Director: Osgood Perkins
Starring: Emma Roberts, Kiernan Shipka, Lucy Boynton, Lauren Holly, James Remar. USA. 1h 33m
After an influx of “The Exorcism of [insert name here]” movies, Osgood Perkins hits back with an edgy and slow drifting art house approach to the saturated possession genre that insists on it’s audiences full attention; as it pulls them through a mid winter drama filled with tense dark undercurrents that chilled the cast before filming and has made it’s fans think and overthink the terrifying and mind bending finale.
Perkins struggled to get the film released despite it being loved at many film festivals, but after a change of name from February to the more sinister Blackcoats Daughter. Something which sounds like it came from an old rhyme or has a deeper historic meaning but it simply doesn’t. It’s these little touches which helped to confuse the audience and adds to the films mystery, Perkings does analogise that the blackcoat could be a priest or the devil, both have often been credited for dressing in black but he just simply liked the sound of the words together and it’s up to his audience to make what they will of it. Perkins has a talent for creating deeper mythologies within the narrative of his film projects and allowing interpretation, while this openness could be seen a wild genius, it can also become grating Continue reading The Blackcoats Daughter (2015)
Director: Stuart Brennan
Starring: Stuart Brennan, Marcus Macleod, Mark Paul Wake….UK. 1h 28m
This darkly twisted fairy tale follows a group of soldiers fleeing a war zone who find themselves lost deep in the woods where only magical things can happen.This British horror with a small budget definitely dreams big and while it has a solid story the execution comes across a little trying.
There is evil inside all of us.
Continue reading The Necromancer (2018)
Director: Pascal Laugier.
Starring: Taylor Hickson, Anastasia Philips, Kevin Power, Rob Archer, Mylene Farmer, Crystal Reed, Emilia Jones, USA. 1h 31m.
Pascals past record, in my opinion is chequered, in his early career he assisted on one of the most perfect films ever made, Le Pacte Des Loups (2001) he broke the mold and may stomachs with the New French Extreme visceral classic, Martyrs (2008) then let me down with the confusing and long winding, No Slender Man tale of the Tall Man (2012), but he’s come back swinging with a perfect blend of all the best psychological and physical horror from his past, with a sublime film that gives the creeps and will rattle a few cages along the way. His approach to this twisting tale is unique in that it plays on a strange story this is presented from different perspectives each slipping in and out of each other seamlessly but the dynamics are hauntingly beautiful and yet covered in as much nostalgic creepiness as the house it’s set in.
The two young sisters at the centre of this film, couldn’t be more different, Beth (Reed/Jones) is a sensitive horror writer, always lost in her thoughts about Lovecraft inspired texts but faints at the sight of blood, her ballsy sister is pretty awesome, hot tempered and ready for a fight but they are sisters, just so different the fiery Vera (Philips/Hickson) is a delight. Continue reading Ghostland (2018)
Starring. Jesse McCartney, Devin Kelley, Olivia Taylor Dudley, Ingrid Bolso Berdal, Nathan Phillips, Dimitri Diatchenko. Hungary/Serbia. 1h 33m.
The first time I watched this movie I wasn’t overly impressed, silly me was sat there pffpffying at the screen cos I had seen better and scarier I was grown and I could deal with this, but then I started getting recurring nightmares and they were fucking awesome so I’m giving the film a mini thumbs up for that!
The entire film paints a pretty dim picture of the Ukraine/Serbia area, it’s monochrome greys and blue hues overpower the movie during its brightest hours, when a group of unattached youngsters manage to get smuggled into the no go area in the shadow of the Chernobyl disaster area. A young american couple are heading out for a off beaten adventure with the intention to propose just to warm the audience, while a scandinavian/Australian couple are just out for what they can find. After being stalled at the first checkpoint in the Ukraine they eventually go in through a rougher secret path that was discovered years ago by their local guide Uri. He assure them it’s safe, he has a geiger counter (so fuck your fears kids let’s ROLL!) but they are all constantly on the lookout for dangerous (glowing) wildlife and the military but they roam around the dusty ghost town in awe of the tragedy and well aware of the possible dangers. Continue reading Chernobyl Diaries (2012)
Director/Producer/Writer/Music/Cinematography: Scott Barley
UK 1h 30m
It’s not often I get so excited to write about a movie wanting to say so much about it what most would see as being so little.
The cover alone of Sleep Has Her House (2017) was enough to tweak me into signing up to Kinoscope and taking quality time out to submerge myself into this advantageous one man project. The experience was deep and moving, this totally experimental adventure really crawls under the skin. Continue reading Sleep Has Her House (2017)
01.You Could Sunbathe In This Storm
D: Alice Dunseath
A deep exploration os you and i and we and us. Using the poem The Old Men Admiring Themselves In The Water – Poem by William Butler Yeats. The film is a very unique blend of stop motion, mostly made from what looks like clay objects rather than a softer molding material, and at one point it turns into a crystal growing project. It’s touching and emotive.
Continue reading 06 (Creepy) Stop Motion Short Films