Director: Fatih Akin
Starring: Jonas Dassler, Margarete Tiesel, Katja Studt .Germany. 1h 50m
Based upon the novel of the same title, written by the author Heinz Strunk and published in 2016.
Unlike a ton of American productions about Serial Killers which feels the need to pick at the upbringing and give a reason for the erratic behaviour, there’s a ton of grotty mess throughout this pretty accurate retelling of the crimes of a notoriously bad character who eventually killed 4 part time prostitutes in a region of Hamburg in the late 70’s. Fritz Honka has a troubled life from a youngster but the film opens with the discarding of his first corpse, one that would alter the police but not much else would come from his nightly escapade of desperate sex and murder.
Honka is played by a pretty attractive and young German actor, Jonas Dassler who works his ass off to play this misaligned and deformed character with the use of some marvelous method acting and special effects he really does a lot to mimic the grimy nutcase. The film plays out the four year span where Honka did most of his killing, there’s some elaborations and artistic licence with story, with the inclusion of a young teen couple who are trying to be adults in and around the red light district, they story dips in and out giving Honka some wank material and moves the plot along when it begins to flounder. Continue reading Der Goldene Handschuh / The Golden Glove (2019)
Director: Robert Schwentke
Starring: Max Hubacher, Frederick Lau, Bernd Hölscher, Waldemar Kobus, Alexander Fehling, Samuel Finzi. Germany. 1h 50m
Here is another chilling nightmare from the German home front, as the end of the war begins to loom into reality and defeat is imminent, a lone German runs deep into the woods while being chased by some overprivileged soldiers blowing horns and taking pot luck shots at him. The man manages to evade death and recapture and eventually stumbles on an abandoned car and uniform of a high ranking officer.
This crystalline black and white brutal masterpiece, possible shot in this style inspired by Spielberg’s Schindler’s List (1993) shows that the talented director Schwentke has gone back to basic and delivered something beautifully stark and somewhat monstrous. Continue reading Der Hauptmann / The Captain (2017)
Director: Simon Verhoeven.
Starring. Alycia Debnam-Carey, William Moseley, Connor Paolo, Brit Morgan, Brooke Markham, Sean Marquette, Liesl Ahlers. Germany/South Africa. 1h 22m.
Not remembering where this came during the more recent spate of social media horrors, it seem that the idea of the supernatural being broadcast and manipulating people through the internet isn’t something new but something that works better on paper or maybe by being narrated on YouTube on the Creepypasta channels. But this English language German horror does offer some brilliant jump scares but lacks the substance in between.
Laura (Debnam-Carey) is one of the more popular kids at college, who lives a privileged and beautiful life, one day she accepts an online request from a loner called Marina (Ahlers) the two strike up a friendship, albeit it at arms length when Laura notices the dark and disturbing imagery on Marina facebook page. Laura starts to notice how possessive Marina is getting and lies to her about an upcoming birthday party claiming it’s going to be a quiet one but the photos of her enjoying a lavish dinner date with her friends and family get uploaded and Marina confronts her in the dinner hall, as the argument gets heated Marina hood falls down revealing a bloody scalp from her habitual hair pulling. Continue reading Friend Request (2016)
Director: Dušan Makavejev
Starring:Carole Laure, John Vernon, Anna Prucnal, Pierre Clémenti, Jane Mallett, Roy Callender, Sami Frey. France, Germany, Russia. 1h 38m
The film is like a psychedelic socio political nightmare orgy, with some kind of comedy added to cushion the blow.
Following the lives of two women, Miss Mode 1984 and Anna Planeta, both are figureheads for different movements, Miss Mode (Laure) represents modern commodity culture, while on the other hand Anna (Prucnal) is the spearhead of the failed communist revolutionary. The film opens with a glitzy show, where women around the world are aiming to win the Most Virgin competition, the winner is Miss Canada with her golden shiny vagina. Her prize is to marry Mr. Kapital, a milk industry tycoon played by the daring and often enigmatic John Vernon, losing her virginity doesn’t go to plan, despite a golden dick, she soon bribes a servant to smuggle out of the Milk Tycoons mansion after his mother tries to drown her. Miss Mode goes on to join a cult, she gets seduced by a glittery Latin singer called El Macho (Frey). Continue reading Sweet Movie (1974)
Starring: Alfred Abel, Gustav Frohlich, Rudolf Klein Rogge, Fritz Rasp, THeodor Loos, Brigitte Helm. Germany. 2h 28m
Despite the age and the various cuts of this groundbreaking movie it’s still a powerful and disturbing film, it’s one of those titles that a lot of people are aware of but haven’t really watched and I have to admit that I’ve only seen it 3 times and each time it’s been a different cut but the darkness of the story remains constant, Regardless of HG Wells comments about the plot being “silly” it’s hard not to see how it’s a forerunner for those stark dystopian projects such as 1984 (1949), High Rise (1975-2015) and dare I even say Terminator (1984).
Opening with lavish scenes of an efficient and idealist future cityscape, the Metropolis is busy and filled with beautiful people, one of these stunning hipsters is Freder (Frohlich) his father Joh Fredersen, is a rich and powerful man who basically owns the city and runs the world above and below from his penthouse office. While Freder is playing with his friends in a pleasure garden, their playtime is interrupted when Maria (Helm) intrudes with a group of children who exist in the underground, who have come to see how the other half live, Freder is bewitched by Maria’s beauty and follows her into the depths of the city, and into a world which he’d been kept apart from all of his privileged life by this rich father who just happened to own the city.. Continue reading Metropolis (1927)
Director: Franco Prosperi.
Starring: Lorraine De Selle, Ugo Bologna, John Stacy, John Aldrich Stefania,Pinna Italy/Germany. 1h 32m.
A short while ago the Amazon delivery guy brought two films to my door, on a chilly winter morning, Wild Beasts and ROAR! I had hope for a double bill of amazing creature features and I got it.. I started the duo with this gem from the 80’s which like Roar (1981) involved the use of many large wild animals, undergoing a wild night in the city.
Half horror and half “let’s think about what we’re doing to the environment” movie, it’s scattered with gruesome animal attacks as well as highlighting ecological issues. But it’s just a normal day at the zoo when a beautiful photographer Laura Schwarz (De Selle) arrives to take some photos at the local zoo, she’s introduced to the various lives of a range of animals and procedures in the zoo, while the animals seem to be going about their normal day to day lives there are some concerns that they are “off their food”. Wrapping things up the photographer gets the cold shoulder from her young daughter who she rarely see’s day to day and is experiences abandonment issues. While the brilliant zoologist Ruper Berner ( Aldrich) retreats to his home for a shower.. Continue reading Belve Feroci (Savage Beasts) / The Wild Beasts (1984)
Director: Peter Fleischmann.
Original book same title by Arkady and Boris Strugatsky
Starring. Alexander Philippenko, Edward Zentara, Werner Herzog. Russia/USSR/(West)Germany. 1h 59m.
While trying to get hold of the second remake of Hard to be a God (2013) I noticed a resurgence of the earlier remake from the 80’s and managed to watch them in chronological order, not that it matters much as they are two extremely different movies which look at different fragments of a brilliant science fiction story, originally written by Arkand and Boris Strugatsky, this is a simplistic version of a deeper more complicated story but it’s easier to watch and at times stomach more than the 2013 version.
On another planet out in the vast universe a simple civilisation is going through their Medieval period and it’s quite similar to ours, this has sparked interest in the more advanced cultures, namely us! An employee of the institute of experimental history from Earth is sent to this planet disguised as a noble named Rumata of Estor and he’s tasked to observe the culture and find the previous person who was sent there to also observe, another spy who has perished while trying to raise an unlucky coup against the main palace and Rumata has to take his place as a resident. He soon discovers that many of the 30 others have also perished in this harsh society and is soon pulled into the next coup Soon he meets all the horrors of medieval society, war, palace coups, mass executions, peasantry and they prove to be too barbaric for scientist, and he’s disgusted to find out that people are slaughtered if they are considered to be too intellectual, and thus keeping the society in a permanent state of Medieval life. Continue reading Es ist nicht leicht ein Gott zu sein / Hard to be a God (1989)
Director: Uwe Boll
Starring. Brendan Fletcher, Lochlyn Munro, Mike Dopud, Michaela Mann Canada/Germany/USA. 1h 33m.
Straight after his first rampage in Oregon, Bill Williamson (Fletcher), vanishes off the grid but the actions and message is received loud and clear and his fan base is growing online. He uses the money from his previous heist to fund a new one venture to really get his message home, a second chapter, another rampage and this time he’s coming back for the media. After purchasing weapons and building bombs he shaves his head, sets his house on fire and drives to Washington where he unpacks, burns his car, breaks into a new station, killing security staff and a few employees, he gathers up their number one (asshole) anchorman (Munro) and gathers his hostages in the basement. Continue reading Rampage – Capital Punishment /Rampage You End Now(2014)
It was a quiet night, I spend a bit of it pondering Romero’s career and obviously I’ll be writing a short list of my favourite films from him, trying to avoid any Zombie ones but damn that man made a huge impact and with a tiny amount of films under his belt, 20 credited to him on the IMDb but it’s not the quantity it’s the quality right. I nearly forgot how prominent a strong independent black man is to his formula.
So I got the old “of the Dead” boxset out but I just couldn’t watch any of them, I had to get my mind off from Ghouls and Zombie for a while, my twitter feed is like a rolling Romero montage at the moment, I’ve seen enough.. so I tried a golden oldie then something that’s been on the to- watch pile for a while.
30 Days of Night (2007) D: David Slade S:Josh Hartnett, Horror/Supernatural (USA) Continue reading Last night Movies 17.07.2017
Director: Olaf Ittenbach.
Starring.Natacza Boon, James Matthews-Pyecka, Daryl Jackson. Germany. 1h 26m.
It’s quite easy to slate a film just because of it’s shoddy acting and low budget but then there are a few golden films where we actually really adore them just for those reasons, I want to name the Room (2003) but really I don’t know why it’s’ the best of the worst.. but it is. Garden of Love has some pretty bad qualities, poor production being the more noticeable but there is a damn fine slasher movie somewhere in the mess. Continue reading Garden Of Love (2003)