Director: Billy Senese Starring: Shane Carruth, Poorna Jagannathan, Jeremy Childs, Bill Feehely, J Thomas Bailey. USA. 1h 33m
For the most part Dead Center seems to be built on the idea of keeping its audience in a perpetual state of WTF tinged with the feeling that something is creepily wrong. Shane Carruth, stars as Dr Forrester, the eggfree shrink who genuinely cares for people and is often pulled up by his superiors for trying to help everyone, his concerns are not budget related but actually trying to make people better. The really interesting aspect of the films that slowly creeps out from between the slowly driven office politics.
Director: Gregory Levasseur Starring: Denis O’Hare, Ashley Hinshaw, Alexandre Aja, James Buckley. USA. 1h 29m
Not quite found footage, but using a lot of the first person perspective shots, the Pyramid attempts to break the story of the century when a team of experts dig up the most uncanny find in a very unusual hidden pyramid.
With a high strung story and worrying cast the movie keeps losing grasp of its own concept. Long are the forgotten days of explorers opening up NEW pyramids, they have all been raided and documented but in Levasseur’s dusty thriller a group finds a longer Lobster pyramid and begins to investigate its potential treaties.
Director: John Schlesinger Starring: Dustin Hoffman, Laurence Olivier, Roy Scheider. USA. 2h 5m
John Schlesinger’s classic thriller, Marathon Man is the type of genre movie that makes a few faux pa’s but through many bizarre plot choices, for the sake of keeping an audience on their toes, the movie generates a lot of massive plot holes but whether you mind them or not, you’ll still be blown away by the sterling acting and gripping story that plunges lead Thomas, better known as Babe (Hoffman), a simple inner city student, into unpredictable situations that make your teeth ache.. if you know you know..
Director: Dom Rotheroe Starring: Bradley Cole, Brittany Ashwood, Angela Forrest, Oliver Lee. UK. 1h 25m
The allure behind Exhibit A is getting an insight in the raw details behind the case of a brutal family annihilation case. While Dom Rotheroe and curated a really authentic feeling found footage movie on an independant budget I feel that story is lacking a genuine USP. I personally felt cheated, thought I’d missed some fine detail, but after re watching the movie, I had to step back and look at it with fresh eyes, so often found footage relies on adding a touch of creepy paranormal or something sly and devious into the mix to make the voyeuristic audience shudder with fear and delight. Exhibit A doesn’t bend to those rules, and doesn’t really go anywhere into the deep waters of the typical Found Footage Horror, however if the systematic psychological breakdown of a middle england family is your thing then step in.
Director: James McTeigue Starring: John Cusack, Alice Eve, Luke Evans, Brendan Gleeson,Oliver Jackson-Cohen, Sam Hazeldine, Dave Legeno. USA. 1h 51m
Journalism and celebrity are the subjects of this Victorian clad detective story. Fictionalising the final days of Edgar Allen Poe, giving him some majesty while being down and out in Baltimore 1849. No one wants to publish his iconic flavour of the macabre anymore and his life is in tatters.
Director: Hlynur Pálmason Starring: Ingvar Sigurdsson, Ida Mekkin Hlynsdottir, Sara Dogg Asgeirsdottir. Iceland. 1h 49m
It doesn’t take long to get a good grasp of the top talent in Iceland, not only does a majority of the movies released there really hit a nerve and the industry continues to release one banger after the next, but with such a tiny population you’re going to see a lot of repeat offenders and not surprisingly a lot of the more popular faces have buckets of incredible talent and some of those come together in this study of grief.
Director: Henry Alex Rubin Starring:Jai Courtney, Nat Wolff, Finn Wittrock, Arturo Castro, Beau Knapp .USA. 1h 39m
It’s hard not to feel a little bit conflicted with the ending of Brothers In Arms AKA Semper Fi. The film successfully builds up a golden camaraderie between a pair of brothers Callahan (Courtney) and Oyster (Wolff) who, along with their Marine Corp Reserve Brothers, they manages to pull off the impossible and with the best intentions but in the big scheme of righter and wronger, was it really justified?
Director: Olivier Assayas Starring: Kristen Stewart, Lars Eidinger, Sigird Bouaziz, Nora Von Waldstratten. USA/UK/France. 1h 45m
At times it’s easy to forget that Personal Shopper is a horror movie. If you’re into something which burns slow but delivers a whack at the end then this might feel like it’s let you down, but there is a huge revelation at the end but it might not be what you were expecting. At times it’s mundane and even dull, but Assatas’ genius technique is to force the viewer to not to see what’s coming so when something does stand out it has a larger impact. It’s not hard to connect Kirsten Stewart to keywords such as “Blank” and at times it’s a perfect emotion for the film that deals all too honestly with grief, alienation and death.
There’s a necessary moment near the end of Sabastian Lelios eye opening movie where the lead is jogging with her dog, a carefree run as her favourite track plays and she can finally take a deep breath and attempt to just live the best life, like anyone else. It’s at this moment where we, as an audience, can also take a breath as the entire film is just filled with small minded petty people who do nothing to wind up anyone with a rational thinking mind as the film zeroes in on intolerance and unbiased love.
A Fantastic Woman is a strangely lighthearted take on a pretty deep and complex story. And there was definitely a vibe going on at the time as it almost duped with Disobedience an equally challenging love struggle but with a heavy religious setting. This thought provoking movie will drag you to places that you wouldn’t imagine a person would need to go based purely on their choice of gender.
Director: Sara Colangelo Starring: s Elizabeth Banks, Boyd Holbrook, Chloë Sevigny, Jacob Lofland, and Josh Lucas .USA. 1h 45m
Whenever there is a massive tragedy with one single survivor, there are bound to be many questions, and this is one of the driving forces behind Sara Colangelo’s, slow paced melodrama, surrounding a gigantic and very tragic accident in a small mining community, the survivors struggle to carry on and support each other, after the fatal accident which sets off a chain reaction of misfortune involving the most Survivor, the mining Executives guilt stricken, lonely wife, and a teenage boy with blood on his hands.