Sea fever, much like cabin fever strikes when everyone least’s expects it, sometimes it can be contained and only affects one person, other times it turns into group hysteria and it can be a struggle to figure out what’s real and not., but in Hardiman’s offbeat body horror, with ties to Celtic mythology, emerges a story that becomes a deep dive into our small part in the ecology of this watery planet.
Director: Gore Verbinski Starring: Dane DeHaan, Jason Isaacs, Ivo Nadi, Celia Imrie, Mia Goth. USA/Germany. 2h 26m.
Gore Verbinski’s hellish story of entrapment in a world filled with mysteries and a strange folklore is full of disturbing quirks, but not enough to really step the film into the realms of greatness but instead it just comes off as a bit weird. The plot follows a young executive, Lockhart (DeHaan) who, after a misdemeanor at his firm, is sent to retrieve the company’s CEO, who is currently staying in a rehabilitation centre in the Swiss Alps. During this trip there’s hints of a sinister chapter from his childhood that still influences his life, but once he enters the secluded grounds of the wellness centre a dark fairytale atmosphere begins to take over.
Written by Ira Levin who gave us such classics like Rosemary’s Baby(1968), Stepford Wives (1975) and, The Boys from Brazil (1978), but the biggest influence on the story is Thomas Mann’s 1924 novel, The Magic Mountain (German: Der Zauberberg) . A book which does feature in the movie, those with a keen eye may spot it, is already considered to be one of the most influential works of twentieth-century and centres on a man unravelling a complex story from the backstories of key characters that he meets in a similar spar in the Alps. The war that’s faced in the novel is a World War, whereas Lockhart’s war is initially within him.