Director: Adrian Lyne
Starring: Michael Douglas, Glenn Close, Anne Archer,Ellen Latzen, Stuart Pankin, Ellen Foley, Fred Gwynne, Meg Mundy, Lois Smith. USA. 1h 59m
“So Andrew’s new girlfriend is turning out to be a right bunny boiler”
“You know.. Fatal Attraction.. “
This was the conversation that made me realise how influential movies have been on the English language. The term Bunny Boiler, referring to a person, usually a woman who’s a bit psychotic and clingy, was born from this literal potboiler that, when it really gets going, is hard to look away from.
Adrian Lyne went straight from 9 1/2 weeks (1986) to Fatal Attraction and then straight into Jacob’s Ladder (1990). He’s often quoted to be intrigued to make moves that create a discussion, a movie that’s not forgotten by dinner time and still arguing about it the next day is a winner for him and it’s safe to stay that this run of movies all hold a powerful grip on their audiences many years later. His ability to pull the carpet on an unsuspecting audience and touch on surreal symbolism is quite masterful.
Continue reading Fatal Attraction (1987)
Director: Pedro C Alonso
Starring: Eddie Marsan, Paul Anderson, Ivana Baquero, Richard Brake, Oliver Coppersmith, Alexis Rodney, Anthony Head. UK. 1h 37m
After a duo of short movies Pedro C Alonso was given free range for his first feature film. Seemingly going balls to the wall with his daring psychological thriller, it turns a night of work into a night of hell for one highly secretive and very questionable DJ. Alonso seems to enjoy throwing his characters into a vivid world maximised by raging colours sound and violence, chuck in a pair of leather gloves and more eyeliner and we’d have a semi decent Giallo.
Continue reading Feedback (2019)
Director: Bennett Miller
Starring: Steve Carell, Channing Tatum, Mark Ruffalo, Vanessa Redgrave, Sienna Miller, Anthony Michel Hall .USA. 2h 14m
My first viewing of Foxcatcher was quite surreal, I was more mesmerized by how different the cast looked, Carell’s beak nose and Ruffalo’s hairline are almost mystical, so much great effort went into the prosthetics and character development. This high level of glamour is only a part of a riveting tale of shocking depravity, orchestrated by a filthy rich individual pulling the strings in his own dangerous game, involving the USA Wrestling entry into the 1988 Olympic games. Continue reading Foxcatcher (2014)
Director: Emilio Miraglia (as Hal Brady).
Starring. Henry Silva, Beba Loncar, Keenan Wynn, Carlo Palmucci, Pier Paolo. USA. 1h 33m.
Emilio Miraglia has conjured up a vibrant Italian noir-crime thriller from a story co-written by Massimo De Rita who wrote the debut hit for Miraglia , Assassinsation (1967) which also stars Henry Silver who returns in this follow up as the heavy handed Inspector Sterling, a police inspector whose son has been brutally killed outside the family home in retaliation to his police work. Known for his brilliant Giallo and Poliziottesco movies such as The Red Queen Kills Seven Times (1972) and The Night Evelyn Came out of her Grave (1971), Miraglia’s successes came after these hard hitting Poliziottesco classics. Continue reading Quella carogna dell’ispettore Sterling / Frame Up / Falling Man (1968)
Director: Andrew Currie.
Starring. K’sun Ray, Billy Connolly, Carrie-Anne Moss, Henry Czerny, Tim Blake Nelson, Dylan Baker. Canada. 1h 33m.
For a while the Zombie revival was starting to get rather annoying, every Tom Dick and Harry were making a Zombie Vs [Insert Ludacris foe here] movie and for me it got to the level of almost being insulting to the craft of filmmaking. But every now and again somebody take the initiative to have a solid narrative before filming and thus we have Fido, for me one of the most unusual and genuinely funny comedy horrors for some time. Continue reading Fido (2006)
Director: Don Leifert.
Starring. Don Leifert, Richard Nelson, Elaine White, George Stover, Greg Dohler, USA. 1h 30m.
A gothic styled ghoul horror with a touch of mom and pa sleuths is the strange workable combination that Don Leifert had forged together for his follow up to the B Movie cult classic The Alien Factor (1978). Starring in his second feature but taking on an entirely different role is adaptability is certainly one of his strong points and I have to say despite all the limitations with budget, he seems constantly determined to develop wonderful psychotropic movies and I think I’m a bit of a fan already and I’m only 2 films in. Continue reading Fiend (1980)
Director: Jack Cardiff
Starring: Donald Pleasence, Tom Baker, Brad Harris, Julie Ege. UK. 1h 32m
I’d just like to give a heads up, that I mean no disrespect with my terminology in this review. I am utilizing a lot of the terminology used in the movie, purely to keep it synced.
This movie feels like a mashup between Andy Mulligans insane indie horror Blood (1973) and the early cult classic The Freaks (1932) by Tod Browning. Combining newfangled science fiction ideas with unthinkable genetic splicing with animals and plants. The film is spiced up with trippy psychedelics, a touch of nudity and fascinating stop motion visuals, and it makes for a very interesting psychotropic creature feature that has to be seen to be believed, and all from acclaimed academy awarding winning director Jack Cardiff who gave us such classics as The Red Shoes (1948) and Black Narcissus (1947). Continue reading Freakmaker / The Mutations (1970)
Director: Joel Schumacher
Starring: Kiefer Sutherland, Julia Roberts, William Baldwin, Oliver Platt, and Kevin Bacon. USA. 1h 55m
One question has plagued mankind since the dawn of time, what happens after death? Is there a big party in the sky, do you get to rekindle your relationships with your ancestors? But what happens if you just enter the afterlife and return, does this make you a god among mortal men? In Joel Schumacher’s science fiction thriller, the question is raised and sharply dodged as the cast fumble around personal nightmares and repetitive resuscitation scenes.
Shortly after his greatest achievements, Lost Boys (1987) and St Elmo’s Fire (1985) he came back with this pious theological piece, which is dramatic but becomes silent and empty when it attempts to give reason and answer to it’s meaning, in fall fairness it’s hard to answer what lies after death but if you’re going to make a movie about it, you really should have a theoretical process in place. Continue reading Flatliners (1990)
Director: Elliott Goldner.
Starring. Gordon Kennedy, Robin Hill, Aidan McArdle, Lee Arnold, Patrick Godfrey. UK. 1h 29m.
There are some strange going on in Elliott Goldner’s dark found footage horror set in the beautiful rural Devon landscape. After a miracle at a small church close to being closed down, a team of Vatican expert investigators and a plucky technician head out to prove or disprove the supernatural activity only to discover the truth is harder to believe than the miracle.
Goldner successfully sets up a plausible reason for the cameras and maintains a really good combination of shaky and static cam set up. Starting in South America the camera follows the authorities barging into an abandoned church, Brother Deacon (Kennedy) is screaming into the phone that everyone is missing as the cops find hidden microphones and equipment, it’s an obvious religious scam, “get that camera out of my face” fade to black. Continue reading Borderlands \ Final Prayer (2013)
AKA Le Mans ’66
Director: James Mangold
Starring:Christian Bale, Matt Damon, .USA. 2h 15m
For someone who isn’t into cars or racing all that much I have really enjoyed the small number of racing biopics that have hit the big screen in recent years. With so much energy from director James Mangold as he explores the run up to Le Mans 66 and the epic battle between two powerful car manufacturing giants from either side of the pong, he digs deep into the psyche’s of the less credited geniuses behind their success. Maybe it’s the drive and passion behind the vehicles which is more cerebral than the end race but I feverishly awaited this after enjoying Rush (2013), both movies are handsome looking and thrilling in their humanity but for die hard fans of the racing world, there’s nothing much new to enjoy but for the outsiders looking in, the film kicks into top gear and does a good job in keeping it there through to the bitter end. Continue reading Ford vs Ferrari (2019)