Director: Ali Abbasi
Starring: Eva Melander, Eero Milonoff .Denmark/Iran/Sweden. 1h 50m
It’s clear from the outset of Ali Abbasi’s latest project, Border, that aspects of his debut Danish horror Shelley (2016) were going to pour through. It chooses to focus on a strange character, whom one might pass everyday and not really notice, and this character and her job at border control only goes to empahses out many conflicts of globalisation.
After sniffing out a teenager over his quota on alcohol he mumbles “Ugly bitch” at Tina (Melander) a border guard at a Swedish ferry port who has an uncanny sense of smell, not only can the stocky lass smell illegal imports but her attuned nose can even sense guilt on an SD card harboring child pornography. After work Tina returns to her home in the woods, which she shares with a lazy and feckless dog trainer Roland (Jorgen Thorsson) their platonic relationship is purely for convenience and it’s evident how little he really cares for Tina but she entertains herself by exploring the natural world around her where she appears to be more comfortable, during these voyeuristic nature scenes, Tina is often happier in her naked form and Ali manages to capture a romance between a woman and the natural eden that surrounds her with a sensitive eye.
Continue reading Gräns/Border (2018)
Director : Andrea Arnold
Starring: Kate Dickie, Tony Curran, Martin Compston, Natalie Press . Scotland/UK/Denmark. 1h 53m.
There is a dynamic between a voyeur and the object of his or her desire, I’m in this chilling Scottish drama it’s quite easy to forget who is voyeur and who is the object. the film opens with Jackie (Dickie) who is a closed circuit television operator in Glasgow, she sits in front of a wall of screens watching some of the most impoverished areas of the city emphasising with the more quirky characters as they go about their daily lives, a cleaner silently dancing and then office blocks was she works, a shop owner taking his aged bulldog for a walk every evening come to a smile out of Jackie at her job at city icontrol division E. but all too often she catch his suspicious activities and has to report criminals to the proper authorities while scanning the worst neighbourhoods for signs of trouble and aiding victims. Continue reading Red Road (2007)
Director: Denar Ahmad
Starring: Dar Salim, Stine Fischer Christensen, Roland Møller, Ali Sivandi Denmark 1h 28m
Denmark has produced some amazing gritty gut wrenching crime thrillers over the years, but this one really stands out on the international scene with it’s ultra-modern approach to filming but the story remains so very familiar.
After migrating to Denmark Zaid (Salim) becomes a successful surgeon with a child on the way his life is bliss, on the flip side his younger brother has fallen in with a bad crowd and after a botched bank robbery he is left short of cash and needs help. Zaid has had enough of handing out cash and refuses to help his brother one more time and during a painful altercation he tells his brother to leave, the following day he’s pulled away from his work as his brother had been admitted to the emergency room, but there’s nothing they can do for him, after informing his parents he oversees his brother’s life support being switched off. After the funeral be becomes obsessed with that happened to his brother, going back to his boxing training he uses both mind and body to infiltrate the criminal underground to get revenge. Continue reading Underverden/ Darkland (2017)
Director: Susanne Bier.
Starring. Mads Mikkelsen, Sidse Babett Knudsen, Denmark/India/Sweden. 2h 2m.
There’s a strange sense of duty and a unique stiff upper lip with Scandinavian culture, often associated with bravery and wisdom, sometimes things get a little sharp and precise with the Northern European restraint, and it unfolds with a glorious and bitter results.
The film opens with Jacob (Mikkelsen) a good Samaritan who has cast off all the luxuries of Denmark and is running an orphanage in India which is in dire need of funding. A mysterious man Jorgen (Lasagard) insists on giving the a large sum of money to the cause but only if he gets to meet with face to face, at first he’s hesitant but then soon realises the fate of the children rests on his shoulders. Continue reading Efter Brylluppet / After the Wedding (2006)