Director: Piers Haggard.
Starring. Linda Hayde, Patrick Wymark, Michelle Dotrice, Wendy Padbury, Anthony Ainley, Barry Andrews, UK. 1h 40m.
There’s always something dark and demonic smouldering in the movies situated deep in the English Countryside, and it’s never so in your face as in Piers Hagards, trippy macabre masterpiece that has a lot of connection with Michael Reeves’s Witchfinder General, the Wicker Man (1973) and in some ways I feel there’s an artistic nature similar to a Ken Russell the Devils (1971) albeit it in a much tamer manner.
A ploughboy stumbles on some strange remains in a field, the bones and ever staring eyeball causes the boy to start running in terror, he soon realises that his unhappy accident has unearthed the remains of an ancient demonic presence which is now free to possess his village. The first signs of danger happen in a prestigious house, where a wealthy family a host to a young girl, one that has taken the fancy of their eligible son, but due to his mother’s tough nature she’s forced into the attic, late into the night her screams wake the family, once she’s rescued her personality has completely changes, now deranged and bearing deadly sharp claws she’s taken away by the authorities and clergy. Continue reading The Blood on Satan’s Claw (1971)
Director: Ali Abbasi
Starring: Eva Melander, Eero Milonoff .Denmark/Iran/Sweden. 1h 50m
It’s clear from the outset of Ali Abbasi’s latest project, Border, that aspects of his debut Danish horror Shelley (2016) were going to pour through. It chooses to focus on a strange character, whom one might pass everyday and not really notice, and this character and her job at border control only goes to empahses out many conflicts of globalisation.
After sniffing out a teenager over his quota on alcohol he mumbles “Ugly bitch” at Tina (Melander) a border guard at a Swedish ferry port who has an uncanny sense of smell, not only can the stocky lass smell illegal imports but her attuned nose can even sense guilt on an SD card harboring child pornography. After work Tina returns to her home in the woods, which she shares with a lazy and feckless dog trainer Roland (Jorgen Thorsson) their platonic relationship is purely for convenience and it’s evident how little he really cares for Tina but she entertains herself by exploring the natural world around her where she appears to be more comfortable, during these voyeuristic nature scenes, Tina is often happier in her naked form and Ali manages to capture a romance between a woman and the natural eden that surrounds her with a sensitive eye.
Continue reading Gräns/Border (2018)
Director:Eduardo Sánchez, Kevin Foxe
Starring: Heather Donahue, Michael C. Williams, Joshua Leonard. USA. 1h 21m
It feels strange reviewing this so long after it gave me such a wild night out at the cinema, so this review is going to be a trip down memory lane, so grab you member berries and hop on the fuck train.
I was the gothist kid in my highschool, just one step away from shooting the place up if only I had some other trench coat kids to help me out, I might have been on the news, instead being the loner I was, I had to make do with being the go to person with horror movie info, by the time the Blair Witch had hit my radar, the magic was nearly over, it had already been screened and the amazing movie website showed images of people out searching the woods for the missing students, while the message board were filled with links to stories titles “Blair Witch is an elaborate hoax” or conspiracy stories claiming that “the story is real, ignore the hoax stories they are trying to stop you from finding the out the TRUTH”
Sadly I realised that this was just a modern day wicca version of Cannibal Holocaust (1980), yep I knew about all these classics already, I was an early horror bloomer. I sent the main website link to my bestest friends on MSN and ICQ and we arranged to meet up and see the film at the Odeon. It was a late night horror screening on a weeknight and therefore the cinema was filled with kids, I rarely remember anyone checking us in the Odeon, it was like a creche. Continue reading The Blair Witch Project (1999)
Director: Hiroshi Katagiri
Starring: Eva Swan, Sean Sprawling, Katherine Taylor, Simon Philips, Doug Jones, Lance Henriksen. USA/ Japan. 1h 45m
Katagiri’s feature length debut opens up with an embellished biblical quote from Matthew 18:9, but instead of casting your eye into hell fire, the word is changed for Gehenna, this cuts away for a group of natives performing a ritual involved cutting off a mans face and walling him up in a cave.
After the bloodshed, the film cuts to a pristine office, where Morgan (Henriksen) speaks with his daughter about checking out a new spot in Saipan, the family business is tied with tourism and they have acquired a new piece of land which Paulina (Swan) is determined to check out as she’s planning on taking over the family business soon, this is all you’ll see of Henriksen so don’t get your hopes up Henny fans.
Continue reading Gehenna: Where Death Lives (2016)
Director : Takashi Anno, Tomomi Mochizuki
Writer: Daijiro Morohoshi
Starring : Nozomu Sasaki, Alan Marriott, Mizuho Suzuki. Japan. 1h 40m
When I first started getting in Anime Akira (1988) probably kicked things off for me, and I dug deep in powerful fast pace cyber and horror films. But one film really stood out on a few trailers. Its pale colours, still images and traditional soundtrack make it stand apart from the rest of the 90’s Manga collection.
Having a deep love of folklore and being totally mystified by the demonic creatures in the advert I was sure to get a copy ASAP and i fell in love with animated films all over again, but for very different reasons than before. Continue reading Ankoku Shinwa / Dark Myth (1990)
District 9 (2009) – I was flabbergasted when I realised just how much this film was hated, I got my copy for free when I asked if anyone has seen it, people were giving it away.. so I was a bit dubious about watching it, but I was hooked within seconds.. it’s a mockumentary look at a group of alien (workers) who have go stuck in South Africa. The effects are brilliant, both the alien technology and “Prons” design look and “feel” impressive. Obviously the setting is key, the messages are deep an poignant. The film is elevated by the amazing and life changing performance from ?? who plays Vikers he goes through every emotion and reacts in non Hollywood’s way, giving a more interesting and diverse story. Personally I find it so attuned and turned on, I was really hoping for a sequel, but I guess I’ll have to sit quite tight. [REVIEW]10/10 Continue reading La Weekend August 1
Please note that this post discussion is a post discussion! Therefore it’s full of spoilers and discloses information about the ENTIRE film, including the beginning middle and yes the ending, and also these films…damn there is no other films like it..
So if you’ve not seen The Witch (2015) or any of the above, it’s probably better not to read on, instead please check out my spoiler free review here.
There’s something captivating in the demise of this pious family. Since the release of the Witch in 2015 it’s been hard for audiences to fathom what is going on in this occult horror, the curiosity has helped the $1 million gross over $37 million at the box office. Often being found to be boring and diving audiences as it strays away from loud noises, false jump scares and screaming teens flashing a bit of boob, it’s not even all the subtle in it’s approach, there are torturous scenes and graphic violence throughout but as the perceptions of witchcraft are subdued to a mysticism they aren’t perceived as being scary by modern and young audiences. The horror isn’t just aimed at Christians although the Satanic backing does raise many eyebrows and questions, but the ingenious aspect is that it argues on both sides of the religious coin. Continue reading The Witch : Post Discussion
Day 2 of 31
Director/Writer: Joe Dante
Novel: Gary Brandner.
Starring: Patrick Macnee, Dee Wallace, Robert Picardo, Christopher Stone, Dennis Dugan, Slim Pickens, Elizabeth Brooks, Don McLeod. USA. 1h 31m.
A long running all time favourite of mine that displays one of the more memorable transformation scenes in Werewolf Cinema, Howling was certainly a pleasant horror to fall for especially in a year that also saw the amazing cult classic, American Werewolf in London (1981) the stakes were high and this terror filled movie manages to conjure up a less messy but equally thrilling horror transformation in a unique tale.
Continue reading Howling (1981)