Director: Federico Zampaglione
Starring: Claudia Gerini, Nuot Arquint, Michele Placido, Ennio Tozzi, Ivan Franek, Michela Cescon, Federica Vincente. Italy. 1h 24m
As dedicated nod to the 70’s Giallo movement Tulpa sees a successful business women, Lisa Boeri (Gerini) get pulled into a grotty underworld while living a vivid double life.
Opening with a gore filled sado masochistic murder. A man enters a deadly game as a dominant but soon becomes the victim of a leather gloved maniac with a wild moral compass, out of the thick bloodied and drawn out scene the story of Lisa, a ball busting, successful business woman, well respected and admired but she keeps her nocturnal activities a painstakingly repressed, after hours she’s an eager member of a esoteric underground club, named Tulpa, owned by a strange tibetain character, a true embodiment of the hierophant played by the otherworldly Nuot Arquint . Unfortunately for Lisa, her two world’s are set to collide when her sexual partners from the club are savagely slaughtered. Continue reading Perdizioni mortali / Tulpa (2012)
Director: Lamberto Bava
Starring. Michele Soavi, Andrew Occhipinti, Fabola Toledo, Anny Papa. Italy. 1h 50m.
The literal translation of the title is The House with the Dark Staircase which is a little bit more appropriate; at least for the opening scene. Initially cast as a mini-series the film was scraped by Italian TV moguls for being too violent, so re edited as a much shorter film.
Starting with a peculiar scene a groups of boys dare each other to go down some dark stairs (hence the name) eventually one of the boys is forced down into the darkness where he meets his grisly fate, from there Bava leisurely sets the pace of a whodunit with some impressive jump scares. Continue reading La Casa Con La Scala Nel Buio / A Blade in the Dark (1983)
Director: Sergio Martino
Starring: George Hilton, Anita Strindberg, Alberto de Mendoza,Ida Galli. Italy. 1h 33m
Martino’s The Case of the Scorpion’s Tail is an engrossing Giallo film but strangely it focuses more on the investigation than outlandish slayings. A woman, Lisa (Galli) inherits a massive fortune when her husband dies in a freak accident which results in his plane blowing up mid-flight, she leaves her lovers embrace and collects her money. Close on her heels is the suave and seductive an agent Peter Lynch (Hamilton) sent by the insurance company, checking to see if she had anything to do with the freak accident. They become close as a mysterious stalker starts slaughtering the people around Lisa including her husband’s bit on the side who also wants a cut of the fortune, their marriage of convenience is nothing of the sorts now, with a deluge of lovers and mysterious people entering the frame it’s a total nightmare to work out who the culprit might be, but the local police look clueless and are unable to offer answers or protection, Lynch eventually falls for and investigates the murder with an ambitious anchor woman, Cléo Dupont (Strindberg). A small heirloom holds the key to identifying the deranged killer but will the lovers find the answer before it’s too late. Continue reading La coda dello scorpione/ The Case of the Scorpion’s Tail (1971)
I got new art supplies so while I was tinkering with those I managed pull out a few golden oldies but then when I realised a new DVD was pretty short I crammed in one priceless Giallo too!
Bullitt (1968) – I remember watching my mother get all excited about Bullitt, she’s a huge fan of Steve McQueen and as a kid I didn’t know why but i’ve been converted, I brought Bullitt a few years back and was totally blown away by it time and time again, I’ve had a passion for retro/vintage cars and while I’ve always adored Mercury Lead Sleds I finally caved in and I want a Dodge now.. But the film is quite strange, famed for being “that car film” there’s a lot of crime thriller going on as well. McQueen plays a toughen San Francisco cop who is out for blood, his target is a local king pin who has killed a witness who was left in his care. McQueen’s need for speed sparked him to insist on doing all the car chases and he made a point to keep his head near or out of the window in all the scenes to the audience that it was him at all times… damn I love car chases!! 9/10 Continue reading Last Night’s Movies 25.07.2017
I keep forgetting these updates but I managed to watch a couple of films last night, both brilliant in very different ways, and two classics, one new and one old and close to my heart.
The Fly (1986)
Despite being “not a fan” of remakes this film has always been a great favourite of mine, it’s simple and effective but taking the science and horror brilliance from the 1958 classic and letting it lose in the hands of Cronenberg resulted in some spectacular effects and a highly entertaining gory film, that still has some cult status, those amazing pods, the body shocking gore which rocketed Goldblum’s career, although he still plays the same character in all his films. One person I think we all forget is Stathis Borans (John Getz) an actor I only recognise when he has a beard, I’m going to write a piece about him, the only character who successfully makes it in both films although massively scarred for life both mentally and physically. So for those who haven’t seen the film (many shames on you), this remake is similar but much more daring that the it’s much older original, I’ll get into the differences in another post. But a brilliant and recluse scientist Seth Brundle (Jeff Goldblum)manages to build Telepods that transport objects via particles through space, while conducting a test he manages to transport himself through space but unfortunately a fly is present in the pod and they are genetically spliced together. It’s that simple but becomes so complicated for him as he mutates into a 6ft human fly.. queue The Cramps! Cronenberg, well known for his obsession with the flesh turned a retro horror into buckets of puke and lose body parts gore romance, and we can’t forget this romance as it was pretty real, Gena Davis who plays the love interest did in fact become involved with Goldblum. For me it’s brilliant and still stands the test of time. 9/10 Continue reading Last Nights Movies 09.03.17
Director: Romolo Guerrieri.
Starring: Carroll Barker, Jean Sorel, Luigi Pistilli. Italy/France. 1h 35m.
A couple return to Geneva from their honeymoon flaunting around various parts of Europe, the rich Deborah (Barker), and beautiful lover Marcel (Sorel) are only in town for one night before things start to become strange. Marcel notices an old friend, Philip, who totally blanks him in a nightclub, after catching up with him again during the evening, Philip announces that Marcels former fiance Susan is dead and it’s all his fault, despite her death being a suicide Philip still strongly blames Marcel for her death. Continue reading The Sweet Body of Deborah/The Body/Married to Kill (1968)
Director : Lucio Fulci
Starring: Patrick Magee, Mimsy Farmer, David Warbeck, Al Cliver. Italy.1h 32m
A giallo tribute to the brilliance of Edgar Allen Poe, but as Fulci was the king of gore it pulls away from the gothic nature of the original stories and lathers it in slasherific fun.
In a small English village there is something macabre going on, a man notices a cat on the backseat of his car that appears to hypnotise him which results in him crashing his car and his death, the car cheerfully scampers off home to the cottage is shares with Robert Miles (Patrick Magee), a retired; hateful professor who doubles up a psychic or medium and spends most of his time recording in at the tombs or graves of the recently deceased. Meanwhile an American tourist Jill Travers (Mimsy Farmer) wanders into a tomb to take photos and finds a microphone, she’s eventually warned off b a local bobby Sergeant Wilson (Al Cliver). A young couple sneak into an airtight room in a boat house to make out, when a black cat appears suddenly the key goes missing and the two are seen dying from an unfortunate lack of oxygen. Continue reading Black Cat (1981)
Director: Umberto Lenzi.
Starring:Irene Papas, Ornella Muti, Ray Lovelock. Italy. 1h 30m.
What a chance find in CEX helps me find one of the missing items from my Shameless collection, they can’t be all that bad right!?
A couple of hippies are bumming around creating an artistic mayhem until they get caught at a gas station for trying to sell porn photos, they go on the run but soon run out of petrol. Luckily for them, they are near a lush house and grounds (the Oasis) and try their luck at the house, initially all they discover is a frightened woman awaiting the arrival of her husband but what other secrets are locked away in this house!? The hippy couple are used to having the upper hand and out numbering the fragile woman they try to befriend her while also trying to rip her off. But gradually she starts showing her true colours and can play them at their own game, be it fueled with erotica or intense conversation she’s quite a vixen and a cat and mouse games unravels everyone’s plans. Continue reading Oasis of Fear (1971)
Director: Luigi Cozzi.
Starring: George Hamilton, Antoine Saint-John. Italy. 1h 28m.
This nifty little Giallo film is actually quite intriguing if not totally underpowered. A juggalo boyfriend, Giorgio(Hamilton) is about to be cut off from his stunning rich girlfriend and her fortune after she’s had enough of his player ass, so he storms out and witnesses a man dumping a woman’s body into the river…instead of calling the police he confronts the man, invites him out, get his prints on his lighter and blackmails him into killing his girl, a similar setup is manufactured in Strangers on a Train (1951), but starts spinning his own web of deceit by claiming that she has been kidnapped and asks her father to pay up a million for her, which is about the figure the two haphazard dial a crooks got in Fargo (1996), the local police aren’t ready to buy that bullshit so keep on digging, the only minor problem is that the killer has lost the body, a couple of hipster kids managed to steal his car with the body in the trunk so the killer (who is only known as “the killer throughout the film) must chases them down and must kill and kill again until he can put things to rights… Continue reading L’assassino e costretto ad uccidere ancora/The Killer Must Kill Again (1975)
Day 17 of 31
Director : Dario Argento
Starring : Macha Meril David Hemmings Daria Nicolodi Gabriele Lavia Giuliana Calandra Glauco Mauri Clara Calamai Piero Mazzinghi. Italy. 1h 46m.
Giallo films are one of the more iconic and unusual forms of horror, terror and suspense, a genre that’s easy to define but not very easy to predict, when I was first introduced to the eccentric brand of Italian slasher, in the weekend marathon I pretty much watched all the biggest names from Dario Argento and Lucio Fulchi. But only a few stood out, this was an instant favourite, not only because of the extensive nightmarish story, but the variety of violence that everyone can identify with. Continue reading Profondo Rosso / Deep Red / The Hatchet Murders (1975)