrick Spence-Thomas. USA. 1h 20m
This film seemed to have been lost for some time, but it’s more recent rediscovery has given it a new lease of life, much like the ben in question.
How scary can a bed be? I remember Singer/Songwriter Tanita Tikaram casually mentioning that she was afraid her bed was going to eat her, she possibly saw Freddy Krueger shred Johnny Depp in Nightmare on Elm Street (1984) at an impressionable age. But weren’t w all scared of the monster under the bed in our infant years? So obviously a demonically haunted bed can be scary, and this adventurous psychotropic horror for me is one of the best ways to explore this outlandish piece of furniture.
Continue reading Death Bed : The Bed that Eats (1977)
Director: Bernard Launois
Starring: Véronique Renaud, Marcel Portier, Catherine Day .France. 1h 12m
This crazy French horror movie isn’t easy to categories, it’s definitely unique at times quite zany and while it has certain charms with being different and outlandish its major let down is the repetitive sound effects that really started to grate on my nerves within the opening 20 minutes only increase its irritability right to the bitter end.
Overall Devil Story feels as if narrative isn’t really all that important but the director, Bernard Launois, seems to have reveled with delight by adding everything you possibly could into his last production. The film opens with a crazed man slashing innocent victims and rural France and ends up with an occultist bringing about a Mummy Showdown. But like other infamous French movies of the era such as Zombie Lake (1981) there seems to have been this drive to just make gory horror films with little story line to back them up, but it’s generally all good groovy fun and being a lover of “bad movies” you gotta roll with the bizarre and they don’t get much more off the beaten track than this. Continue reading Il était une fois le diable / Devil Story (1986)
Director: Liam Gavin.
Starring. Steve Oram. Catherine Walker. UK/Ireland/Wales. 1h 39m.
For a directorial debut things can’t get much better than this enlightened and powerful independent movie about grief, revenge and the harsh deeper side of the occult.
An obviously distraught and confused mother, Sophia (Walker) rents an isolated house in rural Wales to try and convince an angry and unhinged occultist Joseph Solomon (Oram) to lead her through months of grueling rites in order to summer her Guardian Angel to grant her a special favor after her son was abducted and murdered, all she wants is to talk with him again.
Sophia follows the rules to the letter, collecting large amounts of supplies and spending thousands just to entice Joseph to the house and after some rugged persuasion he begrudgingly agrees but has reservations about Sophia’s motives but she is persistent and pretty durable, and she grinds through the punishing exercises, changing her diet, and begin soaked with chilled water, denied sleep and spends hours learning complex sigils and rituals. All the while in the dim secluded house that’s alien to them both and is constantly creaking and being generally creepy, Joseph remains a moody occult guide and rude rule maker, reading from the Book of Abramelin, and making some things up to help him keep his mind in the game, usually involving Sophia’s naked body.. Meanwhile Sophia doesn’t see enough results for her hard work, but ever so slowly the magic starts to work, or is it all a result of the demanding time locked away in the house with a volitlie and pushy occultist? Continue reading A Dark Song (2016)
AKA – The Monster Outside – Hüte dich vor der Dunkelheit
Director: Stephen Folker
Starring: Glenn Harston, Dave Juehring, Trena Penson, Tristan Coppola, Jim Nieciecki. USA. 1h 30m
The cover for this indie horror is mightily impressive but I think that’s where the budget stopped, still it got my attention and luckily I’m a sucker for indie movies and despite it’s poor attempt at being a convincing horror, it actually a loveable movie.
I do have a soft spot for bigfoot movies and films that include one legged black guys who make root beer in old bathtubs out back, but maybe because of my magnetism to bigfoot, or maybe I just like bad movies, it’s hard to justify why I can see all the bad points in Field Freak but still have some warmth for the film. Sometimes you’ll discover a b movie with no love or care, they either try too hard to create outside of their budget or like this family horror, they just admit that they don’t have a huge budget and just set out to make something enjoyable with a lot of heart, it won’t win over a majority but it is what it is. Continue reading Field Freak (2016)