Director: Thomas Grieser
Starring: Thomas Grieser, Ursula Grieser, Wolfgang Grieser, Timo Homburg Germany. 1h 09m
There’s something about Griesers career as a movie director that has hints of Don Dohler, not necessarily, subject and quality but determination and drive, it’s a similar energy. For those who aren’t aware, Dohler had a run of trashy sci fi movies in early 80’s including Fiend, Galaxy Invader, The Alien Factor and Nightbeast which have recently started gaining a small cult following.
Director: Gore Verbinski Starring: Dane DeHaan, Jason Isaacs, Ivo Nadi, Celia Imrie, Mia Goth. USA/Germany. 2h 26m.
Gore Verbinski’s hellish story of entrapment in a world filled with mysteries and a strange folklore is full of disturbing quirks, but not enough to really step the film into the realms of greatness but instead it just comes off as a bit weird. The plot follows a young executive, Lockhart (DeHaan) who, after a misdemeanor at his firm, is sent to retrieve the company’s CEO, who is currently staying in a rehabilitation centre in the Swiss Alps. During this trip there’s hints of a sinister chapter from his childhood that still influences his life, but once he enters the secluded grounds of the wellness centre a dark fairytale atmosphere begins to take over.
Written by Ira Levin who gave us such classics like Rosemary’s Baby(1968), Stepford Wives (1975) and, The Boys from Brazil (1978), but the biggest influence on the story is Thomas Mann’s 1924 novel, The Magic Mountain (German: Der Zauberberg) . A book which does feature in the movie, those with a keen eye may spot it, is already considered to be one of the most influential works of twentieth-century and centres on a man unravelling a complex story from the backstories of key characters that he meets in a similar spar in the Alps. The war that’s faced in the novel is a World War, whereas Lockhart’s war is initially within him.
AKA Hired to Kill, Manhunt in the City, Manhunt in Milan, Manhunt
Director: Fernando Di Leo. Starring. Mario Adorf, Henry Silva, Woody Strode, Adolfo Celi. Italy. 1h 40m.
After a shipment of drugs vanishes a rather charming Corso (Cyril Cusack) settles down two confidants and describes the mood for them, Dave Catania (Silva) and Frank Webster (Strode) listen patiently while they are given clear instructions to travel to Italy, where they are to act as American as possible in order to gain the attention of their target, both men speak the language fluently and are more than capable of finding the man suspected of being responsible for the missing drugs and making him suffer. A beautiful local assistant will be waiting on them hand and foot and aiding their mission but the blundering idiot they are sent after might not be quite a useless as everyone suspects.
Small time pimp and crazy headbutting tough guy Luca Canali (Adorfi), seems pretty low key, not the shifty character you’d expect to accidentally lose such a precious cargo. The film partially opens with him spending a pleasant day with his “girlfriend/bottom bitch”in the park then beating up two douchebags using Tekken 2 tactics.But the magic of this film is that Luca is a family man, his stunning ex and beautiful daughter get all his love and attention, and pretty soon the movie shifts from the two tough guys high tailing and it turns into the “Luca show” while he tries to keep ahead of all the mobsters who are now suddenly hot on his tail and all in his slightly comedic style.
Director: Oliver Hirschbiegel Starring: Moritz Bleibtreu, Justus von Dohnányi, Christian Berkel, Oliver Stokowski, Andrea Sawatzki. Germany. 1h 49m.
A powerful fact based taut drama, stemming from the events surrounding the now, notorious Stanford Prison Experiment from 1971, Hirschbiegel encapsulates a bitter trials from behind the lens so to speak, making it very German, very bold, daring to dig deep into the torture tactics and leaves no stone unturned, in the mess of the soulless personal hardships the occurred during this tragic social experiment.
Director: Lars von Trier Starring: Willem Dafoe, Charlotte Gainsbourg . Denmark, Germany, Italy, France, Italy, Poland, Sweden. 1h 48m
This made a very interesting date night, a reconciliation with an ex and a movie filled with sexual violence and gnostic connotations, but in all honesty we both read that there were crazy genital mutilation scenes and being the sick twisted couple we were, we actually wanted to see this together, on top of this any film with Charlotte is usually a bit nutty and even with all this knowledge we were still a bit mystified and shocked at this dark and distinctively effective movie.
Director: Stephen Rick Starring. Patrick John Flueger, Val Kilmer, Mattea Conforti, Taylor Richardson, Paul Ben-Victor, Yul Vasquez. USA. 1h 30m.
There are a number of amazing tenant building horrors and thriller out here, Roman Polanski thrilled audiences with his trilogy of high rise fears, playing on the social and personal psychological terrors that can be conjured by a strange cult living within the walls or being left to one’s own devices, with no idea what kind of community you’re moving into there is a long running horror trope of new tenants finding strange secrets lurking in their new dream home, from either something creepy in the sub basements to demons haunting the halls, all of this is attractively laid out but in my opinion rubbished by a terrible ending, only written to continue a story that I don’t think anyone needs. Continue reading The Super (2017)→
Director: Raffaele Picchio Starring: Aaron Stielstra, Alice Zanini, Francesca Pellegrini .Germany. 1h 27m Based on : the short stories “El monte de las ànimas” and “La cruz del diablo” by Gustavo Adolfo
I have to say I’m one of those horror fans who was wowed by what is now considered retro or vintage horror and I still see 70-90 as a golden age. I do however look forwards, possibly with rose tinted glasses, to find modern horrors which are able to offer something which I find wholesome and non flashy, often I am let down by green screens effects, weak characters and narratives that really don’t go anywhere but there’s always an ounce of hope that when someone attempts to go back to a cult classic and renew an old franchise they might do it with some respect and not shit on a movies history.. alas after watching this abysmal movie I am still waiting… Continue reading Curse of the Blind Dead (2020)→
Director: Dennis Gansel. Starring. Jürgen Vogel, Frederick Lau, Max Riemelt, Jennifer Ulrich. Germany. 1h 47m. Based on: The Wave, by Todd Strasser
Some of the most daring and provocative dramas in modern cinema have come from the diverse experiments led by questionable scientists. In this case a loose canon of a teacher, Ron Jones who back in the early 60’s experimented the notion that a group of children could easily be led into a fascist regime after applying a totalitarian state in his classroom. He was fired once his dark social experiment was discovered but this led to a detailed book by Todd Strasser and then it’s adaption of the same name, The Wave.
Gansel draws on a gritty documentary style to his movie, with a very fluid camera and fly on the wall experiences are quickly paced and incredibly gut wrenching to see these hopeful youths fall into the abyss after being led to it by their outcast tutor. Continue reading Die Welle / The Wave (2008)→
Director: Andrea Bianchi. Starring. Karin Well, Cianluigi Chirizzi, Simone Mattoli,Antonella Antinori, Pietro Barzocchini. Italy. 1h 25m.
AKA Nights of Terror, Zombi Horror, The Zombie Dead, Zombie 3
This seems to be one of the long-lost zombie films of the 80’s, but there’s a reason why this isn’t talked about that much in the same circles as Fulci, Argento and D’Amato.
During the 70’s and early 80’s Italian cinema became saturated with dark tales of zombies and ghouls coming back from the dead to feast on the living. While Burial Grounds seems to follow all the popular trends of the golden age it somehow does this without much of a narrative. but still remains a fan favourite and is admittedly a very unexpected thrilling viewing experience. Continue reading Burial Ground : The Nights of Terror (1981)→
Director: Konstantin Lopushansky Starring: Viktor Mikhaylov, Vera Mayorova,Vadim Lobanov, Irina Rakshina, Aleksandr Rasinsky, Iosif Ryklin, Yu. Sobolev, Vladimir Firsov. Russia/Soviet Union/West Germany/Switzerland. 2h 16m
The jaw dropping, mind bending and highly disjointed follow on to Dead Man’s Letters (1986), shows that Lopushansky has lost none of this amazing vision of the world after an apocalyptic disaster. Usually history is written by the victors but who really comes out on top when the entire planet sinks into a nuclear winter?
From it’s dark crimson opening, it’s clear that the world is a very different place in this complicated post-apocalyptic future, that carries on from living memories of Chernobyl. The world attempts to keep things moving as a tourist attempts to traverse the barren landscape to visit a museum buried deep below the ocean. Clothed in a long black coat and carrying a single suitcase he stumbles through massive piles of waste, fights through clouds of dangerous dust and catches the saddest looking train I’ve ever seen limp down a track. Eventually he makes it to his “hotel” a house run by rich elites that looks out onto a vibrant shore that leads to a hidden fabled Museum.