Director: Alejandro Hidalgo Starring: Joseph Marcell, Will Beinbrink. México/Venezuela/USA. 1h 38m
Every few years there’s another game changing exorcism movie, and these stand out to the weekly releases of the same old tripe. But what makes this heavily laced CGI movie stand out from the rest? First it challenges religious scripture with a bit of cray logic but unfortunately it takes an ice age to get to the fun bits but audiences are entertained with shock moments, jump scares and lots of grisly CGI faces, sometimes with some familiarity to his previous gothic house masterpiece The House at the End of Time (2013). Having grown as a director since then he’s developed his eye but leaves behind the suspense for full out vile visuals but it won’t distract from the silliness that keeps corrupting this horror.
Director: James Glickenhaus Starring: Robert Ginty, Christopher George, Samantha Eggar, Steve James. USA. 1h 39m
Sometimes a bit of vigilante justice is glorious to watch and you don’t need to be Charlie B or Van Michael to wake a city up. In Glickenhaus’s blood action thriller, a once kind and quiet man turns full on Rambo when his friend is attacked and crippled by a bunch of goons, but getting revenge on them just isn’t enough; he’s not going to give up until all the streets are clean.
John Eastman (Ginty) doesn’t look like the human terminator that he turns out to be, the retro Russell Crow is all about the good things in life, years after being exposed to the horrors of Nam he’s just the average Joe, until provoked and he brings Nam to NYC.
The film isn’t a commentary of mindless violence, but when it gets gritty it really does swing an ugly and dangerous bat, there’s people being fed into meat grinders, and the trademark flamethrower crispy death scenes. It’s something that could have gotten real video nasty in the right hands. But exterminator it way more than just another exploitation film, and being one of the early voices to the damaging effects of the war without the moniker of PTSD being uttered, it spread a message which is still relevant today.
If you’re lying, I’ll be back.
– John Eastman
We have to assume that once the blood has been shed and the tables levelled that our hero bad guy killer is just going to go back to a peaceful life, but there’s a sequel and in my honest opinion there should have been a lot more.
Related: Exterminator 2 (1984), Stone (1991), The Soldier (1982), Shakedown (1988), Defiance (1980), Deathwish (1974), Punisher (1989)
Director: Alan White
Starring: Hugh Jackman, Andrew Wholley, Joel Edgerton, Leah Vandenberg, Aaron Blabey, Marty Denniss. Australia. 1h 30m
When Barky (Denniss) returns home for his fathers funeral he thinks is safe from the pain and attempts to reunite with his brothers and find some closure however the mood isn’t quite what he expected, his presence sets off a keg of love, hate, resentment and frustrations. After two years of living away, the young 20-something has no regrets about leaving the grip of his fathers violent rages which are painfully detailed in flashbacks.
Director: Dom Rotheroe Starring: Bradley Cole, Brittany Ashwood, Angela Forrest, Oliver Lee. UK. 1h 25m
The allure behind Exhibit A is getting an insight in the raw details behind the case of a brutal family annihilation case. While Dom Rotheroe and curated a really authentic feeling found footage movie on an independant budget I feel that story is lacking a genuine USP. I personally felt cheated, thought I’d missed some fine detail, but after re watching the movie, I had to step back and look at it with fresh eyes, so often found footage relies on adding a touch of creepy paranormal or something sly and devious into the mix to make the voyeuristic audience shudder with fear and delight. Exhibit A doesn’t bend to those rules, and doesn’t really go anywhere into the deep waters of the typical Found Footage Horror, however if the systematic psychological breakdown of a middle england family is your thing then step in.
Director: Juan Piquer Simón Starring: Jack Scalia, R. Lee Ermey, Ray Wise, Ely Pouget, Deborah Adair,John Toles-Bey. Spain/USA. 1h 19m
If you’re a fan of underwater horrors such as The Abyss, Leviathan, DeepStar Six etc, then this film will feel really familiar to you. Often seen as a BMovie version of the movies mentioned above due to its lack of originality in the plot, the film is often praised for providing a decent entertaining sucker punch for it’s limitations. Considering that 1989 was the sterling breakthrough for deep sea thrillers involving a host of alien and mutant creatures, it’s a strange step backwards to watch Endless Descent ride on their back 2 years later, but for all its flaws it’s incredibly watchable.
Director: Mark Gill. Starring. Jack Lowden, Jessica Brown Findlay, Simone King. UK. 1h 34m.
I never really planned on watching this biopic as I have no interest in Morrissey and only casually listen to the Smiths from time to time, obviously like most people born in the 80s and 90s at least, I’m aware of “that song” but overall I spend more time watching Morrissey’s own fans cringe whenever he opens his mouth about topical issues, and if they are cringey about it I am sure I don’t really want to get involved. Eventually I did, through more curiosity about the film than the man, and I am forever pleasantly surprised as the film distances itself Morrissey the man and somehow manages to find a modest insight into any misunderstood awkward Manchurian. This modest approach to such a controversial figure is both clever and has resulted in a poetically beautiful film. Continue reading England is Mine (2017)→
Director: Oliver Hirschbiegel Starring: Moritz Bleibtreu, Justus von Dohnányi, Christian Berkel, Oliver Stokowski, Andrea Sawatzki. Germany. 1h 49m.
A powerful fact based taut drama, stemming from the events surrounding the now, notorious Stanford Prison Experiment from 1971, Hirschbiegel encapsulates a bitter trials from behind the lens so to speak, making it very German, very bold, daring to dig deep into the torture tactics and leaves no stone unturned, in the mess of the soulless personal hardships the occurred during this tragic social experiment.
I stumbled on this movie by total accident and I’m shocked that it’s been out for more than 2 years before I became fully aware of it’s awesomeness. Some plucky young soul used a gif from the movie in a twitter discussion and it looked so freaking amazing, I knew this film was made for me, and thus my search began. Luckily it only took a year or two to track it down. Now that I’ve finally watched this almost perfect movie I am only bitter that it has taken me this long to discover it.
Director: John Boorman. Starring.Nigel Terry (RIP) , Helen Mirren, Nicholas Clay, Cherie Lunghi, Paul Geoffrey, Nicol Williamson (RIP) , Liam Neeson, Patrick Stewart. Ireland/USA/UK. 2h 20m.
Based on:15th-century Arthurian romance Le Morte d’Arthur by Thomas Malory
There aren’t too many movies that I can mention from my childhood that have such an epic reaction of admiration as this definition of epic fantasy. Albeit a guilty pleasure, I generally hang around heavy alternative scenes where this has become a fashion guide as well as cult classic pieces of cinema, but there’s a wealth of shiny aesthetics and magical storytelling which has never really been mimicked again making this truly unique stand alone opulent piece. Continue reading Excalibur (1981)→
Small budget aside this imaginative found footage movie actually outdoes some of the more costly attempts to freak out audiences, with its stereotypical beginnings it ramps up the psychotropic madness as it’s survivors run a gauntlet of terror that’s totally unexpected and wholesomely different and that alone; is worth the wait as this simple but highly effective story plays out.
Howie Askins’s debut Devil Girl (2007) didn’t leave a great lasting impression on its audience, the attempt to revise the ultimate horror road movie with buxom chicks just didn’t pique much interest, sadly the 9/10 review on IMDb comes from someone with the username howieaskins .. funny that. Continue reading Evidence (2012)→