Director: Edward Drake
Starring:Jonathan Lipnicki, Avery Konrad, Timothy V Murphy USA. 1h 30m
Coming of age is a difficult time for any young girl but it’s especially troubling for Chance in Drakes power struggle vampire film with a gritty power struggle a troubled hero and s touch of je ne sai qoir but it doesn’t go that extra mile to really set itself apart from all the other TV vampire movies but it’s still thoroughly enjoyable to watch family fireworks.
Opening with a family trying to control their wayward and violent teen daughter Chance (Konrad) they send her to live with her pious grandfather and extended family on a remote estate. Slowly the easily distracted teen uncovers a family secret and her only chance of survival comes from the dead and an assassin destined to end her family’s reign.
Continue reading Broil (2020)
Director: Aaron KeelingAustin Keeling Starring: Cathy Barnett, Emily Goss, Taylor Bottles, Jim Korinke. USA. 1h 51m
There’s something provocative about a haunted house tale, many directors have used this eternal additional character to emphasise the dark natures within its occupants or at times it’s a portal into a darkness that we neer want to look into. And while there’s some admiration in what Aaron KeelingAustin Keeling as directors have achieved in the bitter ending, there’s a boring tropey slog to get to the good bits.
Continue reading The House on Pine Street (2015)
Director: Kevin Tenney
Starring:Patrick Kilpatrick, Chris Miller, Suzane Savoy, Dannt Mora. USA. 1h 25m
From a story that would be dissected for its cultural appropriation and questionable demonising, back in the late 80’s it was part of a movement of creepy Native American legend based horrors, from Wolfen (1980) to Scalps (1983) the idea of a spiritual bankhander from sacred lands, through wooden states, curses and the wendigo began to spring out of Hollywood and this is one of those low level leaks.
Continue reading The Cellar (1988)
Director: Alan White
Starring: Hugh Jackman, Andrew Wholley, Joel Edgerton, Leah Vandenberg, Aaron Blabey, Marty Denniss. Australia. 1h 30m
When Barky (Denniss) returns home for his fathers funeral he thinks is safe from the pain and attempts to reunite with his brothers and find some closure however the mood isn’t quite what he expected, his presence sets off a keg of love, hate, resentment and frustrations. After two years of living away, the young 20-something has no regrets about leaving the grip of his fathers violent rages which are painfully detailed in flashbacks.
Continue reading Erskineville Kings (1999)
Director: Dom Rotheroe
Starring: Bradley Cole, Brittany Ashwood, Angela Forrest, Oliver Lee. UK. 1h 25m
The allure behind Exhibit A is getting an insight in the raw details behind the case of a brutal family annihilation case. While Dom Rotheroe and curated a really authentic feeling found footage movie on an independant budget I feel that story is lacking a genuine USP. I personally felt cheated, thought I’d missed some fine detail, but after re watching the movie, I had to step back and look at it with fresh eyes, so often found footage relies on adding a touch of creepy paranormal or something sly and devious into the mix to make the voyeuristic audience shudder with fear and delight. Exhibit A doesn’t bend to those rules, and doesn’t really go anywhere into the deep waters of the typical Found Footage Horror, however if the systematic psychological breakdown of a middle england family is your thing then step in.
Continue reading Exhibit A (2007)
Director: M Night
Starring: Gael Garcia Bernal, Vicky Krieps, Rufus Sewell, Alex Wolff, Ken Leung, Aaron Pierre, Emun Elliott, USA. 1h 48m
At first glance this was always going to be an awkward film for any director to make , after the great success of Sandcastles, the amazing graphic novel detailing the dark and immersive story of a group of strangers trapped on a beach, am night was the only person who probably is just crazy enough to take this on and to convert it for the Hollywood screen .
I had read the comic several years before when it first came out I have to buy a new copy as I had lost my original lent to it a dear friend who maybe one day will give it back to me, so now I have a fancy new version with extra insights from the author and cool little sticker that says it is being made into a movie. but for the life of me I couldn’t quite work out how he was going to translate this into a story for the big audience , but strangely he has come up with her intelligent and intriguing storyline which dips from the curious into conspiracy.
Continue reading Old (2021)
Director: Hlynur Pálmason
Starring: Ingvar Sigurdsson, Ida Mekkin Hlynsdottir, Sara Dogg Asgeirsdottir. Iceland. 1h 49m
It doesn’t take long to get a good grasp of the top talent in Iceland, not only does a majority of the movies released there really hit a nerve and the industry continues to release one banger after the next, but with such a tiny population you’re going to see a lot of repeat offenders and not surprisingly a lot of the more popular faces have buckets of incredible talent and some of those come together in this study of grief.
Continue reading Hvítur, hvítur dagur / A White White Day (2019)
Director: David Cronenberg
Starring: Ralph Fiennes, Miranda Richardson, Gabriel Byrne .UK/Canada. 1h m
In the early 2000’s David Conenberg packed away the New Flesh and made an intensely beautiful and fascinating account of Patrick’s McGraths novel. Even without the body horror and gore, psychotropic vibes and the paranoid surreal, Conenberg still manages to disturb.
Starring Ralph Fiennes, as a deeply disturbed middle aged man, simply known as Spider. He’s just been released from a long term mental institution into a drab boarding house in London’s King Cross area. The tatty rooms and pealing wallpaper permeate a 1950’s atmosphere and isn’t the idea surroundings for recovery, however it’s here that Spider travels back to his childhood, spiraling back into the trauma as he remembers his obsessive belief that his father (Bryne) did away with his mother (Richardson) to start up a new life with a prostitute.
Continue reading Spider (2002)
Director: Sabastian Lelio Starring: Daniela Vega, Franxisco Reyes, Luis Gnecco, Amparo Noguera Chile, Spain, Germany. 1h 44m
There’s a necessary moment near the end of Sabastian Lelios eye opening movie where the lead is jogging with her dog, a carefree run as her favourite track plays and she can finally take a deep breath and attempt to just live the best life, like anyone else. It’s at this moment where we, as an audience, can also take a breath as the entire film is just filled with small minded petty people who do nothing to wind up anyone with a rational thinking mind as the film zeroes in on intolerance and unbiased love.
A Fantastic Woman is a strangely lighthearted take on a pretty deep and complex story. And there was definitely a vibe going on at the time as it almost duped with Disobedience an equally challenging love struggle but with a heavy religious setting. This thought provoking movie will drag you to places that you wouldn’t imagine a person would need to go based purely on their choice of gender.
Continue reading Una mujer fantástica / Fantastic Woman (2017)
Director: Adrian Lyne
Starring: Michael Douglas, Glenn Close, Anne Archer,Ellen Latzen, Stuart Pankin, Ellen Foley, Fred Gwynne, Meg Mundy, Lois Smith. USA. 1h 59m
“So Andrew’s new girlfriend is turning out to be a right bunny boiler”
“You know.. Fatal Attraction.. “
This was the conversation that made me realise how influential movies have been on the English language. The term Bunny Boiler, referring to a person, usually a woman who’s a bit psychotic and clingy, was born from this literal potboiler that, when it really gets going, is hard to look away from.
Adrian Lyne went straight from 9 1/2 weeks (1986) to Fatal Attraction and then straight into Jacob’s Ladder (1990). He’s often quoted to be intrigued to make moves that create a discussion, a movie that’s not forgotten by dinner time and still arguing about it the next day is a winner for him and it’s safe to stay that this run of movies all hold a powerful grip on their audiences many years later. His ability to pull the carpet on an unsuspecting audience and touch on surreal symbolism is quite masterful.
Continue reading Fatal Attraction (1987)